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Middlemarch and the Problem of Paradise for Our Neighbors
http://www.propellermag.com/May2015/MorganEliotMay15.html
The Parable of You. A Simple Machine, Like the Lever. By Evan P. Schneider. Nine Simple Patterns for Complicated Women. Paradise For Our Neighbors. Realism Vs. Moralism in. Dorothea Brooke and Will Ladislaw in an illustration published by The Jenson Society in 1910. By Emily Burns Morgan. Reveals slowly, and remarkably fully. Dorothea and Will are far from the only young lovers in. On the 100 Best Novels in English (he places. There is a danger, one feels at the start of. Ultimately, the stance of. Emily...
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Jenny Offill's Dept. of Speculation | Patrick McGinty | Propeller
http://www.propellermag.com/Feb2014/McGintyOffillFeb14.html
Nine Simple Patterns for Complicated Women. A Simple Machine, Like the Lever. By Evan P. Schneider. On Jenny Offill and making bank. You be the thumble, mama, I’ll be the car. There is an equally fine line between conveying exhaustion and madness, one that the character navigates with prescriptions and outbursts and that Offill handles with shifting pronouns and understated honesty. When she is alone, says the narrator, writing about herself in letters she postmarks. He made bank for that book. The unnam...
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The alternate basketball universe of Chris Leslie-Hynan
http://www.propellermag.com/Aug2014/LeslieHynanAug14.html
Nine Simple Patterns for Complicated Women. A Simple Machine, Like the Lever. By Evan P. Schneider. A Sum of Misunderstandings. Chris Leslie-Hynan crafts a Slippery Narrator And an alternate Basketball Universe in His Debut Novel. Chris Leslie-Hynan. The narrator of his debut novel “risks much, fears greatly, and yearns boundlessly.”. N the Summer 2011 issue,. Was later purchased by HarperCollins, and is now available in your local bookstore. To what extent will they find him likable or reliable? Given J...
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Tim Winton's "Eyrie" | Patrick McGinty | Propeller
http://www.propellermag.com/Nov2013/McGintyWintonNov13.html
Nine Simple Patterns for Complicated Women. A Simple Machine, Like the Lever. By Evan P. Schneider. Prose Style for Unleashing A Howl: Australia's Tim Winton. Tim Winton. The prose style in his new novel suggests a quiet, aging fury. (Photo source: The Australian). The Sun Also Rises. A good-looking girl walk past the table and watched her go up the street and lost sight of her, and watched another, and then saw the first one coming back again. She went. The main verbs fall in the 2, 2, 2, and 3 position...
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Wendy MacNaughton on Art and Social Practice
http://www.propellermag.com/April2014/WendyMacNaughtonApril14.html
The Parable of You. A Simple Machine, Like the Lever. By Evan P. Schneider. Nine Simple Patterns for Complicated Women. Art and Social Practice. An Interview with Wendy MacNaughton about. Meanwhile in San Francisco. She is the illustrator of the charming. Lost Cat: A True Story of Love, Desperation and GPS Technology. By Caroline Paul (Bloomsbury, 2013), and has illustrated the forthcoming. Pen and Ink: Tattoos and the Stories Behind Them. By Isaac Fitzgerald (Bloomsbury, fall 2014). That’s really funny&...
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In Richard Linklater's films, conversation delivers the power of time travel
http://www.propellermag.com/Jan2015/HallBoyhoodJan15.html
The Parable of You. A Simple Machine, Like the Lever. By Evan P. Schneider. Nine Simple Patterns for Complicated Women. In Richard LInklater's Films, Conversation Delivers the Power of Time Travel. Richard Linklater’s “Boyhood” offers glimpses into adolescent psychological development rarely seen in film. Why are we here? Why don’t we value ideas and give our minds time to think? Why must we pretend to know all the answers? Why do you love action films so much? Why do you love TALKIE movies so much?
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Boetti at MAXXI | Europe Endless | Propeller
http://www.propellermag.com/May2013/LopemanBoettiMay13.html
Nine Simple Patterns for Complicated Women. A Simple Machine, Like the Lever. By Evan P. Schneider. On January 22, 2013, the Piazza at the Zaha-Hadid-designed MAXXI museum in Rome was dedicated to Italian artist Alighiero Boetti, fixing the peripatetic artist’s legacy securely in Rome. An exhibition of Boetti’s works is also showing inside the MAXXI through June 16, 2013. (Photo of Boetti by Massimo Piersanti, 1971). Viaggi Postali by Alighiero Boetti. Mappa," 1978, Alighiero e Boetti. Alas, probably not.
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Steven Church on Ultrasonic and the "state of not-knowing"
http://www.propellermag.com/Dec2014/ChurchDec14.html
The Parable of You. A Simple Machine, Like the Lever. By Evan P. Schneider. Nine Simple Patterns for Complicated Women. Steven Church. The essays in Ultrasonic “resisted the narrative push toward arc or crisis.”. Teven Church’s new book,. Is a collection of linked essays that use sound as an entry point for exploring connections and meanings obscured beneath the noise of everyday life. What kind of problems came up for you as a writer as a result of that decision? Are there particular pieces in the book ...
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Gerhard Rießbeck | Portfolio | Propeller
http://www.propellermag.com/Nov2013/LopemanGerhardNov13.html
Nine Simple Patterns for Complicated Women. A Simple Machine, Like the Lever. By Evan P. Schneider. Gerhard Rießbeck, Painter of Ice. Gerhard Rießbeck. “. It was a kind of painting that maybe changed my life.”. And I was eager to ask him about his experience. Painting icebergs is unusual. Why ice? When I finished my studies at the university of arts in Nuremburg I had a grant to go to Iceland for 6 months. The landscapes you paint aren’t seen by the masses. Did he do a good job? I don’t tell the story, I...
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Elizabeth Rosner's "Gravity"
http://www.propellermag.com/Nov2014/RosnerNov14.html
Nine Simple Patterns for Complicated Women. A Simple Machine, Like the Lever. By Evan P. Schneider. Elizabeth Rosner's Beloved Obligation. When the Holocaust is Family History. Elizabeth Rosner. “My family's personal history will become part of collective memory.”. Atelier26 Books, 2014). Is in my bones. In the grief I. Have no name for. I am curious about how you feel about literature of the Holocaust? Although I must confess that I haven't seen the film, the title. Don't Touch My Holocaust. I can at ti...
