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Playhouse Education

Stop Terrifying Kids in Auditions. Stop it. I just wrapped up picking sides and reading groups for call backs for one of my long term residencies. And in doing so completed something normal for most director/producers holding auditions. But that is where the similarities between my auditions and “traditional” auditions end. Many of the kids were TERRIFIED to audition. These are known in many theatre circles as “saying yes” and being willing to take risks). What is our alternative? So that the would-be ac...

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Playhouse Education | playhouseeducation.com Reviews
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Stop Terrifying Kids in Auditions. Stop it. I just wrapped up picking sides and reading groups for call backs for one of my long term residencies. And in doing so completed something normal for most director/producers holding auditions. But that is where the similarities between my auditions and “traditional” auditions end. Many of the kids were TERRIFIED to audition. These are known in many theatre circles as “saying yes” and being willing to take risks). What is our alternative? So that the would-be ac...
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Playhouse Education | playhouseeducation.com Reviews

https://playhouseeducation.com

Stop Terrifying Kids in Auditions. Stop it. I just wrapped up picking sides and reading groups for call backs for one of my long term residencies. And in doing so completed something normal for most director/producers holding auditions. But that is where the similarities between my auditions and “traditional” auditions end. Many of the kids were TERRIFIED to audition. These are known in many theatre circles as “saying yes” and being willing to take risks). What is our alternative? So that the would-be ac...

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aieconversation.org aieconversation.org

Harvard AiE CtC

http://aieconversation.org/about

News & Resources. Talking with Artists who Teach. A study of working artists’ ideas and insights into the nature of artistic development and learning. Seidel and colleagues at Project Zero recently completed. The Qualities of Quality: Understanding Excellence in Arts Education. Susan Diachisin (AiE 97). Joanna C. Horton. Joanna C. Horton. Joanna C Horton (AiE ‘13). Lauren Jobson-Ahmed (AiE ’13). Lauren is also the founder and principal investigator of ARTIFACTS. Nick Monzi (AiE ’13). Cambridge, MA 02138.

cbact.org cbact.org

CBACT - Consortium of Boston Area Children's Theatres

http://www.cbact.org//map.html

CBACT: Creating Magic through Collaboration between Boston Area Children's Theatres. Our mission is to provide a network for and foster collaboration between Boston-area children’s theaters;. To enhance access to resources and audiences;. To share ideas and to build upon and ensure one another’s success;. And to broaden the rewarding, long-lasting effects of children’s theatre on both the public and the participants. Where are our theatres? In a larger map. CBACT Theatres and their Offerings.

cbact.org cbact.org

CBACT - Consortium of Boston Area Children's Theatres

http://www.cbact.org//calendar.html

Ten in a Bed: an April Fool's Fun-Raising Gala Event! April 2nd, 2011. 2011 Ice Cappella Benefit Concert, Friday, January 28th. JCC Kaleidoscope Creative Arts and Science Camp. 2011 Program: June 27th to August 19th! Lexington Youth Summer Theatre. Performing Arts Center of Metrowest. Class List and On-line Registration. Mystery Dinner Theatre: Heirs and Errors. South Shore School of Theatre. Join our mailing list! Stoneham Theatre's The Young Company. Fall workshops open for Registration.

cbact.org cbact.org

CBACT - Consortium of Boston Area Children's Theatres

http://www.cbact.org//aboutus.html

The Consortium of Boston Area Children's Theatres. Our mission is to provide a network for and foster collaboration between Boston-area children’s theaters, to enhance access to resources and audiences, to share ideas and to build upon and ensure one another’s success, and to broaden the rewarding, long lasting effects of children’s theatre on both the public and our participants. Member theaters have shared resources, personnel, organizational information, costumes, sets—you name it. The organ...Sunday,...

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Stop Terrifying Kids in Auditions. Stop it. I just wrapped up picking sides and reading groups for call backs for one of my long term residencies. And in doing so completed something normal for most director/producers holding auditions. But that is where the similarities between my auditions and “traditional” auditions end. Many of the kids were TERRIFIED to audition. These are known in many theatre circles as “saying yes” and being willing to take risks). What is our alternative? So that the would-be ac...

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