Welcome -- you've reached Pam Cook's website. I've been thinking, writing and teaching about moving image culture since the 1970s, and these pages are a record of my work up to the present. Since 2006 I've been Professor Emerita in Film at the University of Southampton. Among other things, I write about fashion and film,…
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Pam Cook | Writer ∙ Historian ∙ Professor of Film Studies | profpamcook.com Reviews
https://profpamcook.com
Welcome -- you've reached Pam Cook's website. I've been thinking, writing and teaching about moving image culture since the 1970s, and these pages are a record of my work up to the present. Since 2006 I've been Professor Emerita in Film at the University of Southampton. Among other things, I write about fashion and film,…
profpamcook.com
Performance: Mary Pickford’s New York Hat | Pam Cook
http://profpamcook.com/2015/04/01/performance-mary-pickfords-new-york-hat
Writer Historian Professor of Film Studies. Performance: Mary Pickford’s New York Hat. Tags: acting in the movies. The New York Hat. Paratext: Sofia Coppola’s auteur performance. Costume: Ip Man’s Straw Hat →. Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public). You are commenting using your WordPress.com account. ( Log Out. You are commenting using your Twitter account. ( Log Out. Notify me of new posts via email.
Articles | Pam Cook
http://profpamcook.com/articles
Writer Historian Professor of Film Studies. 8216;Revisiting Performance: Nicole Kidman’s Enactment of Stardom’, in Sabrina Qiong Yu and Guy Austin (eds),. Revisiting Star Studies: Cultures, Themes and Methods. Edinburgh: Edinburgh University Press, 2016. 8216;Because She’s Worth It: The Natural Blonde from Grace Kelly to Nicole Kidman’,. Special issue on Blondes, November 2015. 8216;Picturing Natacha Rambova: Design and Celebrity Performance in the 1920s’,. 22, 2015. ISSN 2052-3033. 8216;, in Zeenat.
Biography | Pam Cook
http://profpamcook.com/biography
Writer Historian Professor of Film Studies. I started writing in the heady days of the 1970s women’s movement. Along with Laura Mulvey and Claire Johnston, I was a pioneer of Anglo-American feminist film theory and produced some influential writing during that inspirational period. My collaboration with Claire Johnston on the work of Hollywood film director Dorothy Arzner created waves among feminist film scholars over the following decades. Dorothy Arzner with Clara Bow. Film Studies for Free. This work...
Events | Pam Cook
http://profpamcook.com/events
Writer Historian Professor of Film Studies. Recent and upcoming events. September 2010: ‘Nostalgia for the Periphery: Postcolonial Memory in Baz Luhrmann’s. 8216;, Keynote lecture, SERCIA Memory in/of English-speaking Cinema conference at Besançon University, France. March 2011: ‘Bonnie and Clyde: Moments in Time’, Plenary presentation,. Book launch event at BFI Southbank. November 2011: ‘Nicole Kidman: What a Performance’, Professor Emerita lecture at University of Southampton. 9 November 2013: talk: &#...
Open access stuff | Pam Cook
http://profpamcook.com/talks-and-papers
Writer Historian Professor of Film Studies. These are my talks, papers and articles freely available to read online — I’ll add to them as new items become available. Some documents may take a few minutes to download. 8216; Because She’s Worth It: The Natural Blonde from Grace Kelly to Nicole Kidman. 8216;, Celebrity Studies, special issue on Blondes, November 2015. ISSN (print) 1939-2397; (online) 1939-2400. 8216; Picturing Natacha Rambova: Design and Celebrity Performance in the 1920s’,. 8216;Why does N...
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Our Films | Take Two
https://womeninfilmse15.wordpress.com/our-films
A women in film project made available during the P eckham and Nunhead Free Film Festival. Is Free Film Festival Production and A Women in Film Picture – London (2012). Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public). You are commenting using your WordPress.com account. ( Log Out. You are commenting using your Twitter account. ( Log Out. You are commenting using your Facebook account. ( Log Out. Top Girl Take Two.
Monstrous women some theories ! | Take Two
https://womeninfilmse15.wordpress.com/2016/09/04/monstrous-women-some-theories
Monstrous women some theories! Posted by Else Thomson. September 4, 2016. Horror films are said to evoke our deepest fears and gut feelings but what about the use of women and girls in this genre? What roles have they played and what part in the narrative do they still occupy? Monstrous woman in I Spit on Your Grave. Possessed mother in Rosemary’s Baby. Horror, shame and humiliation in Carrie. New generation of horror Babadook and American Mary by The Soska Sisters. 1990) ‘Alien and the Monstrous-Feminin...
Interviews | Take Two
https://womeninfilmse15.wordpress.com/interviews
Interviews by Tracey and Else, or anyone interested in submitting, a feature. The Founder of The Bechdel Film Club, New Cross. Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public). You are commenting using your WordPress.com account. ( Log Out. You are commenting using your Twitter account. ( Log Out. You are commenting using your Facebook account. ( Log Out. You are commenting using your Google account. ( Log Out. About W...
July Slow Cinema | Take Two
https://womeninfilmse15.wordpress.com/2016/07/15/july-slow-cinema
Posted by Else Thomson. July 15, 2016. Big named directors associated with the term include Apichatpong Weerasethkul, Bela Tarr and Lav Diaz. Female practitioners are unsurprisingly harder to locate, known names than I can put into this genre are Chantal Ackerman and Safi Faye. Ackerman’s film Jeanne Dielman 23 Quai Du Commerce (1975) was voted one of the 100 Greatest Films of all time by Sight and Sound. And has been written on extensively ( see our list. Sarah Beddington’s Brief Encounter. Was shot in ...
Auntie | Take Two
https://womeninfilmse15.wordpress.com/2016/12/14/auntie
Posted by Tracey Francis. December 14, 2016. Directed by Lisa Harewood. Auntie was selected by the Commonwealth Foundation for its inaugural short film development program. Screened during Black History Month, October 2016. Lisa Harewood talking about Auntie. (Black History Month 2016). As part of Black History Month 2016 women in film screened. By Lisa Harewood with a Q&A. The short film. Is part of Lisa’s wider Commonwealth Foundation project. 8216;… record and share the stories of Caribbean peop...
Short Horror Film | Take Two
https://womeninfilmse15.wordpress.com/2016/07/11/short-horror-film
Posted by Tracey Francis. July 11, 2016. Short Horror Film Competition. We are now welcoming competition submissions for short horror films. The winning film will be screened during the Women in Film do Horror night as part of the 2016 Peckham and Nunhead Free Film Festival, on Wednesday 7 September. The film should last one minute or less. The film must contain a female character. The film must pass the Bechdel Test. If it has more than one character. Entrants to the competition must be aged 16. To make...
SHOOT SHOOT SHOOT | Take Two
https://womeninfilmse15.wordpress.com/2016/10/21/shoot-shoot-shoot
Posted by Else Thomson. October 21, 2016. The 50th anniversary of the London Filmmaker’s Co-operative (LFMC) has instigated many screenings, discussions and publications this year including the Tate Modern’s Co-op dialogues , Reel to Real (23/9/16) examining the contribution of women and feminism to the LFMC, the BFI’s monthly Experimenta strand curated by the original LMFC programmers and the ICA’s book launch , Shoot Shoot Shoot, T. He first Decade of the London Film-Makers Co-operative 1966-76. You ar...
Top Girl | Take Two
https://womeninfilmse15.wordpress.com/2016/10/30/top-girl
Posted by Tracey Francis. October 30, 2016. Writer and Director: Rebecca Johnson. Review by Tracey Francis. Shorts on Tap: Women in Revolt. As the opening for their short films night on 19 October 2016 at 93 Feet East. The curated event showed short films that was. Challenging the very essence of womanhood’. Scene from Top Girl. The first time I saw. Donna and Felicia Top Girl. Abondance makes an excellent point and clearly shows how the female voice is pushed aside. Rebecca Johnson went on to make.
A Year in Cinema | Take Two
https://womeninfilmse15.wordpress.com/a-year-in-cinema
A Year in Cinema. Women In Film Los Angeles launched the campaign called 52 Films By Women. As a fun way to bring attention to the many talented female filmmakers around the world and to spark a creative and interactive conversation. So we have decided to add to this great campaign and Else will be writing about films she is watching over the year. Please tweet us your film choices @WIFSE15. The BABADOOK Jennifer Kent. Essie Davis as Amelia in the Babadook. Watched on Netflix 7.4.16. The film creates a c...
SE15 Films | Take Two
https://womeninfilmse15.wordpress.com/se15-films
Films made or that relate to SE15 will be reviewed here, as this group is part of the Peckham and Nunhead Free Film Festival. Plus, we can keep and eye on how diverse or female-friendly they are. A documentary by Michael Adeyemi, screened at the Peckhamplex. Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public). You are commenting using your WordPress.com account. ( Log Out. Notify me of new comments via email. I do not run.
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Pam Cook | Writer ∙ Historian ∙ Professor of Film Studies
Writer Historian Professor of Film Studies. Welcome — you’ve reached Pam Cook’s website. I’ve been thinking, writing and teaching about moving image culture since the 1970s, and these pages are a record of my work up to the present. Since 2006 I’ve been Professor Emerita in Film. At the University of Southampton. Check out my profiles on Wikipedia. Ain't she sweet: Mary Pickford's performance in 'The New York Hat' (1912). Reading 'Mildred Pierce' as maternal melodrama. The incomparable Lauren Bacall.
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