chromatouch.wordpress.com
chromatouch | Chromatouch
https://chromatouch.wordpress.com/author/chromatouch
New Performance Video, AV dates for LPM Rome, ARC Bristol, DBnB Brum. March 28, 2013. My AV performance is an ongoing exploration of the representation of every movement in the musical Improvisation in visual form. Whenever any part of the music is altered, be that FX, mixer fades, start/stopping of track stems, playing of instruments etc. the visuals respond accordingly…. AV Set at Goldsmiths College December 2012. January 11, 2013. Freecode – Noise, Jazz, Glitch, Festivals & Museums. April 23, 2012.
chromatouch.wordpress.com
Chromatouch asked to enter Michigan ArtPrize | Chromatouch
https://chromatouch.wordpress.com/2011/01/13/chromatouch-asked-to-enter-michigan-artprize
Chromatouch asked to enter Michigan ArtPrize. January 13, 2011. Had the honour of being contacted by Rickey Ainsworth. At Grand Rapids Michigan Roger B. Chaffee Planetarium. And asked to show the fulldome film. Written on the Body. In Michigan’s ArtPrize. Is an international art competition held in Grand Rapids, Michigan. Rickey, being a follower of the Birmingham Thinktank Planetarium. 8216;s highly entertaining Facebook page. Got in touch with Mario DiMaggio. Hard drive all packed up and ready to go.
chromatouch.net
art | Chromatouch Visuals
http://www.chromatouch.net/category/art
Chromatouch Dome at Shambala festival. Sep 8, 2015. After the success of the Black Country Touring piece, Occasionally We Skype, I went back to my immersive engine research, bought a 10m geodesic dome from www.shelter-systems.com, (something that I’ve wanted since I finished my first piece for fulldome) and hunkered down in the studio to build a software engine to accomodate the various audio, video and control inputs from other artists,. Jon Harris on the 1s and 2s. Soundchecking 8 channel audio. Ps our...
chromatouch.net
fulldome | Chromatouch Visuals
http://www.chromatouch.net/category/fulldome
Chromatouch Dome at Shambala festival. Sep 8, 2015. After the success of the Black Country Touring piece, Occasionally We Skype, I went back to my immersive engine research, bought a 10m geodesic dome from www.shelter-systems.com, (something that I’ve wanted since I finished my first piece for fulldome) and hunkered down in the studio to build a software engine to accomodate the various audio, video and control inputs from other artists,. Jon Harris on the 1s and 2s. Soundchecking 8 channel audio. Ps our...