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p i x e l m e c h a n i c sJules Rawlinson designs sounds, visuals and interactions, and performs with live electronics.
http://www.pixelmechanics.com/
Jules Rawlinson designs sounds, visuals and interactions, and performs with live electronics.
http://www.pixelmechanics.com/
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Julian Rawlinson
Julian Rawlinson
12 South●●●●●●●●e Street
Edi●●●rgh , Midlothian, EH2 4AW
GB
View this contact
Julian Rawlinson
Julian Rawlinson
12 South●●●●●●●●e Street
Edi●●●rgh , EH2 4AW
GB
View this contact
Julian Rawlinson
Julian Rawlinson
12 South●●●●●●●●e Street
Edi●●●rgh , EH2 4AW
GB
View this contact
23
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p i x e l m e c h a n i c s | pixelmechanics.com Reviews
https://pixelmechanics.com
Jules Rawlinson designs sounds, visuals and interactions, and performs with live electronics.
p i x e l m e c h a n i c s
http://www.pixelmechanics.com/tramps/index.html
Want to see more? Go to the main PhD page. Please use the tramps provided. Laptop and adaptable controllers. Download a live performance recording (MP3, 68Mb). Please use the tramps provided. Is a broadly programmatic work, with constituent parts that include field recordings made on London's Underground Network, assorted chamber instruments and percussion, a prepared piano library, and a small number of voice-over recordings. Download the pre-mixed file (MP3, 68Mb). A graphics tablet, 3d controller and ...
p i x e l m e c h a n i c s
http://www.pixelmechanics.com/index.html
Looking for my PhD? SKR1BL, February 2016. Requiem in a Cathedral (actually Werkspoorkathedraal, Utrecht), September 2015. Sean Williams and I had a great experience working with Dutch ensemble Lunatree. Next up Sound Festival, Aberdeen! Requiem Returns, Edinburgh Fringe, August 2015. And I were selected by Made In Scotland. We had great input from our partner Magnetic North. Matt, Sean and I will next perform the work in Utrecht. Sonorities, Belfast, April 2015. Please Use The Tramps Provided. The theme...
p i x e l m e c h a n i c s
http://www.pixelmechanics.com/tramps
Want to see more? Go to the main PhD page. Please use the tramps provided. Laptop and adaptable controllers. Download a live performance recording (MP3, 68Mb). Please use the tramps provided. Is a broadly programmatic work, with constituent parts that include field recordings made on London's Underground Network, assorted chamber instruments and percussion, a prepared piano library, and a small number of voice-over recordings. Download the pre-mixed file (MP3, 68Mb). A graphics tablet, 3d controller and ...
p i x e l m e c h a n i c s
http://www.pixelmechanics.com/older.html
Crackl(ing) Box(es), October 2012. Another rare appearance of my modular and laptop in the same place at the same time, supporting Ben Vida. Images courtesy of Burhan Saeed. Boys will make noise (part 2), September 2012. A short, hard and fast duet with Christos Michalakos. To 'welcome' new students! Christos Michalakos Jules Rawlinson @ The Atrium. Compose Yourself for the BBC, September 2012. Lauren Hayes from Hakemira and MSO also did a segment! Radiophonic Workshop, September 2012. The first of two D...
p i x e l m e c h a n i c s
http://www.pixelmechanics.com/phd
Interpretive Electronic Music Systems: A portfolio of compositions. This page links through to a series of performed electronic/electroacoustic works that employ graphic notation and adaptable controllers (controllers with no specific musical use, e.g. graphics tablet, 3d "mouse", monome etc.), submitted for a PhD in Music Composition at The University of Edinburgh in December, 2010. Image courtesy Martin Parker. Solo performer, laptop, and controllers (c.7'50). Fixed Media (c.6'43).
TOTAL PAGES IN THIS WEBSITE
5
LLEAPP: About
http://lleapp.blogspot.com/p/test.html
Laboratory for Laptop and Electronic Audio Performance Practice, Established Edinburgh 19-21 May 2009. LLEAPP was established in May 2009. Note: only a member of this blog may post a comment. Subscribe to: Posts (Atom). What can I expect? Bleeding edge live electronic and electro-acoustic performances. Leicester De Montfort University, 4th-6th March 2015. University of Edinburgh, 16th-19th April. University of East Anglia, 3rd-7th May. Newcastle University, 17th-20th May. Edinburgh, 19th-21st May.
LLEAPP: Photos
http://lleapp.blogspot.com/2013/04/photos.html
Laboratory for Laptop and Electronic Audio Performance Practice, Established Edinburgh 19-21 May 2009. Friday, 19 April 2013. Note: only a member of this blog may post a comment. Subscribe to: Post Comments (Atom). What can I expect? Bleeding edge live electronic and electro-acoustic performances. Leicester De Montfort University, 4th-6th March 2015. University of Edinburgh, 16th-19th April. University of East Anglia, 3rd-7th May. Newcastle University, 17th-20th May. Edinburgh, 19th-21st May.
LLEAPP: The LLEAPP Experience
http://lleapp.blogspot.com/2013/04/the-lleapp-experience.html
Laboratory for Laptop and Electronic Audio Performance Practice, Established Edinburgh 19-21 May 2009. Sunday, 28 April 2013. This year I was first time at LLEAPP, and found it an amazing experience. The Project featured workshops and performances with the group of top electronic and acoustic improvisers coming from UK, Europe and USA. It was striking to see each performer with so individual setup, custom made software, DIY and hacked hardware. I brought combination of instruments I use for. This was fol...
LLEAPP: LLEAPP 2015!
http://lleapp.blogspot.com/2015/03/lleapp-2015_5.html
Laboratory for Laptop and Electronic Audio Performance Practice, Established Edinburgh 19-21 May 2009. Thursday, 5 March 2015. It's 2015 and Leicester De Montfort University's Music, Technology and Innovation Research Centre are graciously hosting. Big thanks due to John Richards and Simon Emmerson for making it possible. Turns out that was a rubbish assumption: the group played through for a single 50 minute set with some clear movements, great dynamics and lots of skilful listening. That'll learn me.
LLEAPP: observations on the first two days
http://lleapp.blogspot.com/2013/04/observations-on-first-two-days.html
Laboratory for Laptop and Electronic Audio Performance Practice, Established Edinburgh 19-21 May 2009. Wednesday, 24 April 2013. Observations on the first two days. This observation about individuality connects with several areas of concern which appeared to become central to the explorations and negotiations that took place during the workshop. Does the foreclosure of discussion enforce unspoken conventions? What about finding 'analogue' ways of enabling the setups to communicate independently of indivi...
LLEAPP: May 2013
http://lleapp.blogspot.com/2013_05_01_archive.html
Laboratory for Laptop and Electronic Audio Performance Practice, Established Edinburgh 19-21 May 2009. Thursday, 2 May 2013. Personal report - Sean Williams. I spent a day with mezzo-soprano and vocal artist Frauke Aulbert working on some technical ideas for integrating voice with analogue electronics. The aim was to bring a working system or palette of ideas to the LLEAPP workshop and not have to scrabble around trying to make things work during the workshop itself. In setting up for the Tuesday evening...
LLEAPP: March 2015
http://lleapp.blogspot.com/2015_03_01_archive.html
Laboratory for Laptop and Electronic Audio Performance Practice, Established Edinburgh 19-21 May 2009. Thursday, 5 March 2015. It's 2015 and Leicester De Montfort University's Music, Technology and Innovation Research Centre are graciously hosting. Big thanks due to John Richards and Simon Emmerson for making it possible. Turns out that was a rubbish assumption: the group played through for a single 50 minute set with some clear movements, great dynamics and lots of skilful listening. That'll learn me.
LLEAPP: April 2011
http://lleapp.blogspot.com/2011_04_01_archive.html
Laboratory for Laptop and Electronic Audio Performance Practice, Established Edinburgh 19-21 May 2009. Monday, 11 April 2011. The main focus of my work is the creation of digital instruments that allow electronic sounds to be created and controlled in subtle and spontaneous ways analogous to the control of acoustic instruments. Much of this work involves careful consideration of the mapping between human input parameters and sonic output parameters. More recently, I've begun to expanded into look...Along...
LLEAPP: Participants
http://lleapp.blogspot.com/p/participants.html
Laboratory for Laptop and Electronic Audio Performance Practice, Established Edinburgh 19-21 May 2009. De Montfort University,. University of Edinburgh, 2013. Lauren Sarah Hayes (H). University of East Anglia, 2011. University of Newcastle/Culture Lab, 2010. University of Edinburgh, 2009. Lauren Sarah Hayes (H). MD = musical director. Note: only a member of this blog may post a comment. Subscribe to: Posts (Atom). What can I expect? Bleeding edge live electronic and electro-acoustic performances.
LLEAPP: March 2011
http://lleapp.blogspot.com/2011_03_01_archive.html
Laboratory for Laptop and Electronic Audio Performance Practice, Established Edinburgh 19-21 May 2009. Wednesday, 30 March 2011. Preparations for LLEAPP 2011 which will be held from the 3rd-7th of May at the UEA in Norwich are well underway. More info will follow soon so keep you eyes peeled. In addition to this blog, we will also be trying to keep a Twitter account active throughout - we'll see how that goes. Subscribe to: Posts (Atom). What can I expect? University of Edinburgh, 16th-19th April.
TOTAL LINKS TO THIS WEBSITE
31
PixelMechanic
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Works best with all popular browsers, iPhone, iPad, Blackberry and other smartphones. Extremely visual and interactive with music, however, will not work on iPhone or iPad.
p i x e l m e c h a n i c s
Hello, I'm Jules Rawlinson and I design sounds, visuals and interactions and perform with live electronics. I'm Programme Director of MSc Design and Digital Media. At the University of Edinburgh. Looking for my PhD? Rebreather at Concurrent#2, January 2017. A chance meeting with Franziska Schroeder. At Belfast City after Sonorities led to a new work developed via email and Skype, and presented as an audiovisual trio with live visuals by Dara Etefaghi. SKR1BL-ing at Sonorities, November 2016. And I were s...
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