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quietrivers - HomeA bit of the life and work of Anish Victor, a theatre worker.
http://www.quietrivers.in/
A bit of the life and work of Anish Victor, a theatre worker.
http://www.quietrivers.in/
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quietrivers - Home | quietrivers.in Reviews
https://quietrivers.in
A bit of the life and work of Anish Victor, a theatre worker.
Offer - quietrivers
http://www.quietrivers.in/offer.html
The August Wilson Project. Click to know more). The Henrik Ibsen Project. Drawing from Augusto Boal's work, the sessions introduce the participants to the thought and process that forms the basis of creating Forum Theatre. As a culmination, the participants create a forum piece and undertake a short tour with it. Mime and Puppet workshop. For children between 10 and 13 years. The work has been a re-minder of my own journey and forgotten preoccupations. For any further information on the workshops offered.
quietrivers - Streams
http://www.quietrivers.in/streams.html
Welcome, and come on in. In the middle of 2013 I began a slow journey of discovering organisations that support international collaborations, residencies etc. This section is an attempt to list out the organisations that I think are worth looking up (just click on the logos to be directed to the website). And again a reminder. if you think of more organisations that can be added to this list please do get in touch. With me with their names. Indian organisations for the Arts. Go by the Green-Water Stream.
Images - quietrivers
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Work - quietrivers
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My work in the theatre started off as a stage-hand and slowly moved to the operation of the lights and eventually into acting and direction. Below are some of the productions that I have worked in. The extreme right column of this section features the name of the playwright. Stage-hand George Bernard Shaw. Assistant lighting designer Vijay Padaki. Assistant lighting designer Mahesh Elkunchwar. Assistant lighting designer Mahesh Elkunchwar. Lighting designer Mahesh Dattani. Lighting designer Poile Sengupta.
Bio - quietrivers
http://www.quietrivers.in/bio.html
We are what we are. What we never think we are. A little bit about me. The eldest of three boys, I was born on 10th of April, 1973. My birthplace - a small town called Changanacherry in Kerala. My childhood was spent in Kanpur, a city in Uttar Pradesh and in 1983 I moved to Bangalore along with my father's parents. My school life was fairly uneventful, except for the growing suspicion that I was not meant to last long in an institutionalised environment. Over the years, I have had the good fortune to eng...
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Support | Koogu
https://bannikoogi.wordpress.com/support-koogu
Do read the options of support below and pick one that seems most feasible for you. Help us fix performances. You can put us in touch with organisations interested in hosting a show. The performance fee is usually decided after a dialogue with our hosts. You can host a performance at your home or put us in touch with friends who may be interested in hosting a show in their homes. These performances will be non-ticketed with a pay-what-you-can model. PLEASE WRITE TO collective.sandbox@gmail.com. Notify me...
Videos | Koogu
https://bannikoogi.wordpress.com/koogu-video
A few short videos:. Sometimes, I feel that watching a video of a performance is like looking at a photograph of clear mountain air (if such a thing can be photographed). While the photograph could trigger imagination, it cannot stand in as a substitute to clear mountain air. Compressed version). Filmed by Tarun Saldanha. We also have a hi-definition version online, which you can stream or download. Do report an error. 8211; if you are not able to. Share on Facebook (Opens in new window). Psychedelic lig...
Audio Notes | Koogu
https://bannikoogi.wordpress.com/koogu-audio-blog
The attempt is to enable an access to audio recordings connected to the project. Short descriptions of the content are included and I hope this will help the listener make a choice. I wish to thank Usha Rao for putting the idea of audio recordings into my head, Aruna Manjunath for the sketch used, and Michel for the Moon. Listen…share…shout out. Below is the latest upload. Share on Facebook (Opens in new window). Click to share on Google (Opens in new window). Leave a Reply Cancel reply.
Schedule | Koogu
https://bannikoogi.wordpress.com/koogu-schedule-4
Please write to us. For more details about the shows. Visthar, Bangalore (Final Show). Cubbon Park, Bangalore. IHC, New Delhi. IHC, New Delhi. Gyaan Adab, Pune. The Mona Lisa Kalagram, Pune. Gallery Beyond, Mumbai. Drama School Mumbai, Mumbai. Clark House, Mumbai. Home Show, Mumbai. Prithvi House, Mumbai. Prithvi House, Mumbai. The Cuckoo Club, Mumbai. The Cuckoo Club, Mumbai. Mumbai Assembly, Mumbai. Ruparel College, Mumbai. Barking Deer, Mumbai. Bandra Base, Mumbai. Andheri Base, Mumbai. S47, New Delhi.
Technicals | Koogu
https://bannikoogi.wordpress.com/koogu-technicals
If you are here and reading this then you have some interest in knowing more about the technical aspects of the performance. Koogu is designed to be intimate, so the ideal number of audience is anywhere between one and 50. The audience is invited to sit as close to the performance space as possible. we usually have people sitting on the floor or on mats. Chairs need to be provided for people who cannot sit on the ground. Share on Facebook (Opens in new window). Leave a Reply Cancel reply. You are comment...
in the wind | pravaha
https://pravaha.wordpress.com/2016/07/31/in-the-wind
July 31, 2016. A theatre worker living in Bangalore. View all posts by victoranish →. This entry was posted in Verse-serve. And tagged Anish Victor. Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public). You are commenting using your WordPress.com account. ( Log Out. You are commenting using your Twitter account. ( Log Out. You are commenting using your Facebook account. ( Log Out. Notify me of new comments via email.
June | 2014 | pravaha
https://pravaha.wordpress.com/2014/06
Monthly Archives: June 2014. June 3, 2014. At what point do dreams dissolve at what point does a truth become a lie at what point does love begin at what point does a wind whisper at what point do memories fade at what point does a word … Continue reading →. Notes from here and there…. Koogu', is a solo performance by Anish Victor. It is the Kannada word for 'call'. Follow the ‘Koogu’ : Koogu. Follow pravah via email. Create a free website or blog at WordPress.com.
unending | pravaha
https://pravaha.wordpress.com/never-ending
An attempt to write the never-ending, ever-changing play…. As the audience gathers actors mingle with them. Giving them little things and, asking them to keep it with them. 2 A small stone. General lights. We see a table. On the table, a stand with a candle in it. A box of matches lies next to it. Man walks in. Looks at the candle. Lights begin to dim. In the fading light we see him pick up the box of matches. The match is struck, the candle is lit. Woman lights the candle. Woman and Man withdraw.
August | 2014 | pravaha
https://pravaha.wordpress.com/2014/08
Monthly Archives: August 2014. Different only in degrees. August 18, 2014. The city, everywhere, is essentially the same. Different only in degrees A song too. The tear that slowly creeps out of the corner and a smile that slips off the edge Different only in degrees The questions that burn and … Continue reading →. Notes from here and there…. Koogu', is a solo performance by Anish Victor. It is the Kannada word for 'call'. Follow the ‘Koogu’ : Koogu. Follow pravah via email. Blog at WordPress.com.
The quiet | pravaha
https://pravaha.wordpress.com/2016/04/02/the-quiet
In the wind →. April 2, 2016. The little voice whispered again, “Why are you so quiet? He lay silently, wrapped in her arms. Two plaited bodies. 8221; the voice again. 8221; he sighed. 8220;What are you waiting for? 8221; asked the voice. She shifted, and he with her. 8220;Why don’t you tell her? 8221; the voice said. He could feel her breast, warm against his chest. 8220;Why are you so quiet? 8221; she said. 8220;just random thinking…” he said. 8220;Don’t take too long”said the voice. 8221; she smiled.
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Of Practical Home Theater. Has gone live on Amazon. Now in both print and Kindle editions! Visit Mark Fleischmann's homepage.
quietrivers - Home
Come, come whoever you are. Wanderer, worshipper, lover of leaving. It does not matter. Ours is not a caravan of despair. Come, even if you have broken your vow. Come, yet again, come, come. Create a free website.
WELCOME TO QUIET RIVER TAI CHI
I was lucky enough to have found teachers in this geographical area that strictly adhere to the traditions and teachings of the Yang family tree. "They", being the best students under the tuteledge of Master Hsu Fun-Yuen. Dan Menzel has been a practitioner of Yang style Tai Chi Chuan for over thirteen years and has followed the path set before him by the extensive and thorough guidance of the many past generations, through their writings and practices. Tai Chi can be practiced by people of all ages, with...
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Quiet Roads | Paul & Ty taking the road less traveled
July 4, 2015 · 11:28 pm. Beat’n the Heat: The Mirror Lake Highway. While I’m up for a ride just about any time, it was the thoughts of escaping the heat with cooler temps that enticed me. The same was true of a ride over the Mirror Lake Highway. If we’d of had more time, we could have dropped into Weber Canyon and gone over East Canyon (which might have been a little cooler), but we didn’t. Despite the heat, it was a fun ride and any time in the saddle is better than no time, so I had a g...After dinner,...
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Friday, January 16, 2015. Nature Typography - San Francisco Trip. Tuesday, December 23, 2014. A typography piece for a art show that was all about manipulation of text-. Media: nails, wood, ink and red yarn. Mural work in dtla. Mural done by Melissa and I at 5 star bar - sanded all the walls down first - painted them all black and then painted with white paint markers and white paint - mirror and dear with flowers by me. Friday, December 12, 2014. Imagination will often carry us to worlds that never were.