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Bach – Brandonberg Concerto No. 3. Bach – Brandonberg Concerto No. 3. May 3, 2016. Brandenburg Concerto No. 3 First Movement. This is a motivic analysis of the first movement of Bach’s Brandenburg Concerto No. 3. This opening first melody is the basis for the material that is used in the rest of the movement:. This can also be broken down into smaller cells:. After pretty much exhausting that first melody as much he could, Bach begins. Create a free website or blog at WordPress.com.

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Bach – Brandonberg Concerto No. 3. Bach – Brandonberg Concerto No. 3. May 3, 2016. Brandenburg Concerto No. 3 First Movement. This is a motivic analysis of the first movement of Bach’s Brandenburg Concerto No. 3. This opening first melody is the basis for the material that is used in the rest of the movement:. This can also be broken down into smaller cells:. After pretty much exhausting that first melody as much he could, Bach begins. Create a free website or blog at WordPress.com.

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positivelypatriotic | positivelypatriotic.wordpress.com Reviews

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Bach – Brandonberg Concerto No. 3. Bach – Brandonberg Concerto No. 3. May 3, 2016. Brandenburg Concerto No. 3 First Movement. This is a motivic analysis of the first movement of Bach’s Brandenburg Concerto No. 3. This opening first melody is the basis for the material that is used in the rest of the movement:. This can also be broken down into smaller cells:. After pretty much exhausting that first melody as much he could, Bach begins. Create a free website or blog at WordPress.com.

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Bach – Brandonberg Concerto No. 3. Monthly Archives: May 2016. Bach – Brandonberg Concerto No. 3. May 3, 2016. Brandenburg Concerto No. 3 First Movement. This is a motivic analysis of the first movement of Bach’s Brandenburg Concerto No. 3. This opening first melody is the basis for the material that is used in the rest of the movement:. This can also be broken down into smaller cells:. After pretty much exhausting that first melody as much he could, Bach begins. Blog at WordPress.com.

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Bach – Brandonberg Concerto No. 3. Author Archives: Positively Patriotic. Bach – Brandonberg Concerto No. 3. May 3, 2016. Brandenburg Concerto No. 3 First Movement. This is a motivic analysis of the first movement of Bach’s Brandenburg Concerto No. 3. This opening first melody is the basis for the material that is used in the rest of the movement:. This can also be broken down into smaller cells:. After pretty much exhausting that first melody as much he could, Bach begins.

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Bach – Brandonberg Concerto No. 3 | positivelypatriotic

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Bach – Brandonberg Concerto No. 3. Bach – Brandonberg Concerto No. 3. May 3, 2016. Brandenburg Concerto No. 3 First Movement. This is a motivic analysis of the first movement of Bach’s Brandenburg Concerto No. 3. This opening first melody is the basis for the material that is used in the rest of the movement:. This can also be broken down into smaller cells:. After pretty much exhausting that first melody as much he could, Bach begins. Leave a Reply Cancel reply. Enter your comment here.

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the monash sonic art project on sound cloud | Monash Composers

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A Blog for Students and Staff in Composition at Monash. Petrushka: The Shrovetide Fair. The monash sonic art project on sound cloud. March 21, 2011. I’ve made a post to the new. Monash sonic art project. Group page on sound cloud. See:. To post your sonic art pieces you need to:. Join sound cloud (its free): http:/ soundcloud.com/. Join the monash sonic art project: http:/ soundcloud.com/groups/monashsonicartproject. Up load your pieces as you create them to your account. Feed for this Entry. This is a b...

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TORU TAKEMITSU – “Rain Tree” | Monash Composers

https://monashcomposers.wordpress.com/2011/06/12/toru-takemitsu-“rain-tree”

A Blog for Students and Staff in Composition at Monash. PROKOFIEV Piano Sonata no1 in F Minor. Danse Macabre by Saint-Saëns Camille. TORU TAKEMITSU – Rain Tree. June 12, 2011. Responses to “TORU TAKEMITSU – Rain Tree ”. Feed for this Entry. Leave a Reply Cancel reply. Enter your comment here. Please log in using one of these methods to post your comment:. Address never made public). You are commenting using your WordPress.com account. ( Log Out. You are commenting using your Twitter account. ( Log Out.

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Sonic Art Project | Monash Composers

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A Blog for Students and Staff in Composition at Monash. A test to see whether we can have posts for SAGP on this blog. Responses to “Sonic Art Project”. Feed for this Entry. Leave a Reply Cancel reply. Enter your comment here. Please log in using one of these methods to post your comment:. Address never made public). You are commenting using your WordPress.com account. ( Log Out. You are commenting using your Twitter account. ( Log Out. You are commenting using your Facebook account. ( Log Out. Follow &l...

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ANTON WEBERN – 5 Movements for String Quartet | Monash Composers

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A Blog for Students and Staff in Composition at Monash. Danse Macabre by Saint-Saëns Camille. LIGETI Continuum for harpsichord. ANTON WEBERN 5 Movements for String Quartet. June 12, 2011. Responses to “ANTON WEBERN 5 Movements for String Quartet”. Feed for this Entry. Leave a Reply Cancel reply. Enter your comment here. Please log in using one of these methods to post your comment:. Address never made public). You are commenting using your WordPress.com account. ( Log Out. LIGETI Continuum for harpsichord.

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Danse Macabre by Saint-Saëns Camille | Monash Composers

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A Blog for Students and Staff in Composition at Monash. TORU TAKEMITSU – Rain Tree. ANTON WEBERN 5 Movements for String Quartet. Danse Macabre by Saint-Saëns Camille. June 12, 2011. Responses to “Danse Macabre by Saint-Saëns Camille”. Feed for this Entry. Leave a Reply Cancel reply. Enter your comment here. Please log in using one of these methods to post your comment:. Address never made public). You are commenting using your WordPress.com account. ( Log Out. TORU TAKEMITSU – Rain Tree. This is a blog f...

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PROKOFIEV – Piano Sonata no1 in F Minor | Monash Composers

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A Blog for Students and Staff in Composition at Monash. CLAUDE DEBUSSY Footsteps in the Snow. TORU TAKEMITSU – Rain Tree. PROKOFIEV Piano Sonata no1 in F Minor. June 12, 2011. Responses to “PROKOFIEV Piano Sonata no1 in F Minor”. Feed for this Entry. Leave a Reply Cancel reply. Enter your comment here. Please log in using one of these methods to post your comment:. Address never made public). You are commenting using your WordPress.com account. ( Log Out. CLAUDE DEBUSSY Footsteps in the Snow. Nodal Gener...

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Monash Composers | A Blog for Students and Staff in Composition at Monash | Page 2

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A Blog for Students and Staff in Composition at Monash. CLAUDE DEBUSSY Footsteps in the Snow. June 12, 2011. I find this piece to be, not so much an exploration in motif transformation (as the main motif remains unchanged), but more of a lesson in the addative processes one can take to redevelop and recreate a stagnant motif. PETER MAXWELL DAVIES-Eight Songs for a Mad King. June 12, 2011. There also seems to be a certain plasticity in both metre/rhythm and tonality, which highlights the abstractism of th...

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Debussy: La Mer (3rd Movement) | Monash Composers

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A Blog for Students and Staff in Composition at Monash. Bartok: Concerto for Orchestra (5th Movement). Debussy: La Mer (3rd Movement). August 15, 2011. Debussy annoys me a bit. Not that I dislike his writing, but so much of his music is about colours, that it makes it difficult to look at the score and quickly understand what is going on. Probably a good reason to study his scores more. Responses to “Debussy: La Mer (3rd Movement)”. Feed for this Entry. Leave a Reply Cancel reply. Enter your comment here.

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LIGETI Continuum – for harpsichord | Monash Composers

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A Blog for Students and Staff in Composition at Monash. ANTON WEBERN 5 Movements for String Quartet. Bartok: Concerto for Orchestra (5th Movement). LIGETI Continuum for harpsichord. June 12, 2011. One point of interest though was that the trichords used consisted of octaves, 5ths, 4ths, tritones and major seconds through this, Ligeti creates a sound that doesn’t sound triadic, through the elimination of 3rds. Thus he works within the tetrachord, minor third and minor second or that done backwards. You ar...

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Bartok: Concerto for Orchestra (5th Movement) | Monash Composers

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A Blog for Students and Staff in Composition at Monash. LIGETI Continuum for harpsichord. Debussy: La Mer (3rd Movement). Bartok: Concerto for Orchestra (5th Movement). August 15, 2011. The next bar the piece takes off and we are presented with a continual pizzicato quavers from the cellos and violas, outlining a cluster chord built on E. I’m wanting to develop my writing for strings more at the moment, and found this score to demonstrate a variety of really effective ideas. Feed for this Entry. You are ...

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Bach – Brandonberg Concerto No. 3. Bach – Brandonberg Concerto No. 3. May 3, 2016. Brandenburg Concerto No. 3 First Movement. This is a motivic analysis of the first movement of Bach’s Brandenburg Concerto No. 3. This opening first melody is the basis for the material that is used in the rest of the movement:. This can also be broken down into smaller cells:. After pretty much exhausting that first melody as much he could, Bach begins. Create a free website or blog at WordPress.com.

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PATTI'S FEEL GOOD BLOG! | Finding the bowl of cherries in life’s abundant lemons!

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