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Tuesday, 22 May 2012. A collaborative performance made for the Wigmore Hall. With text, voices. And trombone. It lasts no longer than six minutes. Thank you for. Coming. The poem/ dialogue =divisi &was exploratory, split. Sentence/phrase. So points of contact. It stutters. The music stutters. As it tries: We heard the other artists& We found fragments. We position. Ourselves. choose our outfits carefully. It is not very hermetic. Because we are here now in. Friday, 14 January 2011. Yes, your brain looks.

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Tuesday, 22 May 2012. A collaborative performance made for the Wigmore Hall. With text, voices. And trombone. It lasts no longer than six minutes. Thank you for. Coming. The poem/ dialogue =divisi &was exploratory, split. Sentence/phrase. So points of contact. It stutters. The music stutters. As it tries: We heard the other artists& We found fragments. We position. Ourselves. choose our outfits carefully. It is not very hermetic. Because we are here now in. Friday, 14 January 2011. Yes, your brain looks.

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– | peacockintheyard.blogspot.com Reviews

https://peacockintheyard.blogspot.com

Tuesday, 22 May 2012. A collaborative performance made for the Wigmore Hall. With text, voices. And trombone. It lasts no longer than six minutes. Thank you for. Coming. The poem/ dialogue =divisi &was exploratory, split. Sentence/phrase. So points of contact. It stutters. The music stutters. As it tries: We heard the other artists& We found fragments. We position. Ourselves. choose our outfits carefully. It is not very hermetic. Because we are here now in. Friday, 14 January 2011. Yes, your brain looks.

INTERNAL PAGES

peacockintheyard.blogspot.com

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http://www.peacockintheyard.blogspot.com/2010/10/well-this-is-odd-sort-of-connect-hunger.html

Sunday, 3 October 2010. My heart pounds at certain transliterations. Taken in aerial assault. You stay on 'that'. Side of the tracks. Please. i eat sans. I tire, of it. i'm trained in. Tegral, the beautiful,. So if, not differentiate. please. Integrate by learning the,. The new withdrawal into. Subscribe to: Post Comments (Atom). My heart pounds at certain transliterations to see. 24/09 well this is an odd sort of connect - hung. View my complete profile. Http:/ crowinstigated.blogspot.com.

2

–: Unitarian [written a fortnight or so ago]

http://www.peacockintheyard.blogspot.com/2010/08/unitarian.html

Tuesday, 17 August 2010. Unitarian [written a fortnight or so ago]. Sightlines. i haven't. Seen an iris for some weeks. They remind me of the. I mean of your burn. When you burned that. A heart beats in a direction. If it moves it is towards. Or away from (this is prose). It needs to know where it. Is going or it won't go. You can cryogenically freeze a person. Without them seeing you, you just follow. Your better judgement when approaching. You can hold your breath twice as long if you want to.

3

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http://www.peacockintheyard.blogspot.com/2010/08/we-now-know-how-it-is-thank-you.html

Tuesday, 10 August 2010. How it is,. Subscribe to: Post Comments (Atom). We now know how it is, thank you. View my complete profile. Comics: http:/ unnecessaryinsufficient.wordpress.com/. Http:/ crowinstigated.blogspot.com. Http:/ dummycompany.blogspot.com. Http:/ oneyearfloodsrose.blogspot.com/TJW. Http:/ tropicalblog.tumblr.com/.

4

–: notes

http://www.peacockintheyard.blogspot.com/2010/06/notes_30.html

Wednesday, 30 June 2010. Similar to how the right to protest is a system enha. Ncing authorised safety valve the right to doubt gi. Ves ELASTIC qualities that ultimately IMPROVE. Or strengthen allowing a range of responses that st. Ill result in YES. i am not talking about human inter. Action. i AM not defending myself. i REJECT cap. Italisation of the 'i'. oppression of. love for a syst. Em betrayed. for a status which is the best. fumes. And fine particles/bomb disposal. View my complete profile.

5

–: date modified: 23/03/2008 10.1KB [writtenforSophia]

http://www.peacockintheyard.blogspot.com/2010/08/date-modified-23032008-101kb-sophia.html

Tuesday, 17 August 2010. Date modified: 23/03/2008 10.1KB [writtenforSophia]. Lois, you should see what the inside of your lungs look like. Subscribe to: Post Comments (Atom). Date modified: 23/03/2008 10.1KB [writtenforSophia. Unitarian [written a fortnight or so ago]. Written at least three weeks ago]. View my complete profile. Comics: http:/ unnecessaryinsufficient.wordpress.com/. Http:/ crowinstigated.blogspot.com. Http:/ dummycompany.blogspot.com. Http:/ oneyearfloodsrose.blogspot.com/TJW.

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crowinstigated.blogspot.com

L&L: we've moved

http://crowinstigated.blogspot.com/2012/03/weve-moved.html

Monday, 26 March 2012. You can find us here:. Http:/ lisajeschkelucybeynon.blogspot.co.uk/. Subscribe to: Post Comments (Atom). Lisa Jeschke and Lucy Beynon have been collaborating since 2007. Based in Berlin between 2008 and 2011, they now work in London and Cambridge. Abandoned Buildings (Sean Bonney). Gag Reflex (Jonny Liron). Judith E. Wilson Drama Studio Cambridge. Peacock in the Yard. Sociopathetic Semaphores (Nat Raha). Streams of Expression (David Grundy). Styles J. Kauphmann. X Marks the Boekship.

crowinstigated.blogspot.com

L&L: Performance in Berlin

http://crowinstigated.blogspot.com/2011/10/26-november-performance-in-berlin.html

Friday, 28 October 2011. 26 November, 9pm. Abteilung für alles Andere. Ackerstr. 18, Berlin. Lisa Jeschke and Lucy Beynon. He's dead / he's dead / i've shot him in the head (30 mins). If there is no such thing as the important, it is important that that which is unimportant - i.e. everything - is not made important. For if the unimportant - everything - is made important, then the unimportant is no longer unimportant. Musical interventions (solo violin). To rsvp on facebook. Gag Reflex (Jonny Liron).

crowinstigated.blogspot.com

L&L: March 2011

http://crowinstigated.blogspot.com/2011_03_01_archive.html

Saturday, 26 March 2011. Vier Performances - 16.04.2011. In deutscher und englischer Sprache). Kate Laycock, Lisa Jeschke und Lucy Beynon. Podium im Theatermuseum, Düsseldorf. Eintritt: Euro 5,-/3,50. Der Klimawandel erinnert mich an Gott. Regie und Performance: Kate Laycock (15 Minuten). John hurts [from idiot]. Regie und Performance: Lucy Beynon und Lisa Jeschke (35 Minuten). Eine Frau schafft sich ab. Regie und Performance: Kate Laycock (10 Minuten). Saturday, 5 March 2011. 9 and 10 March, 8pm. Lisa J...

crowinstigated.blogspot.com

L&L: March 2012

http://crowinstigated.blogspot.com/2012_03_01_archive.html

Monday, 26 March 2012. You can find us here:. Http:/ lisajeschkelucybeynon.blogspot.co.uk/. Wednesday, 7 March 2012. Irum Fazal, Ground 1 and 2. Lisa Jeschke and Lucy Beynon, Terrorism. Jeremy Hardingham and Lucy Beynon and Lisa Jeschke, [untitled? Ollie Evans, Kinder Surprise #3: The Vacation of Mimotech and Zettel. For 15/16/17 March, see Judith E. Wilson Drama Studio. English Faculty, Cambridge. Filling in the blanks. 16 March 2012, 6-9pm. John Morgan and DJ Roberts. X Marks the Bökship. Ben Morris an...

crowinstigated.blogspot.com

L&L: in other words

http://crowinstigated.blogspot.com/2011/07/in-other-words.html

Tuesday, 26 July 2011. H A L F C I R C L E III. 56 pages. Staple-bound. Printed in an edition of 200 copies. Http:/ www.halfcircle.org. Subscribe to: Post Comments (Atom). Lisa Jeschke and Lucy Beynon have been collaborating since 2007. Based in Berlin between 2008 and 2011, they now work in London and Cambridge. John hurts [from idiot] at the Edinburgh Fringe. Abandoned Buildings (Sean Bonney). Gag Reflex (Jonny Liron). Judith E. Wilson Drama Studio Cambridge. Peacock in the Yard. Styles J. Kauphmann.

crowinstigated.blogspot.com

L&L: February 2012

http://crowinstigated.blogspot.com/2012_02_01_archive.html

Saturday, 4 February 2012. Five Live Performances [ink on paper]. A PIGEON, A KITCHEN AND AN ANNEXE: SITES OF ALTERNATIVE PUBLISHING. Preview on 17/02/2012, 6-9pm. Unit 66, 6th Floor. See Very Small Kitchen. For online documentation.]. Subscribe to: Posts (Atom). Lisa Jeschke and Lucy Beynon have been collaborating since 2007. Based in Berlin between 2008 and 2011, they now work in London and Cambridge. Five Live Performances [ink on paper]. Abandoned Buildings (Sean Bonney). Gag Reflex (Jonny Liron).

crowinstigated.blogspot.com

L&L: May 2011

http://crowinstigated.blogspot.com/2011_05_01_archive.html

Sunday, 15 May 2011. John hurts [from idiot] - more information. Http:/ johnhurts.blogspot.com/. Subscribe to: Posts (Atom). Lisa Jeschke and Lucy Beynon have been collaborating since 2007. Based in Berlin between 2008 and 2011, they now work in London and Cambridge. John hurts [from idiot] - more information. Abandoned Buildings (Sean Bonney). Gag Reflex (Jonny Liron). Judith E. Wilson Drama Studio Cambridge. Peacock in the Yard. Sociopathetic Semaphores (Nat Raha). Streams of Expression (David Grundy).

crowinstigated.blogspot.com

L&L: January 2012

http://crowinstigated.blogspot.com/2012_01_01_archive.html

Wednesday, 4 January 2012. Saturday 14th January, 7.30pm. The Nihon Room, Pembroke College. There'll be free wine, a book table and a half-time break in a Japanese garden. It's all free. THE FOULE READINGS are a series of contemporary poetry readings in Cambridge organised by undergraduates in English (Caitlín Doherty, Andrew Griffin, Connie Scozzaro and Tomas Weber). Subscribe to: Posts (Atom). Abandoned Buildings (Sean Bonney). Gag Reflex (Jonny Liron). Judith E. Wilson Drama Studio Cambridge.

crowinstigated.blogspot.com

L&L: June 2011

http://crowinstigated.blogspot.com/2011_06_01_archive.html

Tuesday, 14 June 2011. FINAL BERLIN PERFORMANCE of john hurts [from idiot]. Zu Hause, Werbellinstr. 50, Berlin (underneath the go-kart track). Doors open at 9pm, performances will begin around 10pm. Study #1 for Prophet Machine (15 mins). A first prototype for a mechanism to reconstruct the prophecy of John the Baptist through analog lo-fi sound devices and biomechanical actuators. Lisa Jeschke and Lucy Beynon. John hurts [from idiot] (45 mins). Http:/ johnhurts.blogspot.com. Subscribe to: Posts (Atom).

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peacockintheyard.blogspot.com

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Tuesday, 22 May 2012. A collaborative performance made for the Wigmore Hall. With text, voices. And trombone. It lasts no longer than six minutes. Thank you for. Coming. The poem/ dialogue =divisi &was exploratory, split. Sentence/phrase. So points of contact. It stutters. The music stutters. As it tries: We heard the other artists& We found fragments. We position. Ourselves. choose our outfits carefully. It is not very hermetic. Because we are here now in. Friday, 14 January 2011. Yes, your brain looks.

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