phoebearnstein.blogspot.com

dir.T.art

Created by Phoebe A. More shadowy subjects by Phoebe A. Fracture by Phoebe A. A small project recording the movements of my dog, Buffy the weineramer, around the house. Top and bottom photographs: Tilted Arc,. Richard Serra, 1981 (Federal Plaza, NYC). Richard Serra's Tilted Arc. Attempted to reinforce the 'art in public places' approach New York was experimenting with in the 1980's. It was a monument that caused huge controversy (how could it not! Marlene Dumas; Watercolour Series. Does Dumas transform p...

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dir.T.art | phoebearnstein.blogspot.com Reviews

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Created by Phoebe A. More shadowy subjects by Phoebe A. Fracture by Phoebe A. A small project recording the movements of my dog, Buffy the weineramer, around the house. Top and bottom photographs: Tilted Arc,. Richard Serra, 1981 (Federal Plaza, NYC). Richard Serra's Tilted Arc. Attempted to reinforce the 'art in public places' approach New York was experimenting with in the 1980's. It was a monument that caused huge controversy (how could it not! Marlene Dumas; Watercolour Series. Does Dumas transform p...

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1 dirtart

2 posted by phoebea

3 no comments

4 drawing dogs

5 site specific

6 seized by seizure

7 roger hiorn

8 157 harpers road

9 marlene dumas

10 1 comment

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dir.T.art | phoebearnstein.blogspot.com Reviews

https://phoebearnstein.blogspot.com

Created by Phoebe A. More shadowy subjects by Phoebe A. Fracture by Phoebe A. A small project recording the movements of my dog, Buffy the weineramer, around the house. Top and bottom photographs: Tilted Arc,. Richard Serra, 1981 (Federal Plaza, NYC). Richard Serra's Tilted Arc. Attempted to reinforce the 'art in public places' approach New York was experimenting with in the 1980's. It was a monument that caused huge controversy (how could it not! Marlene Dumas; Watercolour Series. Does Dumas transform p...

INTERNAL PAGES

phoebearnstein.blogspot.com

1

dir.T.art: Rubric of the Spectacle

http://phoebearnstein.blogspot.com/2010/03/rubric-of-spectacle.html

Created by Phoebe A. Rubric of the Spectacle. Guy Debord, 1957. This is Debord's fragmented map of Paris emphasising the key concerns of the 'Situationist International' (SI), "particularly around construction and perception of urban space". By rearranging this urban terrain, Debord encouraged the average "imbecile" to engage in a deeper understanding of Paris as an aesthetic, political environment. Subscribe to: Post Comments (Atom). More shadowy subjects by Phoebe A. Fracture by Phoebe A.

2

dir.T.art: Seized by Seizure!

http://phoebearnstein.blogspot.com/2010/03/seized-by-seizure.html

Created by Phoebe A. Hiorn has transformed a less than ordinary, unloved, urban space into a surreal fantasy. In the early twentieth century, a german artist named Kurt Schwitters radically turned his family home into a "gothic labyrinth of the imagination". This is certainly a very worthwhile moment in modern British art! Subscribe to: Post Comments (Atom). More shadowy subjects by Phoebe A. Fracture by Phoebe A. Are we becoming a faceless society? Rubric of the Spectacle. The process of compression.

3

dir.T.art: More shadowy subjects by Phoebe A

http://phoebearnstein.blogspot.com/2010/03/more-shadowy-subjects-by-phoebe.html

Created by Phoebe A. More shadowy subjects by Phoebe A. Subscribe to: Post Comments (Atom). More shadowy subjects by Phoebe A. Fracture by Phoebe A. Are we becoming a faceless society? Rubric of the Spectacle. The process of compression. The Organisation of Dirt! A Shadowy Realm of the Interior by Phoebe A. De Stijl and an international language. Tokyo Night Drive 1. Top: Embankment (2005) Rachel Whiteread Bottom. MUSEUM VS ALTERNATIVE SPACE. Shadow Piece by Jan Dibbets.

4

dir.T.art: Site Specific

http://phoebearnstein.blogspot.com/2010/03/site-specific.html

Created by Phoebe A. Top and bottom photographs: Tilted Arc,. Richard Serra, 1981 (Federal Plaza, NYC). Richard Serra's Tilted Arc. Attempted to reinforce the 'art in public places' approach New York was experimenting with in the 1980's. The controversial sculpture showed up the hypocrisy of the "public" plaza as a cohesive and unified social space by negating the utilitarian or functionalist mandate for public art with an obtrusive and "useless" object.". Subscribe to: Post Comments (Atom).

5

dir.T.art: Are we becoming a faceless society?

http://phoebearnstein.blogspot.com/2010/03/are-we-becoming-faceless-society.html

Created by Phoebe A. Are we becoming a faceless society? John Stezaker re-examines the function of the photographic image. As an audience, we rely too much on the photograph to represent the truth, and Stezaker encourages the audience to look beyond the facade of the image in his work. Using Marcel Duchamp's 'ready-made' method of art practice, Stezaker appropriates images from magazines, books and postcards to conceal the identity of his subject. 9 July 2010 at 22:17. Subscribe to: Post Comments (Atom).

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dir.T.art

Created by Phoebe A. More shadowy subjects by Phoebe A. Fracture by Phoebe A. A small project recording the movements of my dog, Buffy the weineramer, around the house. Top and bottom photographs: Tilted Arc,. Richard Serra, 1981 (Federal Plaza, NYC). Richard Serra's Tilted Arc. Attempted to reinforce the 'art in public places' approach New York was experimenting with in the 1980's. It was a monument that caused huge controversy (how could it not! Marlene Dumas; Watercolour Series. Does Dumas transform p...

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