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Notes from the boundary: Peter Hart

Rio Terà dei Nomboli, Venice. Sestiere di San Polo. Near to Campo San Polo, Santa Maria Gloriosa dei Frari, and the Scuola Grande di San Rocco

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Notes from the boundary: Peter Hart | peter1arnold1hart.blogspot.com Reviews
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Rio Terà dei Nomboli, Venice. Sestiere di San Polo. Near to Campo San Polo, Santa Maria Gloriosa dei Frari, and the Scuola Grande di San Rocco
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Notes from the boundary: Peter Hart | peter1arnold1hart.blogspot.com Reviews

https://peter1arnold1hart.blogspot.com

Rio Terà dei Nomboli, Venice. Sestiere di San Polo. Near to Campo San Polo, Santa Maria Gloriosa dei Frari, and the Scuola Grande di San Rocco

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peter1arnold1hart.blogspot.com peter1arnold1hart.blogspot.com
1

Notes from the boundary: Peter Hart: Artists copying artists: Cézanne & Millet

http://peter1arnold1hart.blogspot.com/2015/03/artists-copying-artists-cezanne-millet.html

Notes from the boundary: Peter Hart. Rio Terà dei Nomboli, Venice. Sestiere di San Polo. Near to Campo San Polo, Santa Maria Gloriosa dei Frari, and the Scuola Grande di San Rocco. Wednesday, 11 March 2015. Artists copying artists: Cézanne and Millet. Artists have always copied the works of other artists. And the primary purpose of this exercise – when carried out with serious intent – has always been to learn: to look closely, not at the technique. Millet. The Reaper. c. Cézanne. Study after a Millet.

2

Notes from the boundary: Peter Hart: Rethinking the policy of “taking no prisoners” (a blog in two halves)

http://peter1arnold1hart.blogspot.com/2014/12/on-wise-policy-of-taking-no-prisoners.html

Notes from the boundary: Peter Hart. Rio Terà dei Nomboli, Venice. Sestiere di San Polo. Near to Campo San Polo, Santa Maria Gloriosa dei Frari, and the Scuola Grande di San Rocco. Wednesday, 17 December 2014. Rethinking the policy of “taking no prisoners” (a blog in two halves). Not that this applies remotely to the abused or traumatised child, for whom intensive counselling and compassion is absolutely required.). Is this a hard counsel? We should be kind to one another while we are here, should we not?

3

Notes from the boundary: Peter Hart: A short blog on reading, & coping with hooligans – or worse

http://peter1arnold1hart.blogspot.com/2015/05/a-short-blog-on-reading-coping-with.html

Notes from the boundary: Peter Hart. Rio Terà dei Nomboli, Venice. Sestiere di San Polo. Near to Campo San Polo, Santa Maria Gloriosa dei Frari, and the Scuola Grande di San Rocco. Friday, 1 May 2015. A short blog on reading, and coping with hooligans – or worse. From the right, Scruffy, Roddy, Millie, the three small bears, and a mouse dressed for a ball. A S Byatt is my wife’s reading. Definitely not my cup of tea! 8220;How are you doing lads? Got any spare larger? I’m dying for a drink! The brother of...

4

Notes from the boundary: Peter Hart: Warhol's Brillo Boxes: Guest blog from Norman Moss

http://peter1arnold1hart.blogspot.com/2010/08/warhols-brillo-boxes-guest-blog-from.html

Notes from the boundary: Peter Hart. Rio Terà dei Nomboli, Venice. Sestiere di San Polo. Near to Campo San Polo, Santa Maria Gloriosa dei Frari, and the Scuola Grande di San Rocco. Wednesday, 25 August 2010. Warhol's Brillo Boxes: Guest blog from Norman Moss. I think the whole question of real and fake art works calls into question the authenticity, not of the work but of the aesthetic appreciation. Did people really gain enjoyment from looking at Van Meegeren's fake Vermeers and then cease to enjoy ...

5

Notes from the boundary: Peter Hart: Boredom, lassitude, and ennui as a subject in painting (2)

http://peter1arnold1hart.blogspot.com/2010/07/boredom-lassitude-and-ennui-as-subject.html

Notes from the boundary: Peter Hart. Rio Terà dei Nomboli, Venice. Sestiere di San Polo. Near to Campo San Polo, Santa Maria Gloriosa dei Frari, and the Scuola Grande di San Rocco. Sunday, 4 July 2010. Boredom, lassitude, and ennui as a subject in painting (2). 1909; Oil on canvas; Whitney Museum of American Art, New York. Without the least diminution of its mystery. Is — like the vast majority of paintings — a studio work based on sketches and drawings. Moreover, it will, in the course o...From Hopper&#...

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Notes from the boundary: Peter Hart

Notes from the boundary: Peter Hart. Rio Terà dei Nomboli, Venice. Sestiere di San Polo. Near to Campo San Polo, Santa Maria Gloriosa dei Frari, and the Scuola Grande di San Rocco. Tuesday, 12 May 2015. Reproduction and original in art: why the former can never replace the latter. Bords d'une rivière (Riverbanks). It is a fair question to ask, “How far is it possible to write meaningfully about works of art that you have only seen in reproduction? Van Gogh, Prisoners Exercising. 8211; such as might have ...

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