peterpottergallery.blogspot.com

Peter Potter Gallery

Saturday, 6 July 2013. 8216;In a world dominated by commercialism and technology, where pressure is on instant results, I enjoy the meditative nature of allowing the form to evolve with handwork, imagination and human. Using the most primitive and natural material available: the earth itself.’. Scottish ceramicist Lorraine Robson. Hold ornate concealed blades within their pure, feminine forms. In the window, the gleaming red urn holds within it a beautiful oxidized silver necklace made by Molly. Robson's...

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Peter Potter Gallery | peterpottergallery.blogspot.com Reviews

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Saturday, 6 July 2013. 8216;In a world dominated by commercialism and technology, where pressure is on instant results, I enjoy the meditative nature of allowing the form to evolve with handwork, imagination and human. Using the most primitive and natural material available: the earth itself.’. Scottish ceramicist Lorraine Robson. Hold ornate concealed blades within their pure, feminine forms. In the window, the gleaming red urn holds within it a beautiful oxidized silver necklace made by Molly. Robson's...

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Peter Potter Gallery | peterpottergallery.blogspot.com Reviews

https://peterpottergallery.blogspot.com

Saturday, 6 July 2013. 8216;In a world dominated by commercialism and technology, where pressure is on instant results, I enjoy the meditative nature of allowing the form to evolve with handwork, imagination and human. Using the most primitive and natural material available: the earth itself.’. Scottish ceramicist Lorraine Robson. Hold ornate concealed blades within their pure, feminine forms. In the window, the gleaming red urn holds within it a beautiful oxidized silver necklace made by Molly. Robson's...

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peterpottergallery.blogspot.com

1

Peter Potter Gallery: July 2013

http://peterpottergallery.blogspot.com/2013_07_01_archive.html

Saturday, 6 July 2013. 8216;In a world dominated by commercialism and technology, where pressure is on instant results, I enjoy the meditative nature of allowing the form to evolve with handwork, imagination and human. Using the most primitive and natural material available: the earth itself.’. Scottish ceramicist Lorraine Robson. Hold ornate concealed blades within their pure, feminine forms. In the window, the gleaming red urn holds within it a beautiful oxidized silver necklace made by Molly. Robson's...

2

Peter Potter Gallery: June 2013

http://peterpottergallery.blogspot.com/2013_06_01_archive.html

Tuesday, 25 June 2013. 10 commissions available for a fee of £300 inclusive of materials. Apply as soon as possible and by 10th July (5pm) at the latest. Proposals will be assessed and selected as they arrive. Objects to be a maximum of 30cm x 30cm. We are happy to consider existing small works for purchase. We are looking for works of sculpture in any media (or mixed media) which may look functional, decorative or exotic, hand-made or mechanical, fantastical, geological, mysterious or sinister. Please i...

3

Peter Potter Gallery: April 2013

http://peterpottergallery.blogspot.com/2013_04_01_archive.html

Tuesday, 23 April 2013. Three Eras of Power Production; Energy and Landscape in East Lothian. EARTH, WIND &. Until 25 May 2013. The current exhibition at Peter Potter Gallery strikes a curious chord with the recent death of Margaret Thatcher. The vast architectural xenolith of Cockenzie, with its two dark-tipped towers, the sentinels of the Forth, counterbalance the bunkered chasms of decaying radioactive core along the coast at Torness. And the contentious wind turbines of Aikengall? S industrial herita...

4

Peter Potter Gallery: January 2013

http://peterpottergallery.blogspot.com/2013_01_01_archive.html

Saturday, 26 January 2013. GEMMA COYLE: THE MONUMENT PROJECT I. 88 THESE MAY BE SEEN IN. Gemma Coyle says she is “fascinated by the perturbing, complex, breathtaking, curious, wondrous and absurd world around us, as well as the variety of living forms on it”. Rozsika Parker reflected that:. 8220;Changes in ideas about femininity that can be seen reflected in the history of embroidery are striking confirmation that femininity is a social and psychosocial product.”. In the same text, Parker quotes an 18.

5

Peter Potter Gallery: August 2012

http://peterpottergallery.blogspot.com/2012_08_01_archive.html

Tuesday, 14 August 2012. Call for Artists: River Crossings. The gallery sits right next to the River Tyne in the town of. We are now looking for an artist to contribute to an extraordinary project this autumn,. Which will engage with the ecology of the river while also working with residents of the town. The commission of £2000. Please apply with a one-page project proposal, C.V. and up to five images. Of previous work to the email address below. Links to webpages also welcome. Subscribe to: Posts (Atom).

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Peter's slide shows nationwide. Classic Hikes of North America. By author Peter Potterfield. Click here for schedule. PETER POTTERFIELD, Journalist. In the Alaska Range. Photo by James Martin. Peter Potterfield is the quintessential adventure journalist. His books and magazine assignments have taken him from some of the most remote regions of the planet to the cockpit of supersonic jet fighters.". Journalist Peter Potterfield has written more than a dozen books on outdoor adventure. He has contribute...

peterpottergallery.blogspot.com

Peter Potter Gallery

Saturday, 6 July 2013. 8216;In a world dominated by commercialism and technology, where pressure is on instant results, I enjoy the meditative nature of allowing the form to evolve with handwork, imagination and human. Using the most primitive and natural material available: the earth itself.’. Scottish ceramicist Lorraine Robson. Hold ornate concealed blades within their pure, feminine forms. In the window, the gleaming red urn holds within it a beautiful oxidized silver necklace made by Molly. Robson's...

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