walpolesociety.org.uk
British Art History Resources
http://www.walpolesociety.org.uk/art-history/art-history.shtml
Previous volumes by vol. no. Previous volumes, A to Z. View of houses in Naples; seen from a height, with tops of trees at right foreground. 1782 Oil on paper. Please join the Walpole Society or make a donation so that we can continue to enhance this website with further digital content. Donations should be sent to Charles Sebag-Montefiore, Hon. Treasurer, Walpole Society, c/o Department of Prints and Drawings, The British Museum, London WC1B 3DG, email: treasurer@walpolesociety.org.uk. A significant res...
circa1700.wordpress.com
Links | circa 1700 - notes on British and Irish art history
https://circa1700.wordpress.com/links
Circa 1700 – notes on British and Irish art history. The Paul Mellon Centre for Studies in British Art. I’m Researcher/Co-ordinator for the Understanding British Portraits. Network, housed at the National Portrait Gallery in London. The network provides seminars, private collection visits, many online resources, early-career bursaries and other networking opportunities for curators, museum-learning professionals, scholars, conservators, dealers etc., who are engaged with British portraits. Notify me of n...
pastel-noun.com
Dictionnaire pastel avant 1800
http://www.pastel-noun.com/pages/histoire-du-pastel/dictionnaire-du-pastel-et-pastellistes-avant-1800.html
Pastellistes coup de coeur. Introduction à l'histoire de la Société de pastellistes français (1885-1927). Traité peinture pastel 1788. Revue Illustrée année 1888. Dictionnaire pastel avant 1800. Pastellistes des années 1980. Pastel origines du nom. Images de craies pastels XVIII. Peindre au pastel sec. FRANCE Sociétés de pastel. Fin de nuit Boréale. Breteuil Mosaïque de buis. Volgré après l'orage. Chouette chevèche d'athéna. Neige au rû de la main coupée. Promenade autour d'Evian.
neiljeffares.wordpress.com
The pastels the Louvre rejected | Neil Jeffares
https://neiljeffares.wordpress.com/2015/06/21/the-pastels-the-louvre-rejected
Fairness, candour and curiosity from finance to art history. Maurice-Quentin de La Tour. The pastels the Louvre rejected. Among the Archives des musées nationaux is a section dealing with pictures offered to the Cabinet des dessins over the years. Many of these were no doubt. Of course the Louvre can hold its head high with La Tour’s full-length pastel of Mme de Pompadour whom casual visitors will assume has always been the property of the French state (or crown). Not so: s. But there were other La Tours...
heatherharmanfineart.com
Useful and interesting links
http://www.heatherharmanfineart.com/other_links.php
Heather Gail Harman Fine Art. Pastel specialist. Landscape and portrait. Traditional and Impressionist. Tuition. Courses and Painting Holidays. International Association of Pastel societies;. Interesting site full of hints and tips. Art du Pastel en France. The Pastel Guild of. ASPAS – the Pastel Society of Spain. Http:/ www.artdupastelenfrance.fr. Societe des Pastellistes de France. The International Artist Magazine. My long standing association with this north of. Are best placed through. Sally and Den...
circa1700.wordpress.com
cpegum | circa 1700 - notes on British and Irish art history
https://circa1700.wordpress.com/author/cpegum
Circa 1700 – notes on British and Irish art history. Newly-identified portraits by Garret Morphey (c.1650-1716). 13 April, 2015. By Garret Morphey (c.1650-1716), c.1700-05. Oil on canvas, 126.4 x 95.9 cm. Private collection, England. By Garret Morphey (c.1650-1716) (detail), c.1700-05. Oil on canvas, 126.4 x 95.9 cm. Private collection, England. Inscribed. Or ‘To’] Sr Theobald Buttler These’. I’ve contextualised the portrait commission, and its Jacobite undertones, in a paper just published in the. Irish...
neiljeffares.wordpress.com
Liotardiana (2): Dispute pour des marrons | Neil Jeffares
https://neiljeffares.wordpress.com/2015/06/15/liotardiana-2-dispute-pour-des-marrons
Fairness, candour and curiosity from finance to art history. Liotardiana (2): Dispute pour des marrons. R&L thought that one of the pictures, a group of children playing with chess pieces (left), probably corresponded with the pastel described as children playing with chestnuts inventoried as by Liotard in the private apartments of Maria Theresia in 1772, no. 780: eine Junge Manns-Person mit 3 Mägden, so mit Kastanien spielen vom Liodard. Until 2015, show the influence of Liotard, particularly in the thr...
neiljeffares.wordpress.com
From Escher to Liotard | Neil Jeffares
https://neiljeffares.wordpress.com/2015/07/03/from-escher-to-liotard
Fairness, candour and curiosity from finance to art history. From Escher to Liotard. I was struck by an article in. I ought perhaps to see the exhibition before writing about it, but let me at least justify the charge of arrogance by blogging about it without doing so (and when I go to see the Liotard I shall probably prefer to spend all my time there). So I pulled out my childhood copy of. The Graphic Work of M. C. Escher. From Geneva, makes the case a little more interesting)? Maybe the answer depends ...
neiljeffares.wordpress.com
George Romney | Neil Jeffares
https://neiljeffares.wordpress.com/2015/07/26/george-romney
Fairness, candour and curiosity from finance to art history. Kidson’s approach is to strip the concept right down to exactly what it says a list of the paintings that Romney made. With superb colour illustrations all the way through, on the same page as the entry (bravo Yale, and for going to three volumes so that we can handle the results). Much of the success of a catalogue raisonné lies in pedestrian matters such as the layout. Here he broadly follows Mannings’s 2000. And some details are picked up, b...
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