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plum in style

Friday, December 22, 2006. For many of the own-label designers who emerged in the early years of the twenty-first century, financial factors became increasingly critical. Many new young talents found they now depended on investors (to whom, in extreme cases, they would even surrender their names) and were always burdened by the risk that their partners, motivated by market realism and the desire for quick returns, would severely restrict their autonomy. Clothes by ready-to-wear retailers such as The Gap.

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plum in style | plumstyle.blogspot.com Reviews
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Friday, December 22, 2006. For many of the own-label designers who emerged in the early years of the twenty-first century, financial factors became increasingly critical. Many new young talents found they now depended on investors (to whom, in extreme cases, they would even surrender their names) and were always burdened by the risk that their partners, motivated by market realism and the desire for quick returns, would severely restrict their autonomy. Clothes by ready-to-wear retailers such as The Gap.
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1 plum in style
2 posted by
3 fashionstyle
4 no comments
5 banana republic
6 and eddie bauer
7 marc jacobs
8 and calvin klein
9 dries van noten
10 and spandex
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plum in style,posted by,fashionstyle,no comments,banana republic,and eddie bauer,marc jacobs,and calvin klein,dries van noten,and spandex,and azzedine alaia,and viscose,and yohji yamamoto,late twentieth century,older posts,about me,blog archive
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plum in style | plumstyle.blogspot.com Reviews

https://plumstyle.blogspot.com

Friday, December 22, 2006. For many of the own-label designers who emerged in the early years of the twenty-first century, financial factors became increasingly critical. Many new young talents found they now depended on investors (to whom, in extreme cases, they would even surrender their names) and were always burdened by the risk that their partners, motivated by market realism and the desire for quick returns, would severely restrict their autonomy. Clothes by ready-to-wear retailers such as The Gap.

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plum in style

http://plumstyle.blogspot.com/2006/12/1920s-soon-after-first-world-war.html

Tuesday, December 12, 2006. Soon after the First World War, a radical change came about in fashion. Bouffant. Coiffures gave way to short bobs. Dresses with long trains gave way to above-the-knee pinafores. Corsets were abandoned and women borrowed their clothes from the male wardrobe and chose to dress like boys. Although, at first, many couturiers were reluctant to adopt the new androgynous. Style (known to the French as the 'garconne' look) became very popular among young women. The cloche. The style ...

2

plum in style

http://plumstyle.blogspot.com/2006/12/between-wars-period-between-two-world.html

Tuesday, December 12, 2006. The period between the two World Wars, often considered to be the Golden Age of French fashion, was one of great change and reformation. Carriages were replaced by cars, princes and princesses lost their crowns, and haute couture found new clients in the ranks of film actresses, American heiresses, and the wives and daughters of wealthy industrialists. Subscribe to: Post Comments (Atom). View my complete profile. 1920s Soon after the First World War, a radical c.

3

plum in style: Late Twentieth Century

http://plumstyle.blogspot.com/2006/12/late-twentieth-century.html

Friday, December 22, 2006. During the Late Twentieth Century fashions began to criss-cross international boundaries with rapidity. Popular Western styles were adopted all over the world, and many designers from outside of the West had a profound impact on fashion. Synthetic materials such as Lycra, Spandex, and viscose became widely-used, and fashion, after two decades of looking to the future, once again turned to the past for inspiration. Subscribe to: Post Comments (Atom). View my complete profile.

4

plum in style: 1930s

http://plumstyle.blogspot.com/2006/12/1930s.html

Thursday, December 14, 2006. In the 1930s, as the public began to feel the effects of the Great Depression. Many designers found that crises are not the time for experimentation. Fashion became more compromising, aspiring to preserve feminism. Two of the most prominent and influential fashion designers of the 1930s were Elsa Schiaparelli. Bow She consistently turned out breathtaking collections thereafter. Schiaparelli was a close friend of Christian Berard. As collection succeeded collection. Madeleine ...

5

plum in style: 1900s

http://plumstyle.blogspot.com/2006/12/1900s.html

Monday, December 11, 2006. The outfits worn by the fashionable women of the ' Belle Époque. As this era was called by the French. Style of the 1800s. As of yet, no fashionable lady could (or would) dress or undress herself without the assistance of a third party. The constant need for radical change, which is now essential for the survival of fashion within the present system, was still literally unthinkable. The use of different trimmings were all that distinguished one season from the other.

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plum in style

Friday, December 22, 2006. For many of the own-label designers who emerged in the early years of the twenty-first century, financial factors became increasingly critical. Many new young talents found they now depended on investors (to whom, in extreme cases, they would even surrender their names) and were always burdened by the risk that their partners, motivated by market realism and the desire for quick returns, would severely restrict their autonomy. Clothes by ready-to-wear retailers such as The Gap.

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