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pushing PIGMENTS

Sunday, March 6, 2011. Master Copy Challenge by Jonathan Aller. Contact me if interested in purchasing this painting). Cornelis Van Der Geest after Anthony Van Dyck. 11 x 14 in. After the drawing was completed I started on the background, doing the first layer of ivory black. Ivory black is a slow drier, I wanted to lay the first coat down by the time I got to the second phase of the portrait it would of been well on its way to a finish. I didn't use any mediums with the ivory black. 8217; I am a fan of ...

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pushing PIGMENTS | pushingpigments.blogspot.com Reviews

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Sunday, March 6, 2011. Master Copy Challenge by Jonathan Aller. Contact me if interested in purchasing this painting). Cornelis Van Der Geest after Anthony Van Dyck. 11 x 14 in. After the drawing was completed I started on the background, doing the first layer of ivory black. Ivory black is a slow drier, I wanted to lay the first coat down by the time I got to the second phase of the portrait it would of been well on its way to a finish. I didn't use any mediums with the ivory black. 8217; I am a fan of ...

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pushing PIGMENTS | pushingpigments.blogspot.com Reviews

https://pushingpigments.blogspot.com

Sunday, March 6, 2011. Master Copy Challenge by Jonathan Aller. Contact me if interested in purchasing this painting). Cornelis Van Der Geest after Anthony Van Dyck. 11 x 14 in. After the drawing was completed I started on the background, doing the first layer of ivory black. Ivory black is a slow drier, I wanted to lay the first coat down by the time I got to the second phase of the portrait it would of been well on its way to a finish. I didn't use any mediums with the ivory black. 8217; I am a fan of ...

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pushingpigments.blogspot.com

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pushing PIGMENTS: May 2010

http://pushingpigments.blogspot.com/2010_05_01_archive.html

Monday, May 17, 2010. Finish is due June 16th. Saturday, May 15, 2010. Portrait of Brian by Jessie Paz. This is my painting of Brian. I really enjoyed this sketch just because it was a challenge to get likeness. My approach to this painting was simple, a quick sketch applied with paint and then painted with thick applications of paint. I kept it very spontanious, alaprima approach. the painting took me two sessions of 2hrs. Thursday, May 6, 2010. This is the reference shot. This is the beginning of my pa...

2

pushing PIGMENTS: Master Copy Challenge by Jonathan Aller

http://pushingpigments.blogspot.com/2011/03/master-copy-challenge-by-jonathan-aller.html

Sunday, March 6, 2011. Master Copy Challenge by Jonathan Aller. Contact me if interested in purchasing this painting). Cornelis Van Der Geest after Anthony Van Dyck. 11 x 14 in. After the drawing was completed I started on the background, doing the first layer of ivory black. Ivory black is a slow drier, I wanted to lay the first coat down by the time I got to the second phase of the portrait it would of been well on its way to a finish. I didn't use any mediums with the ivory black. Master Copy Challeng...

3

pushing PIGMENTS: June 2010

http://pushingpigments.blogspot.com/2010_06_01_archive.html

Thursday, June 17, 2010. Master Copy Challenge by Brian MacNeil. So the importance of Master Copies is that they provide you with information that painting from life cannot. There are tricks and techniques that are not always visible in nature so one can either get real creative or look back to the masters to help us tell our stories. They teach us how to paint lips, what edges to blur, and open our eyes to see what colors are used to make a white drapery. Pencil drawing heightened with chalk. Blog to se...

4

pushing PIGMENTS: November 2010

http://pushingpigments.blogspot.com/2010_11_01_archive.html

Friday, November 5, 2010. Master Copy Challenge by Mark Cummings. 8217; I am a fan of the cadmiums and not having any on my palette presented a worthy challenge. I’m happy to say I not only produced a piece I’m happy with, but enjoyed the task laid before me. Using vine charcoal on the back of a black and white print (to size), I did the transfer. Paying attention to major shapes and some minor shapes that brought interest to me. Subscribe to: Posts (Atom). Master Copy Challenge by Mark Cummings.

5

pushing PIGMENTS: June Challenge!

http://pushingpigments.blogspot.com/2010/05/june-challenge.html

Monday, May 17, 2010. Finish is due June 16th. Subscribe to: Post Comments (Atom). Portrait of Brian by Jessie Paz. And so it begins.

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brianmacneil.blogspot.com

Brian MacNeil: Still Life Demo at Utrecht

http://brianmacneil.blogspot.com/2011/09/still-life-demo-at-utrecht.html

The Art and Working Practices of Brian David MacNeil. Wednesday, September 28, 2011. Still Life Demo at Utrecht. I just wanted to let everyone know that Utrecht Art Supply. Was asked to do the same for Dick Blick. He and I are both co-founders of the Pushing Pigments Project. So if anyone can stop by on Friday just come in and introduce yourself. It would be great to chat with other artist and enthusiast. Thank You very much and see you later. Friday the 30th from 12pm to 5pm. Providence, RI 02903. Simpl...

brianmacneil.blogspot.com

Brian MacNeil: September 2011

http://brianmacneil.blogspot.com/2011_09_01_archive.html

The Art and Working Practices of Brian David MacNeil. Wednesday, September 28, 2011. Still Life Demo at Utrecht. I just wanted to let everyone know that Utrecht Art Supply. Was asked to do the same for Dick Blick. He and I are both co-founders of the Pushing Pigments Project. So if anyone can stop by on Friday just come in and introduce yourself. It would be great to chat with other artist and enthusiast. Thank You very much and see you later. Friday the 30th from 12pm to 5pm. Providence, RI 02903. If Yo...

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pushingpigments.blogspot.com

pushing PIGMENTS

Sunday, March 6, 2011. Master Copy Challenge by Jonathan Aller. Contact me if interested in purchasing this painting). Cornelis Van Der Geest after Anthony Van Dyck. 11 x 14 in. After the drawing was completed I started on the background, doing the first layer of ivory black. Ivory black is a slow drier, I wanted to lay the first coat down by the time I got to the second phase of the portrait it would of been well on its way to a finish. I didn't use any mediums with the ivory black. 8217; I am a fan of ...

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