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PLETA | Platform European Theater Academy

Young professionals and students. 8 European theatre academies present their version of the. Connected with the very actual theme of fugitives in Europe. An Odyssey – theatrical investigation freely based on Homerian motifs. Dramaturgical Concept: Jochen Schölch, Munich. Technical production: Amsterdam ITs: Ellen Tjon A Meeuw. Final-direction in Amsterdam: Theu Boermans. Platform of European Theatre Academies. The structure of the theatrical presentation is oriented around Homer’s Odyssee. It i...Each of...

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PLETA | Platform European Theater Academy | pleta.eu Reviews

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Young professionals and students. 8 European theatre academies present their version of the. Connected with the very actual theme of fugitives in Europe. An Odyssey – theatrical investigation freely based on Homerian motifs. Dramaturgical Concept: Jochen Schölch, Munich. Technical production: Amsterdam ITs: Ellen Tjon A Meeuw. Final-direction in Amsterdam: Theu Boermans. Platform of European Theatre Academies. The structure of the theatrical presentation is oriented around Homer’s Odyssee. It i...Each of...

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PLETA | Platform European Theater Academy | pleta.eu Reviews

https://pleta.eu

Young professionals and students. 8 European theatre academies present their version of the. Connected with the very actual theme of fugitives in Europe. An Odyssey – theatrical investigation freely based on Homerian motifs. Dramaturgical Concept: Jochen Schölch, Munich. Technical production: Amsterdam ITs: Ellen Tjon A Meeuw. Final-direction in Amsterdam: Theu Boermans. Platform of European Theatre Academies. The structure of the theatrical presentation is oriented around Homer’s Odyssee. It i...Each of...

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pleta.eu

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Summer school on site-specific theatre “Freedom Street”, Riga | PLETA

http://www.pleta.eu/summer-school-on-site-specific-theatre-freedom-street-riga

Summer school on site-specific theatre “Freedom Street”, Riga. Summer school on site-specific theatre “Freedom Street”, Riga. Oktober 20, 2015. Oktober 26, 2015. Summer school on site-specific theatre “Freedom Street”, Riga. 8220;Freedom Street”. 8211; concerns the comprehension of the national histories in the globalized world taking as a metaphor the fact that the name of the main street of every major city has been changed in different historical contexts. How do we call our Main Street nowadays?

2

Object theatre/puppetry, Riga/Warsaw | PLETA

http://www.pleta.eu/object-theatrepuppetry-rigawarsaw

Object theatre/puppetry, Riga/Warsaw. Object theatre/puppetry, Riga/Warsaw. Oktober 20, 2015. Oktober 26, 2015. Object theatre/puppetry, Riga/Warsaw. Animation and drama tasks with an object – two weeks puppetry workshop in September 13-26, 2017. Subject: relations between actors and objects. Prof Wiesław Czołpiński –. Vice rector National Theater Academy in Warsaw and professor of The Puppetry Art Department in Bialystok, actor-puppeteer and director experienced in all forms of modern puppetry. Ruhrtrie...

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Ruhrtriennale | PLETA

http://www.pleta.eu/ruhrtriennale

Oktober 20, 2015. Oktober 26, 2015. The meeting of tomorrow’s talented artists in the Campustriënnale. The College. Is a way for 50 students of Pl.ETA to experience the Ruhrtriennale up close: by attending performances, artists’ discussions, seminars and discussions over a period of 5 days. Participants are encouraged to apply, among others, for taking part in 2017 in a masterclass which. Enables groups of young artists to realise their own creative visions as part of the festival. Oktober 20, 2015.

4

Ruhrtriennale (2) | PLETA

http://www.pleta.eu/ruhrtriennale-2

Oktober 20, 2015. Oktober 26, 2015. Results are presented in two long evenings of theatre 2017 in a series of cities across the Ruhr region. Performances: Stadttheater Ruhr area. The young professional can develop their own pieces and present them and themselves at a major European arts festival. They will experience collaboration in a production process with other European professionals with different languages. Special attention: the development of new audiences for new European developments in theatre.

5

The Wedding, Oslo | PLETA

http://www.pleta.eu/the-wedding-oslo

The Wedding, Oslo. The Wedding, Oslo. Oktober 20, 2015. Oktober 26, 2015. The wedding, Oslo. A device performance based on. By Anton Tsjechov. Devising a performance should meet the need for young professionals to develop as an artist. In the process, various methods and traditions will meet, and form a dialectic between skills and the experimental mode. The project should also enable the young artists to say something about their own concerns, as well as engaging in others. Power relations and difference.

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Pop Culture | Fortune's Pawn

http://www.fortunespawn.com/category/pop-culture

Occasional thoughts and other peripatetic misadventures. A longish rant…. Dancers Leap to Death. Category Archives: Pop Culture. Sorry for the delay; much going on, and moving around. The three dancers started in a clutch in a back corner of the stage and slowly, very slowly. Arrayed themselves across the whole space. This slow movement almost brings pain into the bodies of the audience, as we watch their tensed muscles fight against each other to not. Move too quickly. Eventually the dance resolves ...

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Travel | Fortune's Pawn

http://www.fortunespawn.com/category/travel

Occasional thoughts and other peripatetic misadventures. A longish rant…. Dancers Leap to Death. An Embarrassment of Museums. Upon arrival in Brussels, Pawn. Actually had no plans, save one. Knowing well Pawn’s. Predilection for Art Nouveau, friend P. Had recommended a tour of the home of Victor Horta. Today a journey to the Bo. For a large range of exhibits in a grand building designed by none other than Horta himself, in the years between the wars. Pawn. This group, fronted by Herbert Celis, features t...

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Review | Fortune's Pawn

http://www.fortunespawn.com/category/review

Occasional thoughts and other peripatetic misadventures. A longish rant…. Dancers Leap to Death. An Embarrassment of Museums. Upon arrival in Brussels, Pawn. Actually had no plans, save one. Knowing well Pawn’s. Predilection for Art Nouveau, friend P. Had recommended a tour of the home of Victor Horta. Today a journey to the Bo. For a large range of exhibits in a grand building designed by none other than Horta himself, in the years between the wars. Pawn. This group, fronted by Herbert Celis, features t...

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Arts | Fortune's Pawn

http://www.fortunespawn.com/category/arts

Occasional thoughts and other peripatetic misadventures. A longish rant…. Dancers Leap to Death. An Embarrassment of Museums. Upon arrival in Brussels, Pawn. Actually had no plans, save one. Knowing well Pawn’s. Predilection for Art Nouveau, friend P. Had recommended a tour of the home of Victor Horta. Today a journey to the Bo. For a large range of exhibits in a grand building designed by none other than Horta himself, in the years between the wars. Pawn. This group, fronted by Herbert Celis, features t...

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nic | Fortune's Pawn

http://www.fortunespawn.com/author/nic

Occasional thoughts and other peripatetic misadventures. A longish rant…. Dancers Leap to Death. An Embarrassment of Museums. Upon arrival in Brussels, Pawn. Actually had no plans, save one. Knowing well Pawn’s. Predilection for Art Nouveau, friend P. Had recommended a tour of the home of Victor Horta. Today a journey to the Bo. For a large range of exhibits in a grand building designed by none other than Horta himself, in the years between the wars. Pawn. This group, fronted by Herbert Celis, features t...

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PLETA | Platform European Theater Academy

Young professionals and students. 8 European theatre academies present their version of the. Connected with the very actual theme of fugitives in Europe. An Odyssey – theatrical investigation freely based on Homerian motifs. Dramaturgical Concept: Jochen Schölch, Munich. Technical production: Amsterdam ITs: Ellen Tjon A Meeuw. Final-direction in Amsterdam: Theu Boermans. Platform of European Theatre Academies. The structure of the theatrical presentation is oriented around Homer’s Odyssee. It i...Each of...

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