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Puppeturgy | Investigating Emerging Dramaturgies in Theatre of Animation

Investigating Emerging Dramaturgies in Theatre of Animation (by ponypie)

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Puppeturgy | Investigating Emerging Dramaturgies in Theatre of Animation | puppeturgy.wordpress.com Reviews
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Investigating Emerging Dramaturgies in Theatre of Animation (by ponypie)
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Puppeturgy | Investigating Emerging Dramaturgies in Theatre of Animation | puppeturgy.wordpress.com Reviews

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Investigating Emerging Dramaturgies in Theatre of Animation (by ponypie)

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Blind Summit’s 1984 | Puppeturgy

https://puppeturgy.wordpress.com/2009/11/21/blind-summits-1984

Investigating Emerging Dramaturgies in Theatre of Animation. Skip to primary content. About “Sacrificing The Object”. Blind Summit’s 1984. November 21, 2009. Perhaps best knows as the creator’s of Eno’s Madame Butterfly, have started a blog. To publicly document their upcoming adaptation of George Orwell’s 1984 at the BAC. There are 4 parts to a breath: in, suspend, out, suspend. 2 December 20o9 to 9 January 2010 at London’s BAC. This entry was posted in Puppetry and Puppet Theatre. You are commenting us...

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About “Sacrificing The Object” | Puppeturgy

https://puppeturgy.wordpress.com/sacrificing-the-object-archive

Investigating Emerging Dramaturgies in Theatre of Animation. Skip to primary content. About “Sacrificing The Object”. About “Sacrificing The Object”. This dissertation was completed by August 31, 2009 in partial fulfillment of the Masters of Literature in Dramaturgy and Playwriting at the University of Glasgow. It is available in both paper edition and online in their dissertation archives or upon request from the author. Leave a Reply Cancel reply. Enter your comment here. Blog at WordPress.com.

3

ponypie | Puppeturgy

https://puppeturgy.wordpress.com/author/amandamonfrooe

Investigating Emerging Dramaturgies in Theatre of Animation. Skip to primary content. Skip to secondary content. About “Sacrificing The Object”. May 9, 2011. So I’m returning as an explorer, less an academic than a critic maybe or an observer of the scene. I’d like to continue to raise questions for debate and look at some performances in depth, relating them to larger movements in the sector and innovations they exhibit. It remains, as always, a dramaturgical endeavor. Blind Summit’s 1984. I don’t...

4

Hello Again | Puppeturgy

https://puppeturgy.wordpress.com/2011/05/09/hello-again

Investigating Emerging Dramaturgies in Theatre of Animation. Skip to primary content. About “Sacrificing The Object”. May 9, 2011. So I’m returning as an explorer, less an academic than a critic maybe or an observer of the scene. I’d like to continue to raise questions for debate and look at some performances in depth, relating them to larger movements in the sector and innovations they exhibit. It remains, as always, a dramaturgical endeavor. This entry was posted in Ad Rem. Leave a Reply Cancel reply.

5

Bibliography | Puppeturgy

https://puppeturgy.wordpress.com/sacrificing-the-object-archive/bibliography

Investigating Emerging Dramaturgies in Theatre of Animation. Skip to primary content. About “Sacrificing The Object”. Here is a list of useful texts and other resources that have been useful in my research. In addition to these resources I keep theatre companies, organizations, and other on-line resources linked on this blog’s main page. On Puppetry and Puppet Theatre. A History of European Puppetry. Towards an Aesthetics of the Puppet: Puppetry as a Theatrical Art. By Steve Tillis. Probably the most...

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Puppeturgy | Investigating Emerging Dramaturgies in Theatre of Animation

Investigating Emerging Dramaturgies in Theatre of Animation. Skip to primary content. Skip to secondary content. About “Sacrificing The Object”. May 9, 2011. So I’m returning as an explorer, less an academic than a critic maybe or an observer of the scene. I’d like to continue to raise questions for debate and look at some performances in depth, relating them to larger movements in the sector and innovations they exhibit. It remains, as always, a dramaturgical endeavor. Blind Summit’s 1984. I don’t...

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