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Emily Dickinson's Late Fragments and Related Texts, 1870-1886. Marta L. Werner. Textual and Critical Introductions. Most Arrows": Autonomy and Intertextuality in Emily Dickinson's Late Fragments. A Woe of Ecstasy": On the Electronic Editing of Emily Dickinson's Late Fragments. Navigating in the Archive: Orientation, Disorientation, Reorientation. Library of Search Paths. All Documents Carrying Fragments. Documents Carrying Poems, Letters, and Miscellaneous Writings Related to the Fragments.

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Radical Scatters | Radical Scatters | radicalscatters.unl.edu Reviews

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Emily Dickinson's Late Fragments and Related Texts, 1870-1886. Marta L. Werner. Textual and Critical Introductions. Most Arrows: Autonomy and Intertextuality in Emily Dickinson's Late Fragments. A Woe of Ecstasy: On the Electronic Editing of Emily Dickinson's Late Fragments. Navigating in the Archive: Orientation, Disorientation, Reorientation. Library of Search Paths. All Documents Carrying Fragments. Documents Carrying Poems, Letters, and Miscellaneous Writings Related to the Fragments.

<META> KEYWORDS

1 introductions

2 dickinson's late hand

3 site introduction

4 browse

5 indices

6 autonomous fragments

7 trace fragments

8 variant fragments

9 document constellations

10 acknowledgments

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Radical Scatters | Radical Scatters | radicalscatters.unl.edu Reviews

https://radicalscatters.unl.edu

Emily Dickinson's Late Fragments and Related Texts, 1870-1886. Marta L. Werner. Textual and Critical Introductions. Most Arrows": Autonomy and Intertextuality in Emily Dickinson's Late Fragments. A Woe of Ecstasy": On the Electronic Editing of Emily Dickinson's Late Fragments. Navigating in the Archive: Orientation, Disorientation, Reorientation. Library of Search Paths. All Documents Carrying Fragments. Documents Carrying Poems, Letters, and Miscellaneous Writings Related to the Fragments.

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http://radicalscatters.unl.edu/lsp001.html

Navigating in the Archive: Orientation, Disorientation, Reorientation. Navigating in the Archive: Orientation, Disorientation, Reorientation. Navigation is first of all a labor of displacement. Michel de Certeau. In his recent book. Paul Virilio calls our attention to the concept of trajectivity: "It seems we are still incapable of seriously entertaining this. Question of the path,. Except in the realms of mechanics, ballistics or astronomy. Objectivity, subjectivity, certainly, but never. To be sure, th...

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Radical Scatters | Radical Scatters

http://radicalscatters.unl.edu/ind004.html

The following pairs of documents carry variant versions of fragments. Selection of an entry from this index accesses the "Reading View" of the documents. Fragments that are variants of one another, or that contain traces to one another, but that do not appear in other texts (poems, letters) in Dickinson's oeuvre are cross-listed in the. Index of Autonomous Fragments.". Index of Trace Fragments.". A 802 [ What a Hazard an. A 809 [ What a Hazard. A 821 [ Clogged only with Music, like.

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Radical Scatters | Radical Scatters

http://radicalscatters.unl.edu/ind002.html

Most Arrows': Autonomy and Intertextuality in Emily Dickinson's Late Fragments.". The mower is tuning his scythe. Dont you think you could (would) un]. For Light would certainly find it]. A 186 [ Fly - fly - but as you fly -. Paradise is no Journey. I held it so tight that I]. A 249 / 250 [ Undertow of the Organ -. Solomon says that no matter. A 254 / 255. One note from One Bird]. Pompeii - All it's (the) occupations]. A 351 / 352. Society for me my misery]. A 359 [ Still (Stern) as the Profile of a.

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Symbols Used to Identify Manuscripts. Symbols Used to Identify Editions and Related Texts. Abbreviations of Commonly Used Proper Names. Editorial Symbols: Reading View. The University of Nebraska Lincoln, June 2007 - 2010. The University of Michigan, 1999 - May 2007.

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http://radicalscatters.unl.edu/ind007.html

Other Texts Inscribed on Documents Carrying Fragments. Other Texts Inscribed on Documents Carrying Fragments. The following texts appear on documents carrying "core" autonomous and/or trace fragments; they may or may not have any relation to the fragments whose compositional space they share. Selection of an entry from this index accesses the "Reading View" of the document. Back from the Cordial Grave I drag thee. Bliss is the plaything (trinket) of the child -], about 1882. A 249 / 250. Throngs who woul...

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Links | Dickinson Electronic Archives

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Skip to main content. DIGITAL DICKINSON ARCHIVES, EDITIONS, and RESOURCES. Century have produced many digital Dickinsons. The following list, accompanied by the descriptions offered by their creators, represents a range of directions for digital humanities scholarship on her work. The projects below also propose questions such as. What is a digital archive? What is a digital edition? How are these sites related to their physical / print analogues? How do these spaces intersect? The Classroom Electric: A ...

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Emily Dickinson's Late Fragments and Related Texts, 1870-1886. Marta L. Werner. Textual and Critical Introductions. Most Arrows": Autonomy and Intertextuality in Emily Dickinson's Late Fragments. A Woe of Ecstasy": On the Electronic Editing of Emily Dickinson's Late Fragments. Navigating in the Archive: Orientation, Disorientation, Reorientation. Library of Search Paths. All Documents Carrying Fragments. Documents Carrying Poems, Letters, and Miscellaneous Writings Related to the Fragments.

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