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Peter Rood | 码农 thinking about philosophy and media. aún aprendo

码农 thinking about philosophy and media. aún aprendo (by Peter Rood)

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Peter Rood | 码农 thinking about philosophy and media. aún aprendo | peterood.wordpress.com Reviews

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码农 thinking about philosophy and media. aún aprendo (by Peter Rood)

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February | 2012 | Peter Rood

https://peterood.wordpress.com/2012/02

Monthly Archives: February 2012. Text of paper Reviewing Alexandre Astruc’s camera-stylo. In 1948 Alexandre Astruc’s essay. Du stylo à la caméra et de la caméra au stylo. Within it he developed the concept and term camera-stylo. If we were to characterize the reception and current understanding of his essay, we should choose no better than this passage of his:. The conflation of the scriptwriter and director and the emphasis on the importance of the filmmaker as author is evident here. That this pers...

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Peter Rood | 码农 thinking about philosophy and media. aún aprendo | Page 2

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Suggestions for Developing Human Intelligence in Machines. A perspectival view allows that no one perspective subsumes the others, but each is for a particular handiness or approachability toward the world. A perspective’s discourse foregrounds particular aspects and relations of the world. A discourse’s handiness rests on its precision in addressing those aspects and relations. Language is a serial concern. Community is a parallel concern. Tractatus politico-philosophicus – language and logic. From his ...

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Peter Rood | Peter Rood

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All posts by Peter Rood. Text of paper Reviewing Alexandre Astruc’s camera-stylo. In 1948 Alexandre Astruc’s essay. Du stylo à la caméra et de la caméra au stylo. Within it he developed the concept and term camera-stylo. If we were to characterize the reception and current understanding of his essay, we should choose no better than this passage of his:. The conflation of the scriptwriter and director and the emphasis on the importance of the filmmaker as author is evident here. That this personality-...

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About | Peter Rood

https://peterood.wordpress.com/about

May 2009, I graduated with a BA in philosophy and a film studies minor from Penn State University. I wrote my honors thesis on one of Wittgenstein’s students Norman Malcolm’s. Since the fall of 2011, I’m living in Brooklyn and working toward my MA at the Media Studies program at The New School. Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public). You are commenting using your WordPress.com account. ( Log Out.

5

whose story is this? | Peter Rood

https://peterood.wordpress.com/2011/05/05/whose-story-is-this

Whose story is this? First posted to peter786.tumblr.com on January 1, 2011]. The following are fragments of my response to lisa cholodenko’s film. I was disappointed when the otherwise humorous and charming film the kids are all right began to abruptly rebuke mark ruffalo’s paul for his affair with julianne moore’s jules. the film abandoned its own emotional complexity and fidelity to depicting relationships by so easily villainizing paul and casting him out of the story. Leave a Reply Cancel reply.

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Peter Rood

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Peter Rood | 码农 thinking about philosophy and media. aún aprendo

Text of paper Reviewing Alexandre Astruc’s camera-stylo. February 9, 2012 I presented the following at the Southwest/Texas Popular Culture Association/American Culture Association SW/TX PCA/ACA conference in Albuquerque, NM. It was part of the panel Film Theory and Aesthetics 2: Classic Film Theory and its Application which I chaired. Steven Malcic of the University of California, Santa Barbara presented his paper Redistributing the Spectacle: Montage and Detournement in the Synecdochic Regime. The confl...

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Welcome to the home of peteroostendorp.nl. To change this page, upload your website into the public html directory. Date Created: Thu Mar 15 07:40:57 2018.

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Feestelijk kleurgebruik is kenmerkend voor de schilderijen, die met hun verrassende compositie ons ontroeren. De kijker wordt geconfronteerd met een in zichzelf gekeerde vrouw. Waar denkt zij aan? Is het haar rijke leven dat voor haar ogen de revue passeert? Je zou haar als kijker zo graag willen doorgronden en soms heb je wel een idee van wat zich in haar hoofd afspeelt. Festivité de couleurs est caractéristique sur les tableaux avec leur composition surprenante et touchante.