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Patricia Railing Writes | 28 Freshfield Bank, Forest Row, East Sussex, England RH18 5HG email – patricia@patriciarailingwrites.net

HOME PAGE and CURRICULUM VITAE. The question that I had been asking myself over a number of years is, how did art become abstract in the early 20th century? It has been in order to answer this question that I engaged in the research and writing of articles and books over the last 25 years or so. This was followed by a well-developed understanding of the theories underlying the creative ideas and methods that are the subject of. Malevich Paints The Seeing Eye. Century. Finally, the story about how abs...

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Patricia Railing Writes | 28 Freshfield Bank, Forest Row, East Sussex, England RH18 5HG email – patricia@patriciarailingwrites.net | patriciarailingwrites.net Reviews

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HOME PAGE and CURRICULUM VITAE. The question that I had been asking myself over a number of years is, how did art become abstract in the early 20th century? It has been in order to answer this question that I engaged in the research and writing of articles and books over the last 25 years or so. This was followed by a well-developed understanding of the theories underlying the creative ideas and methods that are the subject of. Malevich Paints The Seeing Eye. Century. Finally, the story about how abs...

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7 alexandra exter paints

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Patricia Railing Writes | 28 Freshfield Bank, Forest Row, East Sussex, England RH18 5HG email – patricia@patriciarailingwrites.net | patriciarailingwrites.net Reviews

https://patriciarailingwrites.net

HOME PAGE and CURRICULUM VITAE. The question that I had been asking myself over a number of years is, how did art become abstract in the early 20th century? It has been in order to answer this question that I engaged in the research and writing of articles and books over the last 25 years or so. This was followed by a well-developed understanding of the theories underlying the creative ideas and methods that are the subject of. Malevich Paints The Seeing Eye. Century. Finally, the story about how abs...

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patriciarailingwrites.net

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COMMENT | Patricia Railing Writes

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So Far No Fake…. But the art historians are delighted. For those who are unbiased and uncompromised, theirs is the pursuit of unprecedented creative invention. Thus has occurred the art market’s war on the art historians, with threats to keep them quiet, together with ignominious attacks of fake . Let us look at what it means to cry fake suitably here called crying wolf …. Two of these norms are. 1 Exhibition history of a work. Without exhibition history a work cannot be considered authentic,. Being a vi...

2

Articles | Patricia Railing Writes

http://patriciarailingwrites.net/articles

The Purge of Modern Trends. Vol 3, 2012. Light Painting , with Caroline Wallis. Vol 2, 2011. Colour is Light ,. Vol 2, 2011. Beyond the Horizon Coherent Geometric Systems in Rodchenko’s Painting. University of Saskatchewan, No. 49-50, 2009-2010. Report . Drawing Conclusions from Scientific Analyses. Vol 1, 2010. The Interaction of Scientific and Art Historical Investigations into Works of Art. With Laurette Thomas and Ilenia Cassan,. Vol 1, Nos. 2-3. Victory Over the Sun. Vol 1 No. 1, 2009. Vol 1, 2009.

3

Authentication | Patricia Railing Writes

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AUTHENTICATING THE RUSSIAN AVANT-GARDE Science and Art History. I have been privileged to have been shown many paintings by Russian Avant-Garde artists since 2006, with most of those I saw from 2007 having been locked up in storages in Russia from around 1930 when hard-line Stalinists were proclaiming that the art of the Avant-Garde was not supporting the aims of the new regime. With Stalin’s 1932 decree,. On the Reconstruction of Literary and Artistic Organisations. An old painting can therefore be dist...

4

1 • IN RUSSIA | Patricia Railing Writes

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Patricia Railing, Andréi Boris Nakov,. Viktoria Zaitseva, Nikita Lobanov-Rostovsky. Summer 1975 at Zaitseva’s home in. Posiolok DPS, near Kiev. Kazimir Malevich Suprematism as Pure Sensation. Being awarded With Distinction , or. It was the culmination, she told me, of over 40 years of work on the Russian Avant-Garde art. Our first question to her, then, was, Tell me about the beginnings of your work on the Russian Avant-Garde. What were you able to see in Russia, then? Century artist, and random numbered...

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GABO ON GABO Texts and Interviews (1920-1977) | Artists • Bookworks

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Patricia Railing PhD, Director 28 Freshfield Bank, Forest Row, East Sussex, England, RH18 5HG Tel/Fax: 44 (0)1342 823568 email:patricia@artistsbookworks.co.uk. ABOUT 2 SQUARES (1922). THE CUBIST PAINTERS Aesthetic Meditations (1913). 5 x 5 = 25 (1921). FROM SCIENCE TO SYSTEMS IN ART On Russian Abstract Art and Language 1910/1920. GABO ON GABO Texts and Interviews (1920-1977). MALEVICH PAINTS – THE SEEING EYE. SUPREMATISM 34 Drawings (1920). VICTORY OVER THE SUN (1913). Impressionists’ Palettes of Light.

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5 x 5 = 25 (1921) | Artists • Bookworks

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Patricia Railing PhD, Director 28 Freshfield Bank, Forest Row, East Sussex, England, RH18 5HG Tel/Fax: 44 (0)1342 823568 email:patricia@artistsbookworks.co.uk. ABOUT 2 SQUARES (1922). THE CUBIST PAINTERS Aesthetic Meditations (1913). 5 x 5 = 25 (1921). FROM SCIENCE TO SYSTEMS IN ART On Russian Abstract Art and Language 1910/1920. GABO ON GABO Texts and Interviews (1920-1977). MALEVICH PAINTS – THE SEEING EYE. SUPREMATISM 34 Drawings (1920). VICTORY OVER THE SUN (1913). Impressionists’ Palettes of Light.

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SUPREMATISM • 34 Drawings (1920) | Artists • Bookworks

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Patricia Railing PhD, Director 28 Freshfield Bank, Forest Row, East Sussex, England, RH18 5HG Tel/Fax: 44 (0)1342 823568 email:patricia@artistsbookworks.co.uk. ABOUT 2 SQUARES (1922). THE CUBIST PAINTERS Aesthetic Meditations (1913). 5 x 5 = 25 (1921). FROM SCIENCE TO SYSTEMS IN ART On Russian Abstract Art and Language 1910/1920. GABO ON GABO Texts and Interviews (1920-1977). MALEVICH PAINTS – THE SEEING EYE. SUPREMATISM 34 Drawings (1920). VICTORY OVER THE SUN (1913). Impressionists’ Palettes of Light.

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ABOUT 2 SQUARES (1922) | Artists • Bookworks

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Patricia Railing PhD, Director 28 Freshfield Bank, Forest Row, East Sussex, England, RH18 5HG Tel/Fax: 44 (0)1342 823568 email:patricia@artistsbookworks.co.uk. ABOUT 2 SQUARES (1922). THE CUBIST PAINTERS Aesthetic Meditations (1913). 5 x 5 = 25 (1921). FROM SCIENCE TO SYSTEMS IN ART On Russian Abstract Art and Language 1910/1920. GABO ON GABO Texts and Interviews (1920-1977). MALEVICH PAINTS – THE SEEING EYE. SUPREMATISM 34 Drawings (1920). VICTORY OVER THE SUN (1913). Impressionists’ Palettes of Light.

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VICTORY OVER THE SUN (1913) | Artists • Bookworks

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Patricia Railing PhD, Director 28 Freshfield Bank, Forest Row, East Sussex, England, RH18 5HG Tel/Fax: 44 (0)1342 823568 email:patricia@artistsbookworks.co.uk. ABOUT 2 SQUARES (1922). THE CUBIST PAINTERS Aesthetic Meditations (1913). 5 x 5 = 25 (1921). FROM SCIENCE TO SYSTEMS IN ART On Russian Abstract Art and Language 1910/1920. GABO ON GABO Texts and Interviews (1920-1977). MALEVICH PAINTS – THE SEEING EYE. SUPREMATISM 34 Drawings (1920). VICTORY OVER THE SUN (1913). Impressionists’ Palettes of Light.

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Terms & Conditions. Our Portfolio of recently created Websites. The Move It Company. G A Waite Solicitor. Kings Head – East Hoathly. Estate Property Management Ltd. The Fox North Waltham. Noise to Signal Cartoon. Some interesting or useful links. Find your IP Address. Website by MAC.NETWORK.

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FOR THE VOICE (1923) | Artists • Bookworks

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Patricia Railing PhD, Director 28 Freshfield Bank, Forest Row, East Sussex, England, RH18 5HG Tel/Fax: 44 (0)1342 823568 email:patricia@artistsbookworks.co.uk. ABOUT 2 SQUARES (1922). THE CUBIST PAINTERS Aesthetic Meditations (1913). 5 x 5 = 25 (1921). FROM SCIENCE TO SYSTEMS IN ART On Russian Abstract Art and Language 1910/1920. GABO ON GABO Texts and Interviews (1920-1977). MALEVICH PAINTS – THE SEEING EYE. SUPREMATISM 34 Drawings (1920). VICTORY OVER THE SUN (1913). Impressionists’ Palettes of Light.

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NEW TITLES | Artists • Bookworks

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Patricia Railing PhD, Director 28 Freshfield Bank, Forest Row, East Sussex, England, RH18 5HG Tel/Fax: 44 (0)1342 823568 email:patricia@artistsbookworks.co.uk. ABOUT 2 SQUARES (1922). THE CUBIST PAINTERS Aesthetic Meditations (1913). 5 x 5 = 25 (1921). FROM SCIENCE TO SYSTEMS IN ART On Russian Abstract Art and Language 1910/1920. GABO ON GABO Texts and Interviews (1920-1977). MALEVICH PAINTS – THE SEEING EYE. SUPREMATISM 34 Drawings (1920). VICTORY OVER THE SUN (1913). Impressionists’ Palettes of Light.

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ALEXANDRA EXTER PAINTS | Artists • Bookworks

https://artistsbookworks.co.uk/alexandra-exter-paints

Patricia Railing PhD, Director 28 Freshfield Bank, Forest Row, East Sussex, England, RH18 5HG Tel/Fax: 44 (0)1342 823568 email:patricia@artistsbookworks.co.uk. ABOUT 2 SQUARES (1922). THE CUBIST PAINTERS Aesthetic Meditations (1913). 5 x 5 = 25 (1921). FROM SCIENCE TO SYSTEMS IN ART On Russian Abstract Art and Language 1910/1920. GABO ON GABO Texts and Interviews (1920-1977). MALEVICH PAINTS – THE SEEING EYE. SUPREMATISM 34 Drawings (1920). VICTORY OVER THE SUN (1913). Impressionists’ Palettes of Light.

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Patricia Railing Writes | 28 Freshfield Bank, Forest Row, East Sussex, England RH18 5HG email – patricia@patriciarailingwrites.net

HOME PAGE and CURRICULUM VITAE. The question that I had been asking myself over a number of years is, how did art become abstract in the early 20th century? It has been in order to answer this question that I engaged in the research and writing of articles and books over the last 25 years or so. This was followed by a well-developed understanding of the theories underlying the creative ideas and methods that are the subject of. Malevich Paints The Seeing Eye. Century. Finally, the story about how abs...

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