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Primal Scenes

Idle thoughts on cinema in 500 words (give or take a few). by Ian Scott Todd. The Films of 2015: Phoenix. Christian Petzold’s Phoenix. Falls short of being a truly great film, but it has some wonderful things to recommend it—chief among them being a final scene that is as cleverly deployed as it is poignant.  . Nelly’s face has been so badly damaged that her doctor tells her she will never look exactly the same as she once did.  . I watched John Boorman’s 1967 classic Point Blank. Working my way through ...

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Primal Scenes | primalscenes.blogspot.com Reviews
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Idle thoughts on cinema in 500 words (give or take a few). by Ian Scott Todd. The Films of 2015: Phoenix. Christian Petzold’s Phoenix. Falls short of being a truly great film, but it has some wonderful things to recommend it—chief among them being a final scene that is as cleverly deployed as it is poignant.  . Nelly’s face has been so badly damaged that her doctor tells her she will never look exactly the same as she once did.  . I watched John Boorman’s 1967 classic Point Blank. Working my way through ...
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Primal Scenes | primalscenes.blogspot.com Reviews

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Idle thoughts on cinema in 500 words (give or take a few). by Ian Scott Todd. The Films of 2015: Phoenix. Christian Petzold’s Phoenix. Falls short of being a truly great film, but it has some wonderful things to recommend it—chief among them being a final scene that is as cleverly deployed as it is poignant.  . Nelly’s face has been so badly damaged that her doctor tells her she will never look exactly the same as she once did.  . I watched John Boorman’s 1967 classic Point Blank. Working my way through ...

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Primal Scenes: May 2015

http://www.primalscenes.blogspot.com/2015_05_01_archive.html

Idle thoughts on cinema in 500 words (give or take a few). by Ian Scott Todd. The Films of 2015: Ex Machina. Alex Garland’s Ex Machina. Is a movie for those who like their science fiction clever, stylish, and elegantly constructed.  . Revolving as it does around four characters (only three of whom speak) and confined to a single location, it resembles a well-made play tricked out with a few choice special effects.  . This year we have a new Cinderella. Pablo Berger’s Blancanieves. Her wicked stepmother (...

2

Primal Scenes: November 2014

http://www.primalscenes.blogspot.com/2014_11_01_archive.html

Idle thoughts on cinema in 500 words (give or take a few). by Ian Scott Todd. The Films of 2014: Foxcatcher. The 2014 awards season will kick off this week as the New York Film Critics Circle and the National Board of Review name their choices for the best films and performances of the year.  Bennett Miller’s Foxcatcher. That I’ve liked; but will Academy voters go for something this grim, quiet, and cold? The Films of 2014: National Gallery. Is six), work by accretion, as Wiseman slowly piles one moment ...

3

Primal Scenes: June 2015

http://www.primalscenes.blogspot.com/2015_06_01_archive.html

Idle thoughts on cinema in 500 words (give or take a few). by Ian Scott Todd. The Films of 2015: Love and Mercy. Bill Pohlad’s new film Love and Mercy. Which a title credit tells us is “based on the life of Brian Wilson,” is a valiant attempt to do a music biopic that sidesteps the clichés of the genre.  . The Films of 2015: Mad Max: Fury Road. I can’t say that I’m in love with Fury Road. The latest chapter in George Miller’s Mad Max. Saga, but I respect it.  . Subscribe to: Posts (Atom).

4

Primal Scenes: March 2015

http://www.primalscenes.blogspot.com/2015_03_01_archive.html

Idle thoughts on cinema in 500 words (give or take a few). by Ian Scott Todd. Godard, Warhol, and the cinema of attractions. Earlier this week I saw Jean-Luc Godard’s Goodbye to Language. Finally playing here in Boston.  . It’s a masterful film, one that resembles Godard’s other late-period work in its density and difficulty but that experiments with form in ways that feel refreshingly playful and comic.  . In 1998.  . I’ve gone back and added it to my list of favorite films from 2014. Kore-eda suggests ...

5

Primal Scenes: August 2015

http://www.primalscenes.blogspot.com/2015_08_01_archive.html

Idle thoughts on cinema in 500 words (give or take a few). by Ian Scott Todd. The Films of 2015: Mistress America. Is an unofficial companion piece to 2013’s beguiling Frances Ha. Both of which form a loose trilogy with 2005’s The Squid and the Whale. As films about brainy kids lost in a New York City ripped from the pages of E. L. Konigsberg and Louise Fitzhugh.    . The Films of 2015: Queen of Earth. In flashbacks set during the previous summer, Catherine appear. The Diary of a Teenage Girl. Set in San...

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The Primal Screen: I've moved.

http://theprimalscreen.blogspot.com/2012/09/ive-moved.html

Saturday, September 8, 2012. Please note that the title and address of this blog have changed. You can now find it under the title Primal Scenes. At http:/ www.primalscenes.blogspot.com. Hope to see you there! Posted by Ian Scott Todd. Subscribe to: Post Comments (Atom). Critic, teacher, cinephile. View my complete profile. Simple template. Powered by Blogger.

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The Primal Screen: September 2012

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Saturday, September 8, 2012. Please note that the title and address of this blog have changed. You can now find it under the title Primal Scenes. At http:/ www.primalscenes.blogspot.com. Hope to see you there! Posted by Ian Scott Todd. Subscribe to: Posts (Atom). Critic, teacher, cinephile. View my complete profile. Simple template. Powered by Blogger.

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Primal Scenes

Idle thoughts on cinema in 500 words (give or take a few). by Ian Scott Todd. The Films of 2015: Phoenix. Christian Petzold’s Phoenix. Falls short of being a truly great film, but it has some wonderful things to recommend it—chief among them being a final scene that is as cleverly deployed as it is poignant.  . Nelly’s face has been so badly damaged that her doctor tells her she will never look exactly the same as she once did.  . I watched John Boorman’s 1967 classic Point Blank. Working my way through ...

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