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paulepp.com

Paul Epp

This is just a detail of a table that I was commissioned to make, by someone what had a strong interest in traditional Chinese furniture. Unlike the traditional tables, the one I made was designed to support a circular piece of glass, but it also retained a strong reference to the traditional rectangular designs. I designed and made these tables for Ambiant, in the early eighties. They use similar rounded profiles and contrasting woods and other materials. In the late seventies, I made a number of limite...

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Paul Epp | paulepp.com Reviews
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This is just a detail of a table that I was commissioned to make, by someone what had a strong interest in traditional Chinese furniture. Unlike the traditional tables, the one I made was designed to support a circular piece of glass, but it also retained a strong reference to the traditional rectangular designs. I designed and made these tables for Ambiant, in the early eighties. They use similar rounded profiles and contrasting woods and other materials. In the late seventies, I made a number of limite...
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Paul Epp | paulepp.com Reviews

https://paulepp.com

This is just a detail of a table that I was commissioned to make, by someone what had a strong interest in traditional Chinese furniture. Unlike the traditional tables, the one I made was designed to support a circular piece of glass, but it also retained a strong reference to the traditional rectangular designs. I designed and made these tables for Ambiant, in the early eighties. They use similar rounded profiles and contrasting woods and other materials. In the late seventies, I made a number of limite...

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paulepp.com paulepp.com
1

Paul Epp

http://www.paulepp.com/row-cv.php

Born at La Glace, Alberta, Canada. Sheridan College School of Design - Honours Diploma, Furniture/Wood. James Krenov, Master Cabinetmaker, Stockholm, Sweden - Private Student. Furniture Design, Product Design, Exhibit Design, Interior Design, Marine Design, Graphic Design, Sculpture, plus production and one-of-a-kind manufacturing:. Qijuk Design Innovations Inc. - Design Director. Fabre Exhibitry - Principal. Alphaform Exhibits Design - Design Director. Epp and Stewart, Interior Designers - Partner.

2

Paul Epp

http://www.paulepp.com/row-mennonite.php

This Mennonite memorial also commemorates the site of a mass grave and the massacre of an entire village. The symbolism is that of a mill wheel. The view will have to walk around the stone to read the inscription, with a bowed head. This seemed appropriately respectful.

3

Paul Epp

http://www.paulepp.com/row-prod.php

This chair was designed for Nienkamper, the executive office furniture company. The back has a gently molded insert of plywood. The back of a chair, especially a visitors chair in an office, is often the first thing that is seen, and this chairs back is designed to be attractive, with a wide variety of fine woods available. I designed this chair in the late eighties, for the recent furniture start-up, Ottoman Empire. This version of the Pillar tables does not have a lug for under-table fastening. Ins...

4

Paul Epp

http://www.paulepp.com/row-sculpture.php

Mt Sinai Breast Cancer Clinic. I was commissioned to produce something for the lobby of this clinic, which would be both furniture and sculpture as well as creating a sense of nature and growth. Of course, it would also need to be achieved at a low cost. What I have used is two intersecting vertical planes - the sculptural representation of plants, which are themselves intersected by a horizontal plane which forms the table surface.

5

Paul Epp

http://www.paulepp.com/row-oneoff.php

I made this table in the late seventies, as a commission. The legs and perimeter frame are maple, with an inset bird's eye veneer top. Defining all the joints and bisecting the legs is a thin slice of Imbuya wood. Companion casework was made as well, as the bedside table illustrates. Jewelry Chest-of-drawers in Bubinga and Wenge. I built this dressing room in the late seventies. The vanity is of Cherry wood, with tambour tops. The closet doors are framed in Cherry, with Yew panels. I made these handles f...

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This is just a detail of a table that I was commissioned to make, by someone what had a strong interest in traditional Chinese furniture. Unlike the traditional tables, the one I made was designed to support a circular piece of glass, but it also retained a strong reference to the traditional rectangular designs. I designed and made these tables for Ambiant, in the early eighties. They use similar rounded profiles and contrasting woods and other materials. In the late seventies, I made a number of limite...

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