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Ponderfrog Music

For the moment, I am using this for the MiddOrch here's my web page. Tuesday, January 18, 2011. Program note on Beethoven 5. Beethoven wrote big pieces. Bigger than people had generally written up to that time. Bigger in the sense of being both louder and longer. Being said; of a coördinated. Argument being unfolded, of the sort that you do indeed get from a Shakespeare play, or from walking around a vast Gothic Cathedral; a palace like Versailles, or immersing yourself in an epic poem like Paradise Lost.

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Ponderfrog Music | ponderfrog.blogspot.com Reviews

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For the moment, I am using this for the MiddOrch here's my web page. Tuesday, January 18, 2011. Program note on Beethoven 5. Beethoven wrote big pieces. Bigger than people had generally written up to that time. Bigger in the sense of being both louder and longer. Being said; of a coördinated. Argument being unfolded, of the sort that you do indeed get from a Shakespeare play, or from walking around a vast Gothic Cathedral; a palace like Versailles, or immersing yourself in an epic poem like Paradise Lost.

<META> KEYWORDS

1 ponderfrog music

2 in the finale

3 or to stop

4 the second movement

5 andrew massey

6 tum ticketty tum ticketty tum tum

7 and even to

8 the milwaukee symphony

9 from the conductor

10 5 this

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ponderfrog music,in the finale,or to stop,the second movement,andrew massey,tum ticketty tum ticketty tum tum,and even to,the milwaukee symphony,from the conductor,5 this,humbug,ah me,beethoven 5,how about 6,to go,to loud,for him,wonderful,such poetry

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Ponderfrog Music | ponderfrog.blogspot.com Reviews

https://ponderfrog.blogspot.com

For the moment, I am using this for the MiddOrch here's my web page. Tuesday, January 18, 2011. Program note on Beethoven 5. Beethoven wrote big pieces. Bigger than people had generally written up to that time. Bigger in the sense of being both louder and longer. Being said; of a coördinated. Argument being unfolded, of the sort that you do indeed get from a Shakespeare play, or from walking around a vast Gothic Cathedral; a palace like Versailles, or immersing yourself in an epic poem like Paradise Lost.

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ponderfrog.blogspot.com

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Ponderfrog Music: August 2005

http://ponderfrog.blogspot.com/2005_08_01_archive.html

For the moment, I am using this for the MiddOrch here's my web page. Tuesday, August 16, 2005. Why Did Schoenberg do it? It seems paradoxical that Arnold Schoenberg was simultaneously the originator of the most relentlessly dissonant style of music, 12-note serialism, and also a person with the most comprehensive mastery and knowledge of every permutation of tonal harmony. Is positively yummy. But people in general do not get used to Schoenberg. As Philip Larkin put it, writing of Charlie Parker,...A mom...

2

Ponderfrog Music: Beethoven 5! How about 6?

http://ponderfrog.blogspot.com/2005/09/beethoven-5-how-about-6.html

For the moment, I am using this for the MiddOrch here's my web page. Tuesday, September 27, 2005. Continuing Beethoven's finales,. In the search for a finale that binds a whole monumental work together rather than merely saying, that’s it! Idea, a gesture informing us that success is not yet complete. Good move. Mahler caught on and did that too, ineptly in the 1st, powerfully in the 5th, to the point of genius in the 6th, vacuously in the 7th. Despite being so different in effect, this literary, philoso...

3

Ponderfrog Music: August 2006

http://ponderfrog.blogspot.com/2006_08_01_archive.html

For the moment, I am using this for the MiddOrch here's my web page. Monday, August 21, 2006. Bol - Bol - ero - ero. Ravel’s Bolero is, - what? But whereas Schoenberg almost fell off the precipice in his groping for ultimate seriousness, Ravel almost became catatonic in his flirtation with banality and empty-headedness. Even so, from the beginning I was aware that there was something about Bolero that was distinctly odd. Hypnotically, inhumanly so. Why does it stand out so? Now in Ravel’s Bolero, exactly...

4

Ponderfrog Music: Program note on Beethoven 5

http://ponderfrog.blogspot.com/2011/01/program-note-on-beethoven-5.html

For the moment, I am using this for the MiddOrch here's my web page. Tuesday, January 18, 2011. Program note on Beethoven 5. Beethoven wrote big pieces. Bigger than people had generally written up to that time. Bigger in the sense of being both louder and longer. Being said; of a coördinated. Argument being unfolded, of the sort that you do indeed get from a Shakespeare play, or from walking around a vast Gothic Cathedral; a palace like Versailles, or immersing yourself in an epic poem like Paradise Lost.

5

Ponderfrog Music: September 2005

http://ponderfrog.blogspot.com/2005_09_01_archive.html

For the moment, I am using this for the MiddOrch here's my web page. Tuesday, September 27, 2005. Mahler's Poem of Ecstasy. I was just arguing against. In the case of the 6th Symphony, the misconception, I humbly submit, has misled people terribly. Since it is called Tragic (which, by Mahler it usually wasn’t) it is interpreted as being simply and consistently that; tragic. Writers and conductors speak of it as a deeply pessimistic work. Did in performance) is that it makes the symphony more tragic.

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armchairfrog.blogspot.com

La Grenouille dans le Fauteuil: August 2005

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La Grenouille dans le Fauteuil. My thoughts, explorations and opinions about Music, Philosophy, Science, Family life; whatever happens. Shorter items than on my web site. The name of the blog? My two favorite French words. I just love those modulating vowels. My Web Home Page. The Good Old Days. Money - part 1. That Elusive Key Structure. The Aesthetic Appeal of the Quantum. Fear not the Truth, O Shrub! Supreme Justice - whatever. Tuesday, August 16, 2005. Moreover, Prof. Frankfurt’s central assertio...

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La Grenouille dans le Fauteuil: October 2005

http://armchairfrog.blogspot.com/2005_10_01_archive.html

La Grenouille dans le Fauteuil. My thoughts, explorations and opinions about Music, Philosophy, Science, Family life; whatever happens. Shorter items than on my web site. The name of the blog? My two favorite French words. I just love those modulating vowels. My Web Home Page. The Good Old Days. Money - part 1. That Elusive Key Structure. The Aesthetic Appeal of the Quantum. Fear not the Truth, O Shrub! Supreme Justice - whatever. Sunday, October 30, 2005. Libby; a poison pill for the press. Is not the w...

armchairfrog.blogspot.com

La Grenouille dans le Fauteuil: September 2005

http://armchairfrog.blogspot.com/2005_09_01_archive.html

La Grenouille dans le Fauteuil. My thoughts, explorations and opinions about Music, Philosophy, Science, Family life; whatever happens. Shorter items than on my web site. The name of the blog? My two favorite French words. I just love those modulating vowels. My Web Home Page. The Good Old Days. Money - part 1. That Elusive Key Structure. The Aesthetic Appeal of the Quantum. Fear not the Truth, O Shrub! Supreme Justice - whatever. Saturday, September 17, 2005. The Story of New Orleans. Doomed. We all...

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Ponderfrog Music

For the moment, I am using this for the MiddOrch here's my web page. Tuesday, January 18, 2011. Program note on Beethoven 5. Beethoven wrote big pieces. Bigger than people had generally written up to that time. Bigger in the sense of being both louder and longer. Being said; of a coördinated. Argument being unfolded, of the sort that you do indeed get from a Shakespeare play, or from walking around a vast Gothic Cathedral; a palace like Versailles, or immersing yourself in an epic poem like Paradise Lost.

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