queerwarhol.blogspot.com

Queer Warhol

Sunday, February 28, 2010. Shame/-less: Notes On a Queer Warholian Spectacle. This paper comes from lived-experiences that enable the enactment of an embodied, subjective writing that often plays out via anecdotes and gossip, which is a re-performance of a Warholian enactment of, what I call, “the arts of chatter.” [i]. Thus, this paper is at odds with modernist art history’s traditions, mentalities, and methodologies. [ii]. Indeed, if, as Simon Watney has stated, “Warhol is second to none in the p...

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Queer Warhol | queerwarhol.blogspot.com Reviews

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Sunday, February 28, 2010. Shame/-less: Notes On a Queer Warholian Spectacle. This paper comes from lived-experiences that enable the enactment of an embodied, subjective writing that often plays out via anecdotes and gossip, which is a re-performance of a Warholian enactment of, what I call, “the arts of chatter.” [i]. Thus, this paper is at odds with modernist art history’s traditions, mentalities, and methodologies. [ii]. Indeed, if, as Simon Watney has stated, “Warhol is second to none in the p...

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Queer Warhol | queerwarhol.blogspot.com Reviews

https://queerwarhol.blogspot.com

Sunday, February 28, 2010. Shame/-less: Notes On a Queer Warholian Spectacle. This paper comes from lived-experiences that enable the enactment of an embodied, subjective writing that often plays out via anecdotes and gossip, which is a re-performance of a Warholian enactment of, what I call, “the arts of chatter.” [i]. Thus, this paper is at odds with modernist art history’s traditions, mentalities, and methodologies. [ii]. Indeed, if, as Simon Watney has stated, “Warhol is second to none in the p...

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queerwarhol.blogspot.com

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Queer Warhol: March 2009

http://queerwarhol.blogspot.com/2009_03_01_archive.html

Saturday, March 7, 2009. De-Queering" Warhol - Again? Warhol, "Self-Portrait in Drag", 1981-82; not in CMP exhibition). His showing of nude "boys" in the '50s, his silk-screen of Nixon with "Vote McGovern" under the portrait (1972)? What about the troubles Mapplethorpe faced during and after his life? Hello - Mapplethorpe and the NEA! But, these Polaroids were not shown, and I quote Westerbeck, "We didn't put up the erotic images of Warhol's because we didn't want to put off, or turn away, families."...

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Queer Warhol: Shame/-less: Notes On a Queer Warholian Spectacle

http://queerwarhol.blogspot.com/2010/02/shame-less-notes-on-queer-warholian.html

Sunday, February 28, 2010. Shame/-less: Notes On a Queer Warholian Spectacle. This paper comes from lived-experiences that enable the enactment of an embodied, subjective writing that often plays out via anecdotes and gossip, which is a re-performance of a Warholian enactment of, what I call, “the arts of chatter.” [i]. Thus, this paper is at odds with modernist art history’s traditions, mentalities, and methodologies. [ii]. Indeed, if, as Simon Watney has stated, “Warhol is second to none in the p...

3

Queer Warhol: November 2009

http://queerwarhol.blogspot.com/2009_11_01_archive.html

Saturday, November 14, 2009. Queer Wallpaper: The Artistry of Queer(ness). There seems to be technical problems from transferring my Word Doc to this Blog post. Subscribe to: Posts (Atom). Queer Wallpaper: The Artistry of Queer(ness). Independent scholar in art history and visual culture as seen "through" (the lenses of) queer theories and feminisms. View my complete profile.

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Queer Warhol: February 2010

http://queerwarhol.blogspot.com/2010_02_01_archive.html

Sunday, February 28, 2010. Shame/-less: Notes On a Queer Warholian Spectacle. This paper comes from lived-experiences that enable the enactment of an embodied, subjective writing that often plays out via anecdotes and gossip, which is a re-performance of a Warholian enactment of, what I call, “the arts of chatter.” [i]. Thus, this paper is at odds with modernist art history’s traditions, mentalities, and methodologies. [ii]. Indeed, if, as Simon Watney has stated, “Warhol is second to none in the p...

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queerwarhol.blogspot.com

Queer Warhol

Sunday, February 28, 2010. Shame/-less: Notes On a Queer Warholian Spectacle. This paper comes from lived-experiences that enable the enactment of an embodied, subjective writing that often plays out via anecdotes and gossip, which is a re-performance of a Warholian enactment of, what I call, “the arts of chatter.” [i]. Thus, this paper is at odds with modernist art history’s traditions, mentalities, and methodologies. [ii]. Indeed, if, as Simon Watney has stated, “Warhol is second to none in the p...

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