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FieldMachine - Hypothetical Reterritorialisations. The Object of this Slight Acceleration. The Sun is Black.

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paul chaney | paulchaney.co.uk Reviews
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FieldMachine - Hypothetical Reterritorialisations. The Object of this Slight Acceleration. The Sun is Black.
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1 paul chaney
2 projects
3 donetsk syndrome diagrammatic
4 encampment supreme
5 lizard exit plan
6 encampment#1
7 plough'o'metric
8 fieldclub
9 pig function
10 hydroplutonic kernow tour
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paul chaney,projects,donetsk syndrome diagrammatic,encampment supreme,lizard exit plan,encampment#1,plough'o'metric,fieldclub,pig function,hydroplutonic kernow tour,editions,mini crapucopia,unlimited hyperchaos,field defense series,solar **** club,news
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paul chaney | paulchaney.co.uk Reviews

https://paulchaney.co.uk

FieldMachine - Hypothetical Reterritorialisations. The Object of this Slight Acceleration. The Sun is Black.

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paul chaney

http://paulchaney.co.uk/projects/plough_o_metric

FieldMachine - Hypothetical Reterritorialisations. The Object of this Slight Acceleration. The Sun is Black. Commissioned by CCANW for the Soil Culture project, Breast Plough'o'metric is an accurate replica of an existing ancient breast plough found in Helston Museum, Cornwall. Link to: Helston Museum.

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paul chaney

http://paulchaney.co.uk/cv

FieldMachine - Hypothetical Reterritorialisations. The Object of this Slight Acceleration. The Sun is Black. Born U.K. 1974. 2016 Critical Camps - public program at Kestle Barton Gallery, Cornwall. 2004 - 2012 Co-founder/lead artist - FIELDCLUB. 2008 - 2010 Artistic consultant/exhibitions manager - Urbanomic. Lizard Centre for Apocalyptic Studies II. Kestle Barton Gallery, Cornwall, UK. The Ultimate Yarnwork (with Urbanomic). Bergan Kunsthall, Norway,. Lizard Centre for Apocalyptic Studies I. Kestle Bart...

3

paul chaney

http://paulchaney.co.uk/projects/encampment_1

FieldMachine - Hypothetical Reterritorialisations. The Object of this Slight Acceleration. The Sun is Black. The first in a series of architectural investigations using a fusion of locally found post-consumer waste and traditional 'low impact' techniques. Link to: Kestle Barton website.

4

paul chaney

http://paulchaney.co.uk/projects/the_object

FieldMachine - Hypothetical Reterritorialisations. The Object of this Slight Acceleration. The Sun is Black. The Object of this Slight Acceleration. June to September 2013. A six week research residency (2012) followed by an installation (June - September 2013) at IZOLYATSIA, Donetsk, Ukraine. A 28 minute digital animation shown on an analogue T.V, a steel sculpture, and an embroidered badge comprised the installation. Courtesy of IZOLYATSIA - Platform for Cultural Initiatives.

5

paul chaney

http://paulchaney.co.uk/projects/hydroplutonic_tour

FieldMachine - Hypothetical Reterritorialisations. The Object of this Slight Acceleration. The Sun is Black. With Urbanomic and The Falmouth Convention. Invited by The Falmouth Convention http:/ www.thefalmouthconvention.com. To plan and deliver a field trip in May 2010 for visiting artists as part of an event designed to examine 'particular geographies, histories and narratives in Cornwall', Urbanomic, chose to examine the region's industrial past.

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thecornwallworkshop.com thecornwallworkshop.com

Profiles | The Cornwall Workshop

http://www.thecornwallworkshop.com/profiles-2011

Sign up For News Letter. The workshop was led by the distinguished American artist Mark Dion, with the Canada-born, Chicago-based art critic Lori Waxman. Teresa Gleadowe initiated the workshop and was the convenor in partnership with Martin Clark, Artistic Director of Tate St Ives. Sally Tallant joined the workshop on Wednesday 19 and Thursday 20 October. Candyland Zoo, The Hollows of Glamour, This storm is what we call progress, Pale Carnage. And, most recently. Travels of William Bartram Reconsidered.

wastelands-exhibition.blogspot.com wastelands-exhibition.blogspot.com

wastelands: Lucy Willow

http://wastelands-exhibition.blogspot.com/2009/04/lucy-willow.html

Newlyn Art Gallery,. 25th April to 16th May. 24th April - 16th May 2009. In this exhibition, both literal and metaphorical ‘wastelands’ were represented by a range of contemporary art. The exhibition was co-curated by Rebecca Darch, Jeni Fraser, Ruth Gooding and Phil Rushworth, who were students on MA Curatorial Practice at University College Falmouth, graduating in September 2009. Alexandra Zierle and Paul Carter. Sunday, 19 April 2009. A series of photographic works titled. Millennium Gallery, St Ives.

wastelands-exhibition.blogspot.com wastelands-exhibition.blogspot.com

wastelands: Jane Bailey

http://wastelands-exhibition.blogspot.com/2009/04/jane-bailey.html

Newlyn Art Gallery,. 25th April to 16th May. 24th April - 16th May 2009. In this exhibition, both literal and metaphorical ‘wastelands’ were represented by a range of contemporary art. The exhibition was co-curated by Rebecca Darch, Jeni Fraser, Ruth Gooding and Phil Rushworth, who were students on MA Curatorial Practice at University College Falmouth, graduating in September 2009. Alexandra Zierle and Paul Carter. Saturday, 4 April 2009. And practical knowledge.’. Tim Cresswell, Place. Presents a lush, ...

wastelands-exhibition.blogspot.com wastelands-exhibition.blogspot.com

wastelands: Joe Doldon

http://wastelands-exhibition.blogspot.com/2009/04/joe-doldon.html

Newlyn Art Gallery,. 25th April to 16th May. 24th April - 16th May 2009. In this exhibition, both literal and metaphorical ‘wastelands’ were represented by a range of contemporary art. The exhibition was co-curated by Rebecca Darch, Jeni Fraser, Ruth Gooding and Phil Rushworth, who were students on MA Curatorial Practice at University College Falmouth, graduating in September 2009. Alexandra Zierle and Paul Carter. Thursday, 9 April 2009. My work aims to comment on, and provoke questions about our place.

wastelands-exhibition.blogspot.com wastelands-exhibition.blogspot.com

wastelands: Paul Chaney

http://wastelands-exhibition.blogspot.com/2009/04/paul-chaney.html

Newlyn Art Gallery,. 25th April to 16th May. 24th April - 16th May 2009. In this exhibition, both literal and metaphorical ‘wastelands’ were represented by a range of contemporary art. The exhibition was co-curated by Rebecca Darch, Jeni Fraser, Ruth Gooding and Phil Rushworth, who were students on MA Curatorial Practice at University College Falmouth, graduating in September 2009. Alexandra Zierle and Paul Carter. Tuesday, 7 April 2009. Crap Corn, in situ at F I E L D C L U B. 2009 The New Landscape.

wastelands-exhibition.blogspot.com wastelands-exhibition.blogspot.com

wastelands: Andy Harper

http://wastelands-exhibition.blogspot.com/2009/04/andy-harpers-paintings-broadly.html

Newlyn Art Gallery,. 25th April to 16th May. 24th April - 16th May 2009. In this exhibition, both literal and metaphorical ‘wastelands’ were represented by a range of contemporary art. The exhibition was co-curated by Rebecca Darch, Jeni Fraser, Ruth Gooding and Phil Rushworth, who were students on MA Curatorial Practice at University College Falmouth, graduating in September 2009. Alexandra Zierle and Paul Carter. Monday, 13 April 2009. One in the Other, London. One in the Other, London.

wastelands-exhibition.blogspot.com wastelands-exhibition.blogspot.com

wastelands: Kate Parsons

http://wastelands-exhibition.blogspot.com/2009/04/kate-parsons.html

Newlyn Art Gallery,. 25th April to 16th May. 24th April - 16th May 2009. In this exhibition, both literal and metaphorical ‘wastelands’ were represented by a range of contemporary art. The exhibition was co-curated by Rebecca Darch, Jeni Fraser, Ruth Gooding and Phil Rushworth, who were students on MA Curatorial Practice at University College Falmouth, graduating in September 2009. Alexandra Zierle and Paul Carter. Wednesday, 15 April 2009. Howard Gardens Gallery, UWIC, Cardiff. View my complete profile.

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