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MONOGRAPHY

Artist as Author and Other Basic Design Principles SCIARC Fall 2009

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MONOGRAPHY | postdesign.typepad.com Reviews
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Artist as Author and Other Basic Design Principles SCIARC Fall 2009
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1 monography
2 archives
3 profile
4 permalink
5 comments 0
6 trackback 0
7 as a reminder
8 dont forget to
9 tools
10 books on reserve
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MONOGRAPHY | postdesign.typepad.com Reviews

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Artist as Author and Other Basic Design Principles SCIARC Fall 2009

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1

MONOGRAPHY:

http://postdesign.typepad.com/monography/2009/09/index.html

Artist as Author and Other Basic Design Principles SCIARC Fall 2009. Subscribe to this blog's feed. October 2009 ». September 24, 2009. Week 4 [10.02.09] Unpacking Suitcases, Architectural Fables, and Unclinching Fists. Title your work with 5 descriptive adjectives and a working title for your collection. Nothing is in stone, we are literally throwing shit up on the wall and seeing what sticks. Posted at 12:39 PM. September 17, 2009. Week 2 [09.18.09] The Book is an Architectural Body. Posted at 02:13 PM.

2

MONOGRAPHY: Supplemental Materials

http://postdesign.typepad.com/monography/supplemental-materials.html

Artist as Author and Other Basic Design Principles SCIARC Fall 2009. Subscribe to this blog's feed. This document is to supplement your reading of Thinking with Type:. Download Type is Hard to Ignore. This document is a collection of artists illustrating a wide variety of form/image-making techniques:. Download Image and Form Making.

3

MONOGRAPHY: Reading List

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Artist as Author and Other Basic Design Principles SCIARC Fall 2009. Subscribe to this blog's feed.

4

MONOGRAPHY: Stuff on Stuff

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Artist as Author and Other Basic Design Principles SCIARC Fall 2009. Subscribe to this blog's feed. Here is where you all can share inspirational findings and keep a running collection of suggestions for your classmates. Use this space to show/ask how things can be constructed, designed, etc. Provide images, comments, and links where possible.

5

MONOGRAPHY: Books on Reserve

http://postdesign.typepad.com/monography/books-on-reserve.html

Artist as Author and Other Basic Design Principles SCIARC Fall 2009. Subscribe to this blog's feed. Morphosis Buildings and Projects V3. Morphosis Buildings and Projects V5. Rodney Graham: A Little Thought. Robert Brownjohn: Sex and Typography. Martin Venezky: Its Beautiful Then Gone. Thinking with Type: Ellen Lupton. Hand To Eye: Contemporary Illustration. Pen and Mouse: Commercial Art and Digital Illustration.

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graphiclanguage.typepad.com graphiclanguage.typepad.com

Graphic Language

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I got a lot on my mind but don't know what to say. Phantom Sightings @ LACMA. This poster needs no introduction, just your participation and a little imagination. Fill in the Blanks Part 2. Beauty in the Tragic. March 25, 2008. Phantom Sightings @ LACMA. My friend Gary Garay will be participating in this exhibition, upcoming at LACMA. April 6, 2008 September 1, 2008 Art of the Americas. Phantom Sightings: Art after the Chicano Movement. Posted at 09:58 PM in Openings. October 19, 2006. Posted at 01:19 PM.

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Graphic Language: Official Brain Dump

http://graphiclanguage.typepad.com/graphic_language/2006/10/official_brain_.html

I got a lot on my mind but don't know what to say. Phantom Sightings @ LACMA. This poster needs no introduction, just your participation and a little imagination. Fill in the Blanks Part 2. Beauty in the Tragic. Laquo; DESERT PEOPLE. On the Wall ». October 05, 2006. Ask me about Public Poster Workshop. What about the Public Poster Workshop? Ok, just kidding. I'll ask you when I see you. This email dialogue is a perfect example of how to activate dialogue. But what about the PLAY factor? In the end it's b...

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Graphic Language: Interactive Poster

http://graphiclanguage.typepad.com/graphic_language/2006/10/interactive_pos.html

I got a lot on my mind but don't know what to say. Phantom Sightings @ LACMA. This poster needs no introduction, just your participation and a little imagination. Fill in the Blanks Part 2. Beauty in the Tragic. Laquo; Fill in the Blanks Part 2. This poster needs no introduction, just your participation and a little imagination ». October 18, 2006. Click on the poster image to see simulation of public modification. Posted at 01:53 PM. The comments to this entry are closed.

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Graphic Language: Moving Forward

http://graphiclanguage.typepad.com/graphic_language/2006/10/moving_forward.html

I got a lot on my mind but don't know what to say. Phantom Sightings @ LACMA. This poster needs no introduction, just your participation and a little imagination. Fill in the Blanks Part 2. Beauty in the Tragic. Laquo; More Sketches. Phantom Sightings @ LACMA ». October 19, 2006. I will document the process of a poster as a model. Posted at 01:19 PM. The comments to this entry are closed.

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Graphic Language: Openings

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I got a lot on my mind but don't know what to say. Phantom Sightings @ LACMA. This poster needs no introduction, just your participation and a little imagination. Fill in the Blanks Part 2. Beauty in the Tragic. March 25, 2008. Phantom Sightings @ LACMA. My friend Gary Garay will be participating in this exhibition, upcoming at LACMA. April 6, 2008 September 1, 2008 Art of the Americas. Phantom Sightings: Art after the Chicano Movement. Posted at 09:58 PM in Openings.

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Graphic Language: This poster needs no introduction, just your participation and a little imagination

http://graphiclanguage.typepad.com/graphic_language/2006/10/this_poster_nee.html

I got a lot on my mind but don't know what to say. Phantom Sightings @ LACMA. This poster needs no introduction, just your participation and a little imagination. Fill in the Blanks Part 2. Beauty in the Tragic. Laquo; Interactive Poster. More Sketches ». October 19, 2006. This poster needs no introduction, just your participation and a little imagination. How do you make this distiction? Being that the list of designers are deceased,. Posted at 09:08 AM. The comments to this entry are closed.

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Graphic Language: Phantom Sightings @ LACMA

http://graphiclanguage.typepad.com/graphic_language/2008/03/phantom-sightin.html

I got a lot on my mind but don't know what to say. Phantom Sightings @ LACMA. This poster needs no introduction, just your participation and a little imagination. Fill in the Blanks Part 2. Beauty in the Tragic. Laquo; Moving Forward. March 25, 2008. Phantom Sightings @ LACMA. My friend Gary Garay will be participating in this exhibition, upcoming at LACMA. April 6, 2008 September 1, 2008 Art of the Americas. Phantom Sightings: Art after the Chicano Movement. Posted at 09:58 PM in Openings.

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Graphic Language: Fill in the Blanks Part 2

http://graphiclanguage.typepad.com/graphic_language/2006/10/untitled_2006.html

I got a lot on my mind but don't know what to say. Phantom Sightings @ LACMA. This poster needs no introduction, just your participation and a little imagination. Fill in the Blanks Part 2. Beauty in the Tragic. Laquo; Bottoms Up. Interactive Poster ». October 10, 2006. Fill in the Blanks Part 2. I originally wrote the following for an article title in Martin's class. I found myself hypnotised by the language and thought by writing these out it would give me more clarity. Posted at 08:49 PM.

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Graphic Language: On the Wall

http://graphiclanguage.typepad.com/graphic_language/2006/10/about_an_hour_b.html

I got a lot on my mind but don't know what to say. Phantom Sightings @ LACMA. This poster needs no introduction, just your participation and a little imagination. Fill in the Blanks Part 2. Beauty in the Tragic. Laquo; Official Brain Dump. Fake ID ». October 05, 2006. The poster represents a voice, not specifically defined as a single voice or collective for that matter. The content will dictate the point of view, but it will at times seem purposefully ambiguous. WHAT IS YOUR DESIGN WEAKNESS?

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MONOGRAPHY

Artist as Author and Other Basic Design Principles SCIARC Fall 2009. Subscribe to this blog's feed. October 12, 2009. Week 6 [10.16.09] First Book Spreads. First half of class to present initial book spreads. What are the emotional, physical and theoretical qualities that your collection connotes? You will need to bring in the following to show:. 1 A table of contents. This is your narrative structure. 2 An introductory text. 3 2 spreads from 2 or more of your sections outlined in your table of contents.

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