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where my eyes meet yours

Where my eyes meet yours. A Road with No End. Paper published in The Journal of National Folklore. A paper of Theatre Activism by Pritham K Chakravarthy. Photograph from Krishna Gana Sabha. How do you term this theatre? Vellavi (Marudhayi, The Laundry Woman). The Other Festival. 2003. That led to a long search to read more than what my own femininity limited me with. It was a chance viewing of an, ‘Oh! Nirvanam. Panchagini Human Rights Conference, 2001. Photograph by Venkatesh Chakravarthy. If all identi...

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where my eyes meet yours | prithamkchakravarthy.blogspot.com Reviews
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Where my eyes meet yours. A Road with No End. Paper published in The Journal of National Folklore. A paper of Theatre Activism by Pritham K Chakravarthy. Photograph from Krishna Gana Sabha. How do you term this theatre? Vellavi (Marudhayi, The Laundry Woman). The Other Festival. 2003. That led to a long search to read more than what my own femininity limited me with. It was a chance viewing of an, ‘Oh! Nirvanam. Panchagini Human Rights Conference, 2001. Photograph by Venkatesh Chakravarthy. If all identi...
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where my eyes meet yours | prithamkchakravarthy.blogspot.com Reviews

https://prithamkchakravarthy.blogspot.com

Where my eyes meet yours. A Road with No End. Paper published in The Journal of National Folklore. A paper of Theatre Activism by Pritham K Chakravarthy. Photograph from Krishna Gana Sabha. How do you term this theatre? Vellavi (Marudhayi, The Laundry Woman). The Other Festival. 2003. That led to a long search to read more than what my own femininity limited me with. It was a chance viewing of an, ‘Oh! Nirvanam. Panchagini Human Rights Conference, 2001. Photograph by Venkatesh Chakravarthy. If all identi...

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where my eyes meet yours: Dear Santa, I have been a good girl...

http://prithamkchakravarthy.blogspot.com/2010/01/blog-post.html

Where my eyes meet yours. Dear Santa, I have been a good girl. Mallipoo and Martini,. I shifted base three months ago, from a theatre activist in Chennai (still am, a theatre activist), to Hyderabad as a teacher of dramaturgy and film studies. As part of my work, I review movies with my students every week. Women seemed to arrive at Demarco's sight, gift wrapped. He merely gave them what they seemed to beg for, being extremely servicing, gracious at that. To see what the other women wanted this X'mas&#46...

2

where my eyes meet yours: Morgue Keeper by Charu Nivedita

http://prithamkchakravarthy.blogspot.com/2010/01/morgue-keeper.html

Where my eyes meet yours. Morgue Keeper by Charu Nivedita. Translated from Tamil by Pritham K Chakravarthy ). From Tehelka Magazine, Vol 7, Issue 01, Dated January 09, 2010. All characters in this story are fictitious, and any resemblance to actual persons, either living or dead, is entirely coincidental. Laceration 1.5 cm x 1.5 cm, bone deep, about 3 cm below the eyebrow on the right cheek. Several other deep incised wounds nearby, cutting through nerves, veins, and muscle. Contusion in left medial peri...

3

where my eyes meet yours: A Road with No End

http://prithamkchakravarthy.blogspot.com/2010/01/road-with-no-end.html

Where my eyes meet yours. A Road with No End. Paper published in The Journal of National Folklore. A paper of Theatre Activism by Pritham K Chakravarthy. Photograph from Krishna Gana Sabha. How do you term this theatre? Vellavi (Marudhayi, The Laundry Woman). The Other Festival. 2003. That led to a long search to read more than what my own femininity limited me with. It was a chance viewing of an, ‘Oh! Nirvanam. Panchagini Human Rights Conference, 2001. Photograph by Venkatesh Chakravarthy. If all identi...

4

where my eyes meet yours: The many Indias!

http://prithamkchakravarthy.blogspot.com/2010/01/times-of-india-mallipoo-pakkangal.html

Where my eyes meet yours. Just when I was wondering what I should write this week, along came an interview with Wendi Doniger on her book, The Hindus: An Alternative History in a popular weekly magazine on October 26, 2009. That set the tone. It took me back a few years, when I was performing a rehearsed reading from Woman at Point Zero, by Nawal El Zadaawi. A 2003 photograph from The Hindu. Of the Valmiki Temple, on E.C.R. Here goes a living alternative history to the mainstream homogenized Hinduism.

5

where my eyes meet yours: Men do stare...

http://prithamkchakravarthy.blogspot.com/2010/01/times-of-india-mallipoo-pakkangal_02.html

Where my eyes meet yours. Men do stare at women's bosom - says MSN headline! The admission of the millennium! Do you, kind Sirs? Only a few weeks back, a Tamil bi-weekly magazine called me to ask for a radical byte on women newsreaders who were told either to remove their thali or hide it, as the TRP ratings fall when the viewer knows she is a "taken" woman. Not that it means that the path of my emancipation has been paved, only that I can afford a supermarket! A survey of more than 1,000 men in India.

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The Coffee Mugh: The Words that Go with a Heart

http://beautifulmind-sam.blogspot.com/2010/06/words-that-go-with-heart.html

Crossed fingers entangled in squishy blue desires. The Words that Go with a Heart. I was reading Susan. Post on meeting Seamus Heany, when my mind started wandering. I started counting the poets who had taken me on journeys. People I wished to meet, and cried when I learned of a few deaths. Pablo Neruda, Sheldon Silverstein, Charles Bukowski, Ted Hughes, Sylvia Plath and this one poem by Elizabeth Bishop. The art of losing isn't hard to master;. So many things seem filled with the intent. My last, or.

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The Coffee Mugh: Ivan Illich or John Holt: It doesn't matter anymore.

http://beautifulmind-sam.blogspot.com/2010/06/ivan-illich-or-john-holt-it-doesnt.html

Crossed fingers entangled in squishy blue desires. Ivan Illich or John Holt: It doesn't matter anymore. This is written for those who think they understand, actually understand, and simply don't know. Some of you might never take a chance at reading this, but I don't stand to lose anything but your understanding. That's fine with me. Why am I here? What do I want to do? Or ten-page summaries of any topic we deem to choose from our scattered syllabus. I grew tired. I was learning NOTHING. I st...Probably,...

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The Coffee Mugh: Destiny differs from Fate: Conversations with Adolf Hitler

http://beautifulmind-sam.blogspot.com/2010/06/destiny-differs-from-fate-conversations.html

Crossed fingers entangled in squishy blue desires. Destiny differs from Fate: Conversations with Adolf Hitler. I often read that we create our own destinies. However, fate is something that happens to us. Fate is a word/concept loaded with a negative connotation. It is something we do not want but a force that pulls us into a certain life. It doesn't depend on choice, opinion, or emotion. It happens and we have to deal with it then and there. How can someone deal with their fate? I might have something t...

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The Coffee Mugh: Warriors Parade into a Cave

http://beautifulmind-sam.blogspot.com/2010/07/warriors-parade-into-cave.html

Crossed fingers entangled in squishy blue desires. Warriors Parade into a Cave. Last night, an architecture student friend of mine, Pratu was talking to me about her Urban Renewal assignment in Mylapore. Apparently, this is just for their study and any suggestion they make will remain in files because no has the money to change anything. More interestingly, she said, "Even if there is public will we need political will to do something.". Posted by Samyuktha P.C. Pritham K. Chakravarthy. Sometimes I find ...

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The Coffee Mugh: Changing Address

http://beautifulmind-sam.blogspot.com/2011/04/changing-address.html

Crossed fingers entangled in squishy blue desires. I've exported this blog to http:/ flowersociety.wordpress.com. I find it easier to blog there. See you all there soon. Posted by Samyuktha P.C. Subscribe to: Post Comments (Atom). Introduction to Carlos Castaneda's Tales of Power. The conditions of a solitary bird are five:. The first, that it flies to the highest point;. The second, that it does not suffer for company,. Not even of its own kind;. The third, that it aims its beak to the skies;.

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here, love will never end...

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where my eyes meet yours

Where my eyes meet yours. A Road with No End. Paper published in The Journal of National Folklore. A paper of Theatre Activism by Pritham K Chakravarthy. Photograph from Krishna Gana Sabha. How do you term this theatre? Vellavi (Marudhayi, The Laundry Woman). The Other Festival. 2003. That led to a long search to read more than what my own femininity limited me with. It was a chance viewing of an, ‘Oh! Nirvanam. Panchagini Human Rights Conference, 2001. Photograph by Venkatesh Chakravarthy. If all identi...

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Monday, January 25, 2016. Wahai Anakku Tidak Apa-Apa Ya Kita Sedikit Berbeda! Berani Berkarya dalam Perbedaan untuk Perubahan. Hidup memang pilihan, dan setiap pilihan memuat konsekuensi tersendiri. Terkadang sebagai orangtua, saya memilih harus menjadi berbeda dengan pilihan kebanyakan orang, terutama dalam memilih semua hal yang berkontribusi dalam membangun pola pikir dan pola sikap anak-anak. Kiki Barkiah, 5 Guru Kecilku, Hlm 75). Putera sulung saya bertanya,. 8220;Ini hari Minggu, Bun. Libur! 8230;d...

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Pritha Roy, a Kolkata (India) born young and highly talented vocalist.

Composer – Singer - Lyricist. First composition when only six year old. Selected by a Swiss music company and toured Europe twice to perform in 30 concerts in 2005 and 2007 where some of her original compositions were rendered by herself. Accompanying musicians included famous international names. An album was released in Europe in 2006 which included some of her original compositions rendered by herself. Also doing creative work in music and performing with Indian groups. 1680 x 1920 px (full size),.