teachingandlearningcinema.org
Horror Film 1 « TEACHING AND LEARNING CINEMA
http://teachingandlearningcinema.org/category/horror-film-1
TEACHING AND LEARNING CINEMA. Archive for the 'Horror Film 1' Category. Pants off, Party on. June 26, 2014. In Horror Film 1. And Malcolm Le Grice. OK – this blog entry is dedicated to exploring the fleshy world of Malcolm Le Grice’s. If we are to plunge further into the project of re-enacting this work (and it seems that we are! Then we need to have a think about some. Continue reading ‘Pants off, Party on’. Horror Film sketch No. 1. June 25, 2014. And Malcolm Le Grice. Horror Film 1 – Re-enactmen...
teachingandlearningcinema.org
TLC re-enactment of Malcolm Le Grice’s Horror Film 1 – documentation « TEACHING AND LEARNING CINEMA
http://teachingandlearningcinema.org/2015/05/10/tlc-re-enactment-of-malcolm-le-grices-horror-film-1-documentation
TEACHING AND LEARNING CINEMA. Performance Matters Journal: Re-enactment of Malcolm Le Grice’s “Horror Film 1”. Line Describing a Cone – Projection Specifications ». TLC re-enactment of Malcolm Le Grice’s Horror Film 1 – documentation. May 10, 2015. And Malcolm Le Grice. From Canberra Contemporary Artspace, June 2014. Performer is Louise Curham. Responses to “TLC re-enactment of Malcolm Le Grice’s Horror Film 1 – documentation”. Feed for this Entry. Will not be published) (required). On (Wo)man with Mirror.
teachingandlearningcinema.org
Expanded Cinema Re-Enactments « TEACHING AND LEARNING CINEMA
http://teachingandlearningcinema.org/expanded-cinema-re-enactments
TEACHING AND LEARNING CINEMA. Since 2003, a big part of Teaching and Learning Cinema’s activity has involved the re-enactment (or re-creation) of Expanded Cinema performances from the 1960s and 70s. As artists, we have discovered that direct access to the work of our aesthetic precursors is essential for understanding, and building upon the work of the past. As a result, the works are poorly represented in art history. Malcolm Le Grice’s. 1971) – our current work-in-progress. Line Describing a Cone.
teachingandlearningcinema.org
archiving « TEACHING AND LEARNING CINEMA
http://teachingandlearningcinema.org/category/archiving
TEACHING AND LEARNING CINEMA. Archive for the 'archiving' Category. Re-enactment / Repetition / Reiteration / Re-performance as embodied research. August 9, 2015. The following is a call for contributions. To a session at the AAANZ conference in November, in Brisbane. This panel explores the widespread phenomenon of re-enactment as a tactic of embodied research in performance art history. Beyond the historical (Walley 2013). Contributions are invited for this panel involving (but not limited to):. We als...
teachingandlearningcinema.org
Re-enactment documentation « TEACHING AND LEARNING CINEMA
http://teachingandlearningcinema.org/re-enactment-documentation
TEACHING AND LEARNING CINEMA. Re-enactment showreel Teaching & Learning Cinema and Lucas Ihlein. Extract from (Wo)Man With Mirror, Teaching & Learning Cinema at Artspace 2009. Responses to “Re-enactment documentation”. Feed for this Entry. Will not be published) (required). On (Wo)man with Mirror. Anthony McCall – Line Describing a Cone (MEDA301) keeganlitchfield. On Expanded Cinema Re-Enactments. On Pants off, Party on. On Pants off, Party on. Laura Hindmarsh and Man/(Wo)Man With Mirror. Pics in The Park.
teachingandlearningcinema.org
Line Describing a Cone in 2015 « TEACHING AND LEARNING CINEMA
http://teachingandlearningcinema.org/2015/05/07/line-describing-a-cone-in-2015
TEACHING AND LEARNING CINEMA. Pants off, Party on. Performance Matters Journal: Re-enactment of Malcolm Le Grice’s “Horror Film 1” ». Line Describing a Cone in 2015. May 7, 2015. Anthony McCall’s “Line Describing a Cone”, presented by Teaching and Learning Cinema in Kandos in April 2015, as part of CEMENTA. Festival. Photo by Alex Wisser]. Louise Curham and I first “met” Anthony McCall’s. Line Describing a Cone. For me, that tour was characterised by great anxiety and great joy:. Line Describing a Cone.
tokyobirdsong.blogspot.com
Tokyo Bird Song: Flat cat
http://tokyobirdsong.blogspot.com/2012/07/flat-cat.html
Wednesday, July 11, 2012. Subscribe to: Post Comments (Atom). And dusted and now a Dr. Traveling through: Tokyo, Nagoya, Sydney, Melbourne, Canberra, Launceston. Birdmonkey is Raquel Ormella, a Sydney and Canberra based artist. View my complete profile. Popular Posts of the last 7 days. Zine feed back: A response from Bec Dean to Tokyo zine #1. Selected pages from Tokyo zine #1: Two weeks with Birds. I read your zine today. I enjoyed deciphering the red ‘sub-text’ beneath the. Snow walking with animals.
tokyobirdsong.blogspot.com
Tokyo Bird Song: February 2012
http://tokyobirdsong.blogspot.com/2012_02_01_archive.html
Tuesday, February 28, 2012. From a callistmon street tree near the station, I am not sure what kind it is. It has a paperbark-like trunk and a downward branch growth. West German vase. The thesis progresses. one more chapter to get to first draft stage, but it's the hardest chapter. the one that I am not sure what its purpose is. Links to this post. Saturday, February 11, 2012. Turns out he has a Twitter account (? With 53,000 followers. Most of the content are soccer jokes I can't follow. Selected pages...
teachingandlearningcinema.org
Technical Advice « TEACHING AND LEARNING CINEMA
http://teachingandlearningcinema.org/category/technical-advice
TEACHING AND LEARNING CINEMA. Archive for the 'Technical Advice' Category. Line Describing a Cone – Projection Specifications. June 21, 2015. The following info is copied across from Canyon Cinema’s website. Line Describing a Cone. Anthony McCall 1973 30 minutes B&W SILENT. Rental Format(s): 16mm film, 24 fps. Note: Special projection requirements – see below. Line describing a cone. The film exists only in the present: the moment of projection. It refers to nothing beyond this real time. Please note: th...
teachingandlearningcinema.org
expanded cinema « TEACHING AND LEARNING CINEMA
http://teachingandlearningcinema.org/category/expanded-cinema
TEACHING AND LEARNING CINEMA. Archive for the 'expanded cinema' Category. Laura Hindmarsh and Man/(Wo)Man With Mirror. March 17, 2016. In (wo)man with mirror. The work for one artist alone is ample! So what’s the plan for this work with Laura? Below is the logistics email sent out this week, some changes of course. I discovered a lot in our hour. Critically, Laura is considerably smaller than I am – her wing span measures 142 cm. Some other notes from Laura and Louise meeting 10 March. Laura’s Phot...