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Tuesday, April 21, 2009. INDIAN MUSICOLOGY REVISITED: Pramana Sruti:Amplification Notes: 22 Srutis. The West envisioned their musical ‘Notes’ as mathematical ‘fractions’ occurring between ‘1’ and ‘1/2’. Ie the lower and the upper boundaries of an octave). Western musicologists could, therefore, modify their ‘Notes’ mathematically, in order to keep pace with changing times. But how did they discover at all that ‘mathematical fractions’ and music were deeply related? As we turn towards India, we are in for...

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PRAMANA SRUTI | pramanasruti.blogspot.com Reviews

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Tuesday, April 21, 2009. INDIAN MUSICOLOGY REVISITED: Pramana Sruti:Amplification Notes: 22 Srutis. The West envisioned their musical ‘Notes’ as mathematical ‘fractions’ occurring between ‘1’ and ‘1/2’. Ie the lower and the upper boundaries of an octave). Western musicologists could, therefore, modify their ‘Notes’ mathematically, in order to keep pace with changing times. But how did they discover at all that ‘mathematical fractions’ and music were deeply related? As we turn towards India, we are in for...

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PRAMANA SRUTI | pramanasruti.blogspot.com Reviews

https://pramanasruti.blogspot.com

Tuesday, April 21, 2009. INDIAN MUSICOLOGY REVISITED: Pramana Sruti:Amplification Notes: 22 Srutis. The West envisioned their musical ‘Notes’ as mathematical ‘fractions’ occurring between ‘1’ and ‘1/2’. Ie the lower and the upper boundaries of an octave). Western musicologists could, therefore, modify their ‘Notes’ mathematically, in order to keep pace with changing times. But how did they discover at all that ‘mathematical fractions’ and music were deeply related? As we turn towards India, we are in for...

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pramanasruti.blogspot.com

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PRAMANA SRUTI: April 2009

http://www.pramanasruti.blogspot.com/2009_04_01_archive.html

Tuesday, April 21, 2009. INDIAN MUSICOLOGY REVISITED: Pramana Sruti:Amplification Notes: 22 Srutis. The West envisioned their musical ‘Notes’ as mathematical ‘fractions’ occurring between ‘1’ and ‘1/2’. Ie the lower and the upper boundaries of an octave). Western musicologists could, therefore, modify their ‘Notes’ mathematically, in order to keep pace with changing times. But how did they discover at all that ‘mathematical fractions’ and music were deeply related? Https:/ docs.google.com/open? Or more s...

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PRAMANA SRUTI: INDIAN MUSICOLOGY REVISITED: Pramana Sruti:Amplification Notes: 22 Srutis

http://www.pramanasruti.blogspot.com/2009/04/ancient-music-of-22-srutis-pramana.html

Tuesday, April 21, 2009. INDIAN MUSICOLOGY REVISITED: Pramana Sruti:Amplification Notes: 22 Srutis. The West envisioned their musical ‘Notes’ as mathematical ‘fractions’ occurring between ‘1’ and ‘1/2’. Ie the lower and the upper boundaries of an octave). Western musicologists could, therefore, modify their ‘Notes’ mathematically, in order to keep pace with changing times. But how did they discover at all that ‘mathematical fractions’ and music were deeply related? Https:/ docs.google.com/open? Or more s...

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'SHUDH' SWARAS IN SHASTRIYA AND CARNATIC MUSIC: April 2009

http://srinivasan-nambirajan.blogspot.com/2009_04_01_archive.html

SHUDH' SWARAS IN SHASTRIYA AND CARNATIC MUSIC. The subtle differences in the description of 'Suddhata' in Carnatic music and Shastriya Sangeet. Monday, April 13, 2009. INDIAN MUSICOLOGY REVISITED: WHY 'SHUDH SWARAS IN SHASTRIYA AND CARNATIC MUSIC TRADITIONS ARE AT VARIANCE? Why Shudh swaras considered by the Shastriya sangeet and the Carnatic traditions. The term ‘Shudh’ swaras (or ‘Suddha’ as per Carnatic music traditions). Ie the bunch of srutis). Consisting of the bunch of srutis). Receives greater pr...

22srutis-nambirajan.blogspot.com

The Ancient Music culture of 22 srutis: March 2009

http://22srutis-nambirajan.blogspot.com/2009_03_01_archive.html

The Ancient Music culture of 22 srutis. Wednesday, March 25, 2009. INDIAN MUSICOLOGY REVISITED: The Ancient Music culture of 22 srutis. The Ancient Culture of 22 Srutis Music. Please read this blog in conjunction with my Presentation slides placed at the link: https:/ docs.google.com/open? A mere academic treatise focused on the modalities for employing 22 tones or 12 tones in classical music is NOT the main theme of my Book “THE MYSTIC CITADEL OF 22 SRUTIS MUSIC”! The period of Bharata Muni and Dattila).

searchforourancientmusic.blogspot.com

Search for Our Ancient Music- Conceptual Overview: May 2009

http://searchforourancientmusic.blogspot.com/2009_05_01_archive.html

Search for Our Ancient Music- Conceptual Overview. The viewers could get a good insight into the Miracle called "Ancient Music". Wednesday, 13 May 2009. Indian Musicology Revisited: Search for our Ancient Music of 22 Srutis. Search for our ‘Ancient Music’-. Medieval Indian musicologists belonging to the era of 200 B.C. Bharata Muni and Dattila Muni). Contended that ‘Ancient Indian Music’ was founded on 22 tones per octave. Vis-a-vis the contemporary design of 12. I had attempted a few “constructs&#...

murchanas.blogspot.com

INDIAN MUSICOLOGY REVISITED: MURCHANAs: April 2009

http://murchanas.blogspot.com/2009_04_01_archive.html

INDIAN MUSICOLOGY REVISITED: MURCHANAs. Wednesday, April 29, 2009. INDIAN MUSICOLOGY REVISITED : MURCHANAs RE-INTERPRETED:22 SRUTIS. What are ‘MURCHANAS’? Please read this ‘Blog’ in conjunction with ‘Presentation Slides’given at the following link, wherein the details are illustrated with the help of diagrams,. To enable better comprehension):. Https:/ docs.google.com/open? These seven sacred tones of Sama Veda were archetypal for ancient music of. Under the terminology ‘Sadja-grama’. 8216;Murchanas&#821...

murchanas.blogspot.com

INDIAN MUSICOLOGY REVISITED: MURCHANAs

http://murchanas.blogspot.com/2012/07/blog-post.html

INDIAN MUSICOLOGY REVISITED: MURCHANAs. Tuesday, July 3, 2012. Subscribe to: Post Comments (Atom). Please visit my web-site on "The Mystic Citadel of 22 Srutis Music". Indian Musicology Revisited: Review by 'The Hindu' of Book "The Mystic Citadel of 22 Srutis Music". Synopsis - My Book "The Mystic Citadel of 22 Srutis Music" (Blog). Synopsis- My Book "The Mystic Citadel of 22 Srutis Music" (Presentation). Indian Musicology Revisited: Ancient culture of 22 srutis music (Blog). Ancient Music of 22 Srutis c...

murchanas.blogspot.com

INDIAN MUSICOLOGY REVISITED: MURCHANAs: July 2012

http://murchanas.blogspot.com/2012_07_01_archive.html

INDIAN MUSICOLOGY REVISITED: MURCHANAs. Tuesday, July 3, 2012. Links to this post. Subscribe to: Posts (Atom). Please visit my web-site on "The Mystic Citadel of 22 Srutis Music". Indian Musicology Revisited: Review by 'The Hindu' of Book "The Mystic Citadel of 22 Srutis Music". Synopsis - My Book "The Mystic Citadel of 22 Srutis Music" (Blog). Synopsis- My Book "The Mystic Citadel of 22 Srutis Music" (Presentation). Indian Musicology Revisited: Ancient culture of 22 srutis music (Blog). Ancient Music of...

archytasdoctrineofmeans.blogspot.com

Ancient Music of 22 Tones and Archyta's Doctrine: Ancient Music of 22 Tones Conforms to Archyta's Doctrine of 'Means'

http://archytasdoctrineofmeans.blogspot.com/2012/06/ancient-music-of-22-tones-conforms-to.html

Ancient Music of 22 Tones and Archyta's Doctrine. Monday, June 25, 2012. Ancient Music of 22 Tones Conforms to Archyta's Doctrine of 'Means'. Ancient Music of 22 Tones conforms to Archyta’s Doctrine of Means. Https:/ drive.google.com/file/d/0B6Qw6H3PDIHNX3FfeVNYU2ZuWFU/view? Subscribe to: Post Comments (Atom). Have you visited my website please? Review by 'The HINDU': our Ancient Music of 22 Srutis. Ancient Music Culture of 22 Srutis (blog). Search for our Ancient Music 22 Srutis (blog). Mysticism in our...

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pramanasruti.blogspot.com

PRAMANA SRUTI

Tuesday, April 21, 2009. INDIAN MUSICOLOGY REVISITED: Pramana Sruti:Amplification Notes: 22 Srutis. The West envisioned their musical ‘Notes’ as mathematical ‘fractions’ occurring between ‘1’ and ‘1/2’. Ie the lower and the upper boundaries of an octave). Western musicologists could, therefore, modify their ‘Notes’ mathematically, in order to keep pace with changing times. But how did they discover at all that ‘mathematical fractions’ and music were deeply related? As we turn towards India, we are in for...

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