PERFORMANCESPACE.ORG

connectiontime.wordpress.com

Talks | Connection / Time

https://connectiontime.wordpress.com/events

Performance – collaboration – documentation. Part of Connection / Time’s remit is to share its research findings, to review the development of the documentation tool in dialogue with other practitioners and to strengthen networks for its dissemination across the sector, both regionally and nationally. The following have been programmed already, more details will follow very soon:. 18th April – talk and action presentation. With Benjamin Sebastian, ]Performance S p a c e [. 12th May – Tertulia salon.

lauramilnes.com

InVálid (2013 / 2014) | Laura Dee Milnes

https://lauramilnes.com/artist/invalid-2013

Artist / Performer / Writer / Curator. InVálid (2013 / 2014). Performance by Laura Dee Milnes, ] performance s p a c e [ London, March 2014, photographed by Marco Berardi. A durational, physical performance in which the artist makes her way around the edges of an industrial or domestic space, remaining as horizontal as possible. The marks of her effort show themselves gradually on her skin and clothing, resulting in a body temporarily scarred by her own, self-induced struggle. Performance s p a c e [.

theblackplume.com

LIVE

http://theblackplume.com/events-performances

Sunday 4th September 2016. 18-22 Ashwin St, Dalston, London, E8 3DL. Thursday 21st July 2016. 18-22 Ashwin St, Dalston, London, E8 3DL. Tuesday 5th July 2016. Graham Dunning, John Macedo and Tom White. 18-22 Ashwin St, Dalston, London, E8 3DL. Tuesday 7th June 2016. 5 7 Norfolk Street, Cambridge, CB1 2LD. Thursday 19th May 2016. John Butcher and John Macedo (solo and duo performances). Preparing the Site Exhibition. Bank Space Gallery, 59-63 Whitechapel High Street, London, E1 7PF. Cafe OTO Project Space.

tracingthepathway.wordpress.com

Glancing Back: Tempting Failure |

https://tracingthepathway.wordpress.com/site/glancing-back/tempting-failure

8216;Glancing Back’. Glancing Back: Tempting Failure. Glancing Back: Glancing Back. I see what we see. I see what we see. 8216;Glancing Back’. Glancing Back: Tempting Failure. Glancing Back: Glancing Back. Glancing Back: Tempting Failure. Tracing the Pathway took part in the Tempting Failure event curated by Thomas John Bacon. 2012 They explored the notion of glancing back and how one could engage with site through this scope. Here is the outcome and documentation of the exploration.

liechen.wordpress.com

1 year lab invitation | Welcome to Li-E Chen's Online-Studio | Independent Research/Artistic Development

https://liechen.wordpress.com/2012/08/26/1-year-lab-invitation

Welcome to Li-E Chen's Online-Studio Independent Research/Artistic Development. 2013 One-year durational laboratory on ‘nothing’. 2012 I am your anti-matter. 2012 24 hours in dreams. 2011 Cloud Clock Love. 1 year lab invitation. One-year durational laboratory on ‘nothing’. Begins on last saturday of every month for different periods of duration. 27 october 2012 – 28 september 2013. Pre-laboratory event on 29 september 2012 from 3pm to 11pm. Hosted by Li-E Chen and ]performance s p a c e [. Is about givin...

liechen.wordpress.com

2013 One-year durational laboratory on ‘nothing’ | Welcome to Li-E Chen's Online-Studio | Independent Research/Artistic Development

https://liechen.wordpress.com/projects/nothing

Welcome to Li-E Chen's Online-Studio Independent Research/Artistic Development. 2013 One-year durational laboratory on ‘nothing’. 2012 I am your anti-matter. 2012 24 hours in dreams. 2011 Cloud Clock Love. 2013 One-year durational laboratory on ‘nothing’. We do not know what it is; we do not know what is going to happen. I want to make the kind of works where no one understands what i am doing. One-year durational laboratory on ‘nothing’. 27 october 2012 28 september 2013. At ]performance s p a c e [.

nazirtanbouli.wordpress.com

Past Projects | Nazir Tanbouli

https://nazirtanbouli.wordpress.com/news-and-projects

An Egyptian artist in London. The Art of Nightmares. Here is where I archive some of my projects. Alexandria, Egypt September 2015. The Great Court at the British Museum. 8220;Black Books”. Westminster Central Art and Design Library. 4 of the 50 Black Books. VITRINE INSTALLATION WITH COLOUR INK CONCERTINA BOOK AND HAND PAINTED BONE CROCODILE. 8212;——————————————————————. 8220;BRIGHT SPACES” Kuwait, March 2014. NAZIR TANBOULI at QUOZ Dubai. Public Art Engagement (Mural). Thejamjar takes part in QUOZ.

robinbale.blogspot.com

PERFORMANCE: PERFORMANCE ART FACTION BOX SET

http://robinbale.blogspot.com/2015/06/performance-art-faction-box-set.html

Friday, 19 June 2015. PERFORMANCE ART FACTION BOX SET. I have just had an essay published in a box set archive of texts and performance documentation by the ever-brilliant Performance ]S P A C E[. Who champion the sort of performance work that struggles to find a home in our current dispensation. The box set is purchasable and well worth it (I will add a link to shop when I can find one), and a virtual copy can be perused here. Subscribe to: Post Comments (Atom). Robinbale@network.rca.ac.uk.

paulhurley.org

All quiet… – p a u l h u r l e y

https://paulhurley.org/2013/05/02/all-quiet

May 2, 2013. Time is such a curious thing. Just yesterday I was trying to remember performances of mine from the last four years, for a new book work I’m making. Revisiting documentation and digging through memories is for me an uncanny experience. Punctuation, echoes, discrepancies, gaps. I’ve also been revisiting an old collaboration with Kathe Izzo, and dicussing some possible new collaborations – our Public Love Project. In March, last month presenting at the I’m not sitting at the front. I’m s...