adampugh.co.uk
Adam Pugh
http://adampugh.co.uk/curating
In-conversation event with Anita Delaney as part of her solo show. Drink the Liquid, Eat the Solid. Curator, ‘Invisible Fabrick’. New film and performance commission by Jessica Warboys; symposium; film programmes and a new book. Various venues in Norwich: more details tbc. Nominator, ‘Assembly: A survey of recent artists’ film and video in Britain 2008 2013′. Curator, ‘Casting, fixing, catching’. Film programme. See here. 8216;The Failure of the Image’. Talk as part of ‘Hyperspace’. Royal College of Art.
adampugh.co.uk
Adam Pugh
http://adampugh.co.uk/cyprien-gaillard-cities-of-gold-and-mirrors
Cyprien Gaillard: ‘Cities of Gold and Mirrors’ Sainsbury Centre for Visual Arts. I, who have felt the horror of mirrors. Not only in front of the impenetrable crystal. Where there ends and begins, uninhabitable,. An impossible space of reflections. Jorge Luis Borges,. History forgets. Obscures, revises, obliterates, but principally, forgets; forgoes, forges afresh: an. What should be a deeply layered, patinated place, Cancún, the object of Cyprien Gaillard’s. Cities of Gold and Mirrors. As its own past.
adampugh.co.uk
Adam Pugh
http://adampugh.co.uk/beatrice-gibson-agatha
Beatrice Gibson: ‘Agatha’ Sainsbury Centre for Visual Arts. What I can name cannot really prick me, Roland Barthes writes in. Beatrice Gibson’s work circles this process of becoming, of naming, via word and voice: voice modulated by place, place formed by speech. Her latest work,. Cornelius Cardew is present across much of Gibson’s work. If the route’: The Great Learning. Quotes the composer’s own. Applies Cardew’s compositional method directly as a means of producing a film. (3) But beyond Cardew hi...
adampugh.co.uk
Adam Pugh
http://adampugh.co.uk/86
Marine Hugonnier: ‘Ariana’ Sainsbury Centre for Visual Arts. The structures and mechanisms of power haunt Marine Hugonnier’s film. Set in the Pandjshêr Valley in Afghanistan, a fertile, verdant place walled in by the high peaks of the Hindu Kush, what begins as a document of a film being made becomes an allegory for the process of representation itself, and its attendant implications in terms of power and control: representation via the act of looking, of image-making. Giuliana Bruno notes that The art o...
adampugh.co.uk
Adam Pugh
http://adampugh.co.uk/aglaia-konrad-concrete-and-samples
Aglaia Konrad: ‘Concrete and Samples’ Sainsbury Centre for Visual Arts. The suite of films. Works, in this way, to locate the idea of ‘architecture as sculpture’, as Konrad avows, which the first two films,. Demonstrate in an apparently straightforward way. Both films document particular instances of architecture, in this case sacred Modernist buildings, assuming a sculptural form; an enquiry which the specific textural, tangible qualities of the medium, 16mm film, augments. But in dialogue with. And in ...
adampugh.co.uk
Adam Pugh
http://adampugh.co.uk/apparent-positions-introduction
Apparent Positions Sainsbury Centre for Visual Arts. The territory in question must be able to exist in any region on the surface of the globe; therefore we must study under what conditions it remains inaccessible, not only to ships, airplanes or other vehicles, but even to the eye. I mean that it might be possible, theoretically, for it to exist in the middle of this table without our having the slightest inkling. Tlön, Uqbar, Orbis Tertius. Takes the place, gradually, of the real world; in The Garden o...
drsarahdillon.com
2014 | Sarah Dillon
http://drsarahdillon.com/events/2014-2
Skip to primary content. Maggie Gee: Critical Essays. David Mitchell: Critical Essays. The Palimpsest: Literature, Criticism, Theory. Close Reading – Open Book Series, BBC Radio 4. Literary Pursuits – Sunday Feature Series, BBC Radio 3. 2006) The other event was dreamed up by myself and Dr Melanie Keene, organiser of the Cambridge Literature and Science reading group. And author of the hotly anticipated new study of Victorian science and fairytales,. Before I Go to Sleep,. Starring Nicole Kidman and Coli...
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