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Open Dialogues: Performance Saga

Open Dialogues: Performance Saga. Tuesday, 24 February 2009. A Conversation about 14 February. The evening began with the Performance Saga Interview with Alison Knowles. In which Knowles talked about her experiences as an artist, her outlook on life and her current interests.  . Drove out of the car park. 8216;A l’âme en secret’ was a subtle work in which Rüssli interacted with objects in her performance space, including a camping stove, bottles of water and woollen blankets.  Rüssli...160;performance &#...

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Open Dialogues: Performance Saga | performancesaga.blogspot.com Reviews
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Open Dialogues: Performance Saga. Tuesday, 24 February 2009. A Conversation about 14 February. The evening began with the Performance Saga Interview with Alison Knowles. In which Knowles talked about her experiences as an artist, her outlook on life and her current interests.  . Drove out of the car park. 8216;A l’âme en secret’ was a subtle work in which Rüssli interacted with objects in her performance space, including a camping stove, bottles of water and woollen blankets.  Rüssli...160;performance &#...
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Open Dialogues: Performance Saga | performancesaga.blogspot.com Reviews

https://performancesaga.blogspot.com

Open Dialogues: Performance Saga. Tuesday, 24 February 2009. A Conversation about 14 February. The evening began with the Performance Saga Interview with Alison Knowles. In which Knowles talked about her experiences as an artist, her outlook on life and her current interests.  . Drove out of the car park. 8216;A l’âme en secret’ was a subtle work in which Rüssli interacted with objects in her performance space, including a camping stove, bottles of water and woollen blankets.  Rüssli...160;performance &#...

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performancesaga.blogspot.com performancesaga.blogspot.com
1

Open Dialogues: Performance Saga: February 2009

http://performancesaga.blogspot.com/2009_02_01_archive.html

Open Dialogues: Performance Saga. Tuesday, 24 February 2009. A Conversation about 14 February. The evening began with the Performance Saga Interview with Alison Knowles. In which Knowles talked about her experiences as an artist, her outlook on life and her current interests.  . Drove out of the car park. 8216;A l’âme en secret’ was a subtle work in which Rüssli interacted with objects in her performance space, including a camping stove, bottles of water and woollen blankets.  Rüssli...160;performance &#...

2

Open Dialogues: Performance Saga: Béatrice Bucher-Mayor: La performance parle l’histoire de la performance

http://performancesaga.blogspot.com/2009/02/la-performance-parle-lhistoire-de-la.html

Open Dialogues: Performance Saga. Friday, 13 February 2009. Béatrice Bucher-Mayor: La performance parle l’histoire de la performance. Image: Katia Bassanini, post it. Les curatrices du festival, Andrea Saemann et Katrin Grögel ont réalisé pendant plusieurs années huit entretiens-vidéos d’environ une heure avec les femmes pionnières de la performance. L’entretien parle du travail de la performance, mais ne montre pas ce travail. . Ce travail s’adresse-t-il au néophyte comme à l’averti? Quelles sont les œu...

3

Open Dialogues: Performance Saga: Trois regards sur Stuart Brisley

http://performancesaga.blogspot.com/2009/02/trois-regards-sur-stuart-brisley.html

Open Dialogues: Performance Saga. Saturday, 14 February 2009. Trois regards sur Stuart Brisley. Ample, dense, la performance de Stuart Brisley a inspiré à trois auteurs d’Open Dialogues le désir de s’exprimer, chacun d’un point de vue très singulier. Lecture du corps, ritualisation, la mort en acte : voici ce concert pour trois claviers. Posted by Mary Paterson. Performance by Stuard Brisley 13.02.2009. 14 February 2009 at 08:46. Subscribe to: Post Comments (Atom). A Conversation about 14 February. Rache...

4

Open Dialogues: Performance Saga: Dr. Koffi Célestin YAO: Stuart Brisley - Symphonie pour un rituel macabre

http://performancesaga.blogspot.com/2009/02/dr-koffi-celestin-yao-stuart-brisley.html

Open Dialogues: Performance Saga. Saturday, 14 February 2009. Dr Koffi Célestin YAO: Stuart Brisley - Symphonie pour un rituel macabre. Image: Stuart Brisley. . Petra Köhle Nicolas Vermot Petit-Outhenin. En ouverture de rideau, notre regard est frappé par la posture énigmatique et la disposition particulière d’un corps imaginaire, un corps fétichisé, un corps totémisé et chamanique, placé sur un trône mouvant. Qui est le créateur? Qui est sur scène et qui assiste à la scène? Posted by Mary Paterson.

5

Open Dialogues: Performance Saga: Mary Paterson: Lost in Language

http://performancesaga.blogspot.com/2009/02/mary-paterson-lost-in-language.html

Open Dialogues: Performance Saga. Friday, 13 February 2009. Mary Paterson: Lost in Language. Robin Deacon, 'Approximating the Work of Stuart Sherman', 12th February 2009. Image: Robin Deacon 'Approximating the Art of Stuart Sherman',Thursday 13th February 2009, photograph (c) Petra Köhle Nicolas Vermot Petit-Outhenin. Image: Robin Deacon 'Approximating the Art of Stuart Sherman',Thursday 13th February 2009, photograph (c) Petra Köhle Nicolas Vermot Petit-Outhenin. Rédigé par Mary Paterson. B Bucher-Mayor...

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open-dialogues: WRITING LIVE LAUNCH

http://open-dialogues.blogspot.com/2009/09/writing-live-launch.html

Open Dialogues: critical writing on and as performance http:/ www.opendialogues.com/. Friday, 11 September 2009. What is the future of experimental critical writing and how is it being informed by its past? How might the practices of different generations – from avant-garde pioneers to recent graduates – be brought into contact? How might live/visual/textual practitioners, artist scholars experimenting with writing’s forms, and artists working with text come together? Writing Live 09 Symposium. Founded b...

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Open Dialogues: Performance Saga

Open Dialogues: Performance Saga. Tuesday, 24 February 2009. A Conversation about 14 February. The evening began with the Performance Saga Interview with Alison Knowles. In which Knowles talked about her experiences as an artist, her outlook on life and her current interests.  . Drove out of the car park. 8216;A l’âme en secret’ was a subtle work in which Rüssli interacted with objects in her performance space, including a camping stove, bottles of water and woollen blankets.  Rüssli...160;performance &#...

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