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Performance ParadigmPerformance Paradigm promotes discussion among scholars, curators and practitioners of performance in the Asia-Pacific region and beyond.
http://www.performanceparadigm.net/
Performance Paradigm promotes discussion among scholars, curators and practitioners of performance in the Asia-Pacific region and beyond.
http://www.performanceparadigm.net/
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Performance Paradigm | performanceparadigm.net Reviews
https://performanceparadigm.net
Performance Paradigm promotes discussion among scholars, curators and practitioners of performance in the Asia-Pacific region and beyond.
performanceparadigm.net
Networks of Resistance: Connecting Stage, Street and Social Media in Tony Kushner’s Only We Who Guard The Mystery Shall Be Unhappy | Stevens | Performance Paradigm
http://www.performanceparadigm.net/index.php/journal/article/view/144
ISSUE 10 (2014) PERFORMANCES OF RESISTANCE/RESISTING PERFORMANCE. Networks of Resistance: Connecting Stage, Street and Social Media in Tony Kushner’s Only We Who Guard The Mystery Shall Be Unhappy. The relationship between theatre, performance, politics and activism continues to trouble scholars who problematise the connection between performance and political efficacy (Bishop 2012; Spencer 2012; Shepard 2010; Butler and Athenasiou 2013). Research International 38.2 (2013): 87 103. Bumiller, Elisabeth...
ISSUE 11 (2015) STAGING REAL PEOPLE: ON THE ARTS AND EFFECTS OF NON-PROFESSIONAL THEATRE PERFORMERS
http://www.performanceparadigm.net/index.php/journal/issue/current
ISSUE 11 (2015) STAGING REAL PEOPLE: ON THE ARTS AND EFFECTS OF NON-PROFESSIONAL THEATRE PERFORMERS. ISSUE 11 (2015) STAGING REAL PEOPLE: ON THE ARTS AND EFFECTS OF NON-PROFESSIONAL THEATRE PERFORMERS. Edited by Meg Mumford and Ulrike Garde. Introduction: Staging Real People: On the Arts and Effects of Non-Professional Theatre Performers. Meg Mumford, Ulrike Garde. Staging Wounded Soldiers: The Affects and Effects of Post-Traumatic Theatre. Nata lia da Silva Perez. Meg Mumford, John Severn.
‘The More Political We Are, the Better We Sell’: A Conversation about the Political Potential of Directing Classical Drama and the Nasty Traps of Today’s Cultural Industry | Ostermeier | Performance Paradigm
http://www.performanceparadigm.net/index.php/journal/article/view/142/141
ISSUE 10 (2014) PERFORMANCES OF RESISTANCE/RESISTING PERFORMANCE. Download this PDF file. The PDF file you selected should load here if your Web browser has a PDF reader plug-in installed (for example, a recent version of Adobe Acrobat Reader. If you would like more information about how to print, save, and work with PDFs, Highwire Press provides a helpful Frequently Asked Questions about PDFs. There are currently no refbacks.
Contemporary Art, the Contemporary and Late Capitalism | C.J. W.-L. Wee | Wee | Performance Paradigm
http://www.performanceparadigm.net/index.php/journal/article/view/141/140
ISSUE 10 (2014) PERFORMANCES OF RESISTANCE/RESISTING PERFORMANCE. Download this PDF file. The PDF file you selected should load here if your Web browser has a PDF reader plug-in installed (for example, a recent version of Adobe Acrobat Reader. If you would like more information about how to print, save, and work with PDFs, Highwire Press provides a helpful Frequently Asked Questions about PDFs. There are currently no refbacks.
Performance Paradigm
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ISSUE 11 (2015) STAGING REAL PEOPLE: ON THE ARTS AND EFFECTS OF NON-PROFESSIONAL THEATRE PERFORMERS. ISSUE 11 (2015) STAGING REAL PEOPLE: ON THE ARTS AND EFFECTS OF NON-PROFESSIONAL THEATRE PERFORMERS. Edited by Meg Mumford and Ulrike Garde. Introduction: Staging Real People: On the Arts and Effects of Non-Professional Theatre Performers. Meg Mumford, Ulrike Garde. Staging Wounded Soldiers: The Affects and Effects of Post-Traumatic Theatre. Nata lia da Silva Perez. Meg Mumford, John Severn.
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compromiseisourbusiness.blogspot.com
Compromise is our business: responses to theatre, art, and politics: January 2010
http://compromiseisourbusiness.blogspot.com/2010_01_01_archive.html
Compromise is our business: responses to theatre, art, and politics. REVIEWS, RESPONSES, REFLECTIONS, RESEARCH, RANTS AND RAVINGS. Thursday, 21 January 2010. In the midst of an interesting, but yet-to-become-exciting Sydney Festival, I've happened in the last week to read two gorgeous blog postings about civic navigation. Given that it was only last Friday that I lodged my funding application for support to attend a major theatre networking event in Berlin in April, I read her post with much enthusiasm.
compromiseisourbusiness.blogspot.com
Compromise is our business: responses to theatre, art, and politics: August 2009
http://compromiseisourbusiness.blogspot.com/2009_08_01_archive.html
Compromise is our business: responses to theatre, art, and politics. REVIEWS, RESPONSES, REFLECTIONS, RESEARCH, RANTS AND RAVINGS. Saturday, 1 August 2009. Video notes 2: Le Dernier Spectacle (The Last Performance) (1998) by Jerome Bel. I posted the first of these over a year ago, but its taken me a while to get back through my notebooks. To recap the nature of this side project: Taking a lead from. I'm going to post in installments my notes on a series of performance documentations I watched in the.
compromiseisourbusiness.blogspot.com
Compromise is our business: responses to theatre, art, and politics: Beauty disturbed: Ruhe, Sydney Festival
http://compromiseisourbusiness.blogspot.com/2010/02/beauty-disturbed-ruhe-sydney-festival.html
Compromise is our business: responses to theatre, art, and politics. REVIEWS, RESPONSES, REFLECTIONS, RESEARCH, RANTS AND RAVINGS. Saturday, 13 February 2010. Beauty disturbed: Ruhe, Sydney Festival. Rest/calm/silence, earth's sweetest joy). Read the rest my response to Ruhe, published in the print and online editions of Realtime #95. This comment has been removed by a blog administrator. 6 September 2010 at 7:20 pm. GENUINE LOAN WITH LOW INTEREST RATE APPLY $ $. 22 July 2016 at 5:57 pm.
compromiseisourbusiness.blogspot.com
Compromise is our business: responses to theatre, art, and politics: February 2010
http://compromiseisourbusiness.blogspot.com/2010_02_01_archive.html
Compromise is our business: responses to theatre, art, and politics. REVIEWS, RESPONSES, REFLECTIONS, RESEARCH, RANTS AND RAVINGS. Saturday, 13 February 2010. Beauty disturbed: Ruhe, Sydney Festival. Rest/calm/silence, earth's sweetest joy). Read the rest my response to Ruhe, published in the print and online editions of Realtime #95. Links to this post. Subscribe to: Posts (Atom). Dear unsuspecting cyberspace dwellers,. Sydney, NSW, Australia. View my complete profile. A Confrontation with Falling.
compromiseisourbusiness.blogspot.com
Compromise is our business: responses to theatre, art, and politics: Labours of love: Whittaker and Caesar's Starfuckers
http://compromiseisourbusiness.blogspot.com/2010/10/labours-of-love-whittaker-and-caesars.html
Compromise is our business: responses to theatre, art, and politics. REVIEWS, RESPONSES, REFLECTIONS, RESEARCH, RANTS AND RAVINGS. Tuesday, 12 October 2010. Labours of love: Whittaker and Caesar's Starfuckers. Following in the tradition of famous artist couples such as Marina Abramovic and Ulay, performance maker Malcolm Whittaker and his partner Laura Caesar, billed as a “primary school teacher and arts and crafts enthusiast,” developed and performed the durational performance Starfuckers. SCAN: Journal...
compromiseisourbusiness.blogspot.com
Compromise is our business: responses to theatre, art, and politics: September 2009
http://compromiseisourbusiness.blogspot.com/2009_09_01_archive.html
Compromise is our business: responses to theatre, art, and politics. REVIEWS, RESPONSES, REFLECTIONS, RESEARCH, RANTS AND RAVINGS. Sunday, 20 September 2009. A note on the video in version 1.0's THIS KIND OF RUCKUS. The role of video in version 1.0’s This kind of ruckus. In this sense, the video in version 1.0’s This kind of ruckus. Online program note by David Williams and Sean Bacon, August 2009. Images by Heidrun Lohr. Links to this post. Performance Space at Carriage Works. Subscribe to: Posts (Atom).
compromiseisourbusiness.blogspot.com
Compromise is our business: responses to theatre, art, and politics: October 2010
http://compromiseisourbusiness.blogspot.com/2010_10_01_archive.html
Compromise is our business: responses to theatre, art, and politics. REVIEWS, RESPONSES, REFLECTIONS, RESEARCH, RANTS AND RAVINGS. Tuesday, 12 October 2010. Labours of love: Whittaker and Caesar's Starfuckers. Following in the tradition of famous artist couples such as Marina Abramovic and Ulay, performance maker Malcolm Whittaker and his partner Laura Caesar, billed as a “primary school teacher and arts and crafts enthusiast,” developed and performed the durational performance Starfuckers. Whilst I rema...
compromiseisourbusiness.blogspot.com
Compromise is our business: responses to theatre, art, and politics: The gaze stripping bare: violence and vision in version 1.0’s THIS KIND OF RUCKUS
http://compromiseisourbusiness.blogspot.com/2012/08/the-gaze-stripping-bare-violence-and.html
Compromise is our business: responses to theatre, art, and politics. REVIEWS, RESPONSES, REFLECTIONS, RESEARCH, RANTS AND RAVINGS. Friday, 24 August 2012. The gaze stripping bare: violence and vision in version 1.0’s THIS KIND OF RUCKUS. A recent large-scale work from Sydney performance group version 1.0 is THIS KIND OF RUCKUS. An alcohol-fuelled and techno-beat driven reflection upon sexual violence in contemporary Australia. A key feature within THIS KIND OF RUCKUS. THIS KIND OF RUCKUS. It would be fai...
compromiseisourbusiness.blogspot.com
Compromise is our business: responses to theatre, art, and politics: November 2012
http://compromiseisourbusiness.blogspot.com/2012_11_01_archive.html
Compromise is our business: responses to theatre, art, and politics. REVIEWS, RESPONSES, REFLECTIONS, RESEARCH, RANTS AND RAVINGS. Monday, 12 November 2012. The Trouble With Asian Men. Created by Sudha Bhuchar, Kristine Landon-Smith and Louise Wallinger. Parramasala, Australia Festival of South Asian Arts. Parramatta Town Hall, 7th November 2012. What is the trouble with Asian men? Stories of Love and Hate. And I'm Your Man. The Trouble With Asian Men. Links to this post. Subscribe to: Posts (Atom).
compromiseisourbusiness.blogspot.com
Compromise is our business: responses to theatre, art, and politics: August 2013
http://compromiseisourbusiness.blogspot.com/2013_08_01_archive.html
Compromise is our business: responses to theatre, art, and politics. REVIEWS, RESPONSES, REFLECTIONS, RESEARCH, RANTS AND RAVINGS. Tuesday, 27 August 2013. You’ll stop seeing me as your dancing monkey. The company’s earlier work No Dice, presented at the Sydney Festival in 2009, was an astonishingly inventive four-hour musing on storytelling constructed from recorded phone conversations. Links to this post. Subscribe to: Posts (Atom). Dear unsuspecting cyberspace dwellers,. Sydney, NSW, Australia. The Mo...
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Diversity & Inclusion Services. Training & Education. Changing Mindsets to Transform Behaviors. Diversity & Inclusion Services. We help clients leverage diversity to create inclusive cultures of high performance. Training & Education. We create and deliver experiential education where mindset and performance intersect. We help our clients focus on talent by providing services through our AMD framework. Read more about what we do. And who we are. When you're ready to get in touch, contact us.
Performance Paradigm
Vol 13 Performance, Choreography, and the Gallery. Promotes discussion among scholars, curators and practitioners of performance in the Asia-Pacific region and beyond. Founded in 2005, it is one of the field’s first open access, peer-reviewed journals. Vol 13 Performance, Choreography, and the Gallery. Edited by Erin Brannigan, Hannah Mathews, and Caroline Wake. Investigates the relationship between performance, choreography, and the gallery. Erin Brannigan, Hannah Mathews. What Kind of Work Is This?
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