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photoCLEC | Photographs, Colonial Legacy and Museums in Contemporary European Culture

Photographs, Colonial Legacy and Museums in Contemporary European Culture. Museums, displays and photographs. Museums and colonial past. Postcolonialism, multiculturalism and museums in Europe. Framings: some case studies. Photographs are probably the most ubiquitous and far reaching records of the colonial past. They trace the experiences of a vast range of people touched by European colonial expansion and domination, both colonised and colonialisers. How is this record understood in public histories?

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photoCLEC | Photographs, Colonial Legacy and Museums in Contemporary European Culture | photoclec.dmu.ac.uk Reviews

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Photographs, Colonial Legacy and Museums in Contemporary European Culture. Museums, displays and photographs. Museums and colonial past. Postcolonialism, multiculturalism and museums in Europe. Framings: some case studies. Photographs are probably the most ubiquitous and far reaching records of the colonial past. They trace the experiences of a vast range of people touched by European colonial expansion and domination, both colonised and colonialisers. How is this record understood in public histories?

<META> KEYWORDS

1 photoclec

2 acknowledgements

3 museums and memory

4 photoclec project background

5 about this website

6 project funding

7 the research team

8 project methodology

9 search this site

10 contact and feedback

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photoclec,acknowledgements,museums and memory,photoclec project background,about this website,project funding,the research team,project methodology,search this site,contact and feedback

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photoCLEC | Photographs, Colonial Legacy and Museums in Contemporary European Culture | photoclec.dmu.ac.uk Reviews

https://photoclec.dmu.ac.uk

Photographs, Colonial Legacy and Museums in Contemporary European Culture. Museums, displays and photographs. Museums and colonial past. Postcolonialism, multiculturalism and museums in Europe. Framings: some case studies. Photographs are probably the most ubiquitous and far reaching records of the colonial past. They trace the experiences of a vast range of people touched by European colonial expansion and domination, both colonised and colonialisers. How is this record understood in public histories?

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photoclec.dmu.ac.uk

1

Acknowledgements | photoCLEC

http://photoclec.dmu.ac.uk/node/15

Photographs, Colonial Legacy and Museums in Contemporary European Culture. Museums, displays and photographs. Museums and colonial past. Postcolonialism, multiculturalism and museums in Europe. Framings: some case studies. This research has been made possible by the generosity and support of a large number of institutions and their staff. Birmingham City Libraries, The Black Cultural Archives ( http:/ www.bcaheritage.org.uk/. Cambridge University Museum of Archaeology and Anthropology (http:www. In the N...

2

"framings": some case studies | photoCLEC

http://photoclec.dmu.ac.uk/content/framings-some-case-studies

Photographs, Colonial Legacy and Museums in Contemporary European Culture. Museums, displays and photographs. Museums and colonial past. Postcolonialism, multiculturalism and museums in Europe. Framings: some case studies. Framings: some case studies. Photographs of the colonial past are put to work in museums, histories and memory practices. In many ways. Their meaning emerges from a process of ‘framing’. [1]. Which determines the work of photographs in museums. Travelling Concepts in the Humanities.

3

About this website | photoCLEC

http://photoclec.dmu.ac.uk/node/25

Photographs, Colonial Legacy and Museums in Contemporary European Culture. Museums, displays and photographs. Museums and colonial past. Postcolonialism, multiculturalism and museums in Europe. Framings: some case studies. The resource does not seek to replicate or summarize the vast literature on museums, their techniques, apparatus, ideologies and audiences. Rather it presents an entry point into these two entwined but little discussed aspects of museum practice: photographs and the European coloni...

4

Project methodology | photoCLEC

http://photoclec.dmu.ac.uk/node/26

Photographs, Colonial Legacy and Museums in Contemporary European Culture. Museums, displays and photographs. Museums and colonial past. Postcolonialism, multiculturalism and museums in Europe. Framings: some case studies. PhotoCLEC was undertaken as an ethnographic exercise, using the key methodologies of participant observation, interviews, and archival work. An introduction to the results is contained within this web resource. This is supplemented by academic papers, conferences and books.

5

Project funding | photoCLEC

http://photoclec.dmu.ac.uk/node/27

Photographs, Colonial Legacy and Museums in Contemporary European Culture. Museums, displays and photographs. Museums and colonial past. Postcolonialism, multiculturalism and museums in Europe. Framings: some case studies. This research has been made possible by a major grant from HERA. Humanities on the European Research Area) and European Framework 7. Without this funding and support a project such as PhotoCLEC would not be possible. Elizabeth Edwards and Matt Mead. Edited by Elizabeth Edwards and Sigr...

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thephotographicsituation.wordpress.com

Activities | The Photographic Situation

https://thephotographicsituation.wordpress.com/events

Investigating the work of photographs in the public sphere. January 9-11, 2013. Durham University, UK). A two-day workshop hosted by Durham Centre for Advanced Photography Studies. In association with the Toronto Photography Seminar. The aim of the ‘Doing Photography’ workshop is to bring together a range of participants from different backgrounds photographers, archivists, picture editors, NGO activists, academics, etc. who are committed to exploring questions not so much of. Photographs work, rather of.

thephotographicsituation.wordpress.com

Matt Mead | The Photographic Situation

https://thephotographicsituation.wordpress.com/author/usesofthepast

Investigating the work of photographs in the public sphere. Archive by Author Matt Mead. March 27, 2013. News for colleagues in the Netherlands and Belgium…. The Dutch Photography Working Group. The group is a part of the ‘Scherptediepte’ (‘depth of field’) network of Dutch and Belgian photography scholars. January 31, 2013. F Holland Day, Imperial Masculinity, and the Intimacy of Photography. Reflects on F. Holland Day’s exotic look and intimate looking. In the spring of 1901, F. Holland Day. In Frederi...

thephotographicsituation.wordpress.com

The Photographic Situation | Investigating the work of photographs in the public sphere | Page 2

https://thephotographicsituation.wordpress.com/page/2

Investigating the work of photographs in the public sphere. October 5, 2012. Thy Phu and Sarah Parsons discuss the visual and political economies exposed by recent photographs of Kate Middleton and Prince Harry. Buckingham Palace sent their lawyers after. In your research, Sarah, you point out that the camera has a surprising relationship to the concept of privacy. You note that a landmark article by Samuel Warren and Louis Brandeis, titled The Right to Privacy. There are interesting parallels between th...

thephotographicsituation.wordpress.com

Gabby Moser | The Photographic Situation

https://thephotographicsituation.wordpress.com/author/gabbymoser

Investigating the work of photographs in the public sphere. Archive by Author Gabby Moser. October 23, 2012. Report from the Clark Symposium: Photography as Model? Last week, the Clark Center. Hosted a one-day symposium at the Arts Club of Chicago. That aimed to “reflect on the models we currently have for discussing photographs as art.” Organized by Matt Witkovksy, the curator of photography at the Art Institute of Chicago, “Photography as Model? On just this problem over at his blog). September 18, 2012.

thephotographicsituation.wordpress.com

March | 2013 | The Photographic Situation

https://thephotographicsituation.wordpress.com/2013/03

Investigating the work of photographs in the public sphere. March 27, 2013. News for colleagues in the Netherlands and Belgium…. The Dutch Photography Working Group. The group is a part of the ‘Scherptediepte’ (‘depth of field’) network of Dutch and Belgian photography scholars. Follow Blog via Email. Enter your email address to follow this blog and receive notifications of new posts by email. Join 117 other followers. Durham Centre for Advanced Photography Studies. Blog at WordPress.com.

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Members | The Photographic Situation

https://thephotographicsituation.wordpress.com/members

Investigating the work of photographs in the public sphere. Prof of Latin American Studies, School of Modern Languages and Cultures, Academic member of the Durham Centre for Advanced Photography Studies (DCAPS). Dr. Noble is a specialist in Latin American, especially Mexican, photography and cinema. She will take the lead on organizing the Durham 2012 workshop. Senior Lecturer in French, School of Modern Languages and Cultures, co-director of the Durham Centre for Advanced Photography Studies (DCAPS)&#46...

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Report from the Clark Symposium: Photography as Model? | The Photographic Situation

https://thephotographicsituation.wordpress.com/2012/10/23/report-from-the-clark-symposium-photography-as-model

Investigating the work of photographs in the public sphere. October 23, 2012. Report from the Clark Symposium: Photography as Model? Last week, the Clark Center. Hosted a one-day symposium at the Arts Club of Chicago. That aimed to “reflect on the models we currently have for discussing photographs as art.” Organized by Matt Witkovksy, the curator of photography at the Art Institute of Chicago, “Photography as Model? 8221; drew its inspiration from art critic Yves-Alain Bois’s 1990 book. During a trip to...

thephotographicsituation.wordpress.com

Stephen Mayes on the unfixing of Smartphone photography | The Photographic Situation

https://thephotographicsituation.wordpress.com/2012/11/20/stephen-mayes-on-the-unfixing-of-contemporary-photography

Investigating the work of photographs in the public sphere. November 20, 2012. Stephen Mayes on the unfixing of Smartphone photography. In September, Stephen Mayes, director of VII Photo Agency, spoke at our Photographic Situation workshop in Toronto on the unfixing of photography in the age of the Smartphone. Stephen elaborates on the experiential quality of the new fluid image here. In an interview with Wired magazine’s Pete Brook. Laquo; Previous post. Next post ». Leave a Reply Cancel reply.

thephotographicsituation.wordpress.com

F. Holland Day, Imperial Masculinity, and the Intimacy of Photography | The Photographic Situation

https://thephotographicsituation.wordpress.com/2013/01/31/f-holland-day-imperial-masculinity-and-the-intimacy-of-photography

Investigating the work of photographs in the public sphere. January 31, 2013. F Holland Day, Imperial Masculinity, and the Intimacy of Photography. Reflects on F. Holland Day’s exotic look and intimate looking. In the spring of 1901, F. Holland Day. 1899, is clearly visible propped at the edge of the desk.). Coburn’s portrait of Day. I] Patricia J. Fanning, Through an Uncommon Lens: The Life and Photography of F. Holland Day. Amherst: University of Massachusetts Press, 2008) 110. University of North Caro...

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photoCLEC | Photographs, Colonial Legacy and Museums in Contemporary European Culture

Photographs, Colonial Legacy and Museums in Contemporary European Culture. Museums, displays and photographs. Museums and colonial past. Postcolonialism, multiculturalism and museums in Europe. Framings: some case studies. Photographs are probably the most ubiquitous and far reaching records of the colonial past. They trace the experiences of a vast range of people touched by European colonial expansion and domination, both colonised and colonialisers. How is this record understood in public histories?

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