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Demystifying Pibroch | Discovering 17th-century bagpipe music

Discovering 17th-century bagpipe music

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Demystifying Pibroch | Discovering 17th-century bagpipe music | pibroch.wordpress.com Reviews
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Demystifying Pibroch | Discovering 17th-century bagpipe music | pibroch.wordpress.com Reviews

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Discovering 17th-century bagpipe music

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1

He didn’t play in one set way | Demystifying Pibroch

https://pibroch.wordpress.com/2012/03/20/one-set-way

Discovering 17th-century bagpipe music. Laquo; Devotional intensity. He didn’t play in one set way. Donald was the most senior pibroch adjudicator at the time. He had consistently beaten Bob Nicol on the competition platform when the other judges at the seminar were boys. Why was this recording more precious to them than an insight from Donald? John Shone illustrated the deceit in a story he told at the Piobaireachd Society Conference, 19 March 2011:. I said “JB”. I said “Yes”. 8220;Oh” I said....I&#8217...

2

My dearest on earth, give me your kiss | Demystifying Pibroch

https://pibroch.wordpress.com/2009/01/13/my-dearest-on-earth

Discovering 17th-century bagpipe music. Laquo; Hôdin hiotra – One of the Cragich. Hioemtra haentra – One of the Cragich. My dearest on earth, give me your kiss. What a great title! This pibroch is in Piobaireachd Society Book 11. 1966) p.352. Other titles on competitors’ lists are “The Lovely Lady’s Request” (1832) and “Dear Lady, give me a kiss” (1835). This restores the Urlar. To a more orthodox Well-woven structure:. A’ B’. MP3 file (2.4 MB). Explore posts in the same categories:. You can comment below.

3

The myth of backwardness | Demystifying Pibroch

https://pibroch.wordpress.com/2010/12/21/myth-of-backwardness

Discovering 17th-century bagpipe music. Laquo; Stirling Head 20. The myth of backwardness. Tides have turned. It is a huge relief and satisfaction to have witnessed the swell of respect for pibroch since I started lessons at the College of Piping, Glasgow. In 1981. In coming to understand how such a dignified musical tradition fell to such a low cultural standing, and what is now helping to restore its confidence, I found this article by Alastair McIntosh. Celtic studies could be paid lip service only wh...

4

Devotional intensity | Demystifying Pibroch

https://pibroch.wordpress.com/2011/08/01/devotional-intensity

Discovering 17th-century bagpipe music. Laquo; The myth of backwardness. He didn’t play in one set way. Diarmaid MacCulloch, Professor of the History of the Church, Oxford University, recently wrote:. I was taken aback by the level of rage and fear which Allan MacDonald and I provoked in some quarters of the pibroch establishment; particularly by the deafening silence in the pages of the. I admire his honesty. Nearly all 2000 copies of. In time, these guidelines change, but, as Allan notes, that does not...

5

Hioemtra haentra – One of the Cragich | Demystifying Pibroch

https://pibroch.wordpress.com/2009/01/17/hioemtra-haentra

Discovering 17th-century bagpipe music. Laquo; My dearest on earth, give me your kiss. Hioemtra haentra – One of the Cragich. The creation of this site was prompted by a persistent trickle of emails from total strangers, such as the following:. Of ‘Hioemtra Haentra”. This tune was transcribed by me from Campbell’s MS (ii.26). I hesitate to produce a score in staff notation because I’d have to add so much that is not specified by Campbell. Like figured bass, a canntaireachd score must be ‘...I’ I O. Campb...

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Demystifying Pibroch | Discovering 17th-century bagpipe music

Discovering 17th-century bagpipe music. He didn’t play in one set way. Posted March 20, 2012 by Barnaby Brown. Donald was the most senior pibroch adjudicator at the time. He had consistently beaten Bob Nicol on the competition platform when the other judges at the seminar were boys. Why was this recording more precious to them than an insight from Donald? John Shone illustrated the deceit in a story he told at the Piobaireachd Society Conference, 19 March 2011:. I said “JB”. I said “Yes”. 8220;Oh” ...

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