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March | 2010 | Poetics of Witnessing {NS.GPIA}
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Poetics of Witnessing {NS.GPIA}. Just another WordPress.com weblog. Monthly Archives: March 2010. Book: Wonderful Words; Silent Truth Movie: Mekus. March 10, 2010. I appreciated the book more than the movies. I found that the book used a beautiful, albeit simple, language to express the things that were important to the narrator/author. I felt that although I didn’t particularly care about Yugoslavia, or … Continue reading →. The Emigrants by Sebald and movie on Boltanski. March 2, 2010.
ME: | Poetics of Witnessing {NS.GPIA}
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Poetics of Witnessing {NS.GPIA}. Just another WordPress.com weblog. My international interests started around remittances: who are the senders, who are the receivers, who does it benefit? One cannot talk about remittances without talking about migrant workers: the people who send the money – what do they sacrifice, are they truly home in their new country? And then the beat goes on…. Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:. Build a websi...
May | 2010 | Poetics of Witnessing {NS.GPIA}
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Poetics of Witnessing {NS.GPIA}. Just another WordPress.com weblog. Monthly Archives: May 2010. Camera Lucida Roland Barthes Notes. May 11, 2010. The Poetic Mode (‘reassembling fragments of the world’, a transformation of historical material into a more abstract, lyrical form, usually associated with 1920s and modernist ideas) The Expository Mode (‘direct address’, social issues assembled into an argumentative frame, mediated by … Continue reading →. May 10, 2010. My final video project for this class:.
Alexa | Poetics of Witnessing {NS.GPIA}
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Poetics of Witnessing {NS.GPIA}. Just another WordPress.com weblog. Camera Lucida Roland Barthes Notes. May 11, 2010. The Poetic Mode (‘reassembling fragments of the world’, a transformation of historical material into a more abstract, lyrical form, usually associated with 1920s and modernist ideas) The Expository Mode (‘direct address’, social issues assembled into an argumentative frame, mediated by … Continue reading →. May 10, 2010. My final video project for this class:. 3/31/10 a taste of cherry.
test | Poetics of Witnessing {NS.GPIA}
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Poetics of Witnessing {NS.GPIA}. Just another WordPress.com weblog. 4/21/10 – Chet Baker film: Let’s Get Lost. Final video project →. May 10, 2010. View all posts by Alexa →. This entry was posted in Uncategorized. 4/21/10 – Chet Baker film: Let’s Get Lost. Final video project →. Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public). You are commenting using your WordPress.com account. ( Log Out. Blog at WordPress.com.
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July 31, 2013. Welcome to WordPress. This is your first post. Edit or delete it, then start blogging! Welcome to WordPress. This is your first post. Edit or delete it, then start blogging! Return to top of page. Web services by ipiece.com.
Poetics of Witnessing {NS.GPIA} | Just another WordPress.com weblog
Poetics of Witnessing {NS.GPIA}. Just another WordPress.com weblog. Camera Lucida Roland Barthes Notes. May 11, 2010. The Poetic Mode (‘reassembling fragments of the world’, a transformation of historical material into a more abstract, lyrical form, usually associated with 1920s and modernist ideas). The Reflexive Mode (demonstrates consciousness of the process of reading documentary, and engages actively with the issues of realism and representation, acknowledging the presence of the viewer and the moda...
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Contemporary Poetry by Lori Hamilton. I’m Lori and I write because I must. I write only because. There is a voice within me. That will not be still. Unauthorized use and/or duplication of this poetry material without express and written permission from this blog’s author and/or owner is strictly prohibited. Poetry excerpts and poetry links may be used, provided that full and clear credit is given to Lori Hamilton and ChronicInk with appropriate and specific direction to the original content. Follow Chron...
