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Alan Spackman

Friday, September 20, 2013. The Reds fighting the Blacks and Whites. 1 These images are alluding to aestheticising detritus, that is material desolving, breaking and grinding down from the visible to microscopic from order to disorder. What is left out, what is not needed as being essential. 2 While working on other collage the offcuts came from an intention, whereas the scraps did not. They are repurposed here as another action. The capture of entrophy. Thursday, September 12, 2013. Friday, May 3, 2013.

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Friday, September 20, 2013. The Reds fighting the Blacks and Whites. 1 These images are alluding to aestheticising detritus, that is material desolving, breaking and grinding down from the visible to microscopic from order to disorder. What is left out, what is not needed as being essential. 2 While working on other collage the offcuts came from an intention, whereas the scraps did not. They are repurposed here as another action. The capture of entrophy. Thursday, September 12, 2013. Friday, May 3, 2013.

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Alan Spackman | photohybrid.blogspot.com Reviews

https://photohybrid.blogspot.com

Friday, September 20, 2013. The Reds fighting the Blacks and Whites. 1 These images are alluding to aestheticising detritus, that is material desolving, breaking and grinding down from the visible to microscopic from order to disorder. What is left out, what is not needed as being essential. 2 While working on other collage the offcuts came from an intention, whereas the scraps did not. They are repurposed here as another action. The capture of entrophy. Thursday, September 12, 2013. Friday, May 3, 2013.

INTERNAL PAGES

photohybrid.blogspot.com

1

Alan Spackman: Movement in Italian Futurism: Video

http://www.photohybrid.blogspot.com/2012/11/takes-on-italian-futurism.html

Tuesday, November 6, 2012. Movement in Italian Futurism: Video. Link to new media explorations of sound and vision. The title of these moving pictures at Vimeo, reference the modernist Italian art movement Futurism. For visual artists, a characteristic of Italian futurist painting and sculpture at the beginning of the 20th C, (the era of the avant gardes) was seeing industrial reality through speed. Subscribe to: Post Comments (Atom). Revolution No 9: For Kazimer Malevich: a Sound and Vision eCollage.

2

Alan Spackman: A Video Mash-up/Collage. Episode 1: Whats Wrong with HAL and the 9000 Series?

http://www.photohybrid.blogspot.com/2013/05/a-video-mash-upcollage.html

Wednesday, May 1, 2013. A Video Mash-up/Collage. Episode 1: Whats Wrong with HAL and the 9000 Series? Subscribe to: Post Comments (Atom). Revolution No 9: For Kazimer Malevich: a Sound and Vision eCollage. A ten minute powerpoint to video sound file of several experimental collages with motifs based on the non objective foundation of Malevich&#. Mimetic Skins catalogue for purchase at Blurb Bookstore. Auto Machine: a Sound and Vision eCollage. Movement in Italian Futurism: Video. This exhibition&#16...

3

Alan Spackman: Auto Machine: a Sound and Vision eCollage

http://www.photohybrid.blogspot.com/2013/09/blog-post_12.html

Thursday, September 12, 2013. Auto Machine: a Sound and Vision eCollage. A ten minute languid powerpoint to video moving image collage. It alludes stylistically to machine modernisms art historical moment and remixes found commons gifs and sound files of avantgarde pop in the music of Laurie Anderson and Robert Fripp. Subscribe to: Post Comments (Atom). Revolution No 9: For Kazimer Malevich: a Sound and Vision eCollage. Mimetic Skins catalogue for purchase at Blurb Bookstore. Random drops of collage scra...

4

Alan Spackman: Detritus Drops

http://www.photohybrid.blogspot.com/2013/09/the-reds-fighting-blacks-and-whites.html

Friday, September 20, 2013. Random drops of collage scrap. Thinking of Duchamps three standard stoppages on a work devised by chance actions of string dropped on a surface. These 'image thoughtforms' reveal the absolute order of the grid that contrasts with the chance random dropping of the offcuts onto the surface. . Subscribe to: Post Comments (Atom). Revolution No 9: For Kazimer Malevich: a Sound and Vision eCollage. Mimetic Skins catalogue for purchase at Blurb Bookstore. Random drops of collage scra...

5

Alan Spackman: Lightdrawings: Photography

http://www.photohybrid.blogspot.com/2012/11/this-series-of-images-was-reference-to.html

Thursday, November 8, 2012. This series of images was a reference to 18th and 19thc Romantic landscape painting. The images were also appropriations of film and chemical photography. Images that traditionally were made in the dark room were all digitally captured and constructed. Subscribe to: Post Comments (Atom). Revolution No 9: For Kazimer Malevich: a Sound and Vision eCollage. Mimetic Skins catalogue for purchase at Blurb Bookstore. Auto Machine: a Sound and Vision eCollage. Random drops of collage ...

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Alan Spackman

Friday, September 20, 2013. The Reds fighting the Blacks and Whites. 1 These images are alluding to aestheticising detritus, that is material desolving, breaking and grinding down from the visible to microscopic from order to disorder. What is left out, what is not needed as being essential. 2 While working on other collage the offcuts came from an intention, whereas the scraps did not. They are repurposed here as another action. The capture of entrophy. Thursday, September 12, 2013. Friday, May 3, 2013.

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