rameshgar.blogspot.com

Rameshgar

Tuesday, December 23, 2008. Si je suis fait de terre, celle-ci est ma patrie toute entière, et tous les hommes mes frères. I will post the topics discussed in the sessions for the last three days soon. I apologize for the delay. Posted by Aida Shahghasemi. Sunday, December 14, 2008. Fajr Festival- Day 3. Today's conference pertained to the changes in the area of instrument production. those present were Mahmood e Farahmand, Bijan e Arefi, and Ramin Jazayeri. There is no standardization of sound in Irania...

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Tuesday, December 23, 2008. Si je suis fait de terre, celle-ci est ma patrie toute entière, et tous les hommes mes frères. I will post the topics discussed in the sessions for the last three days soon. I apologize for the delay. Posted by Aida Shahghasemi. Sunday, December 14, 2008. Fajr Festival- Day 3. Today's conference pertained to the changes in the area of instrument production. those present were Mahmood e Farahmand, Bijan e Arefi, and Ramin Jazayeri. There is no standardization of sound in Irania...

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Rameshgar | rameshgar.blogspot.com Reviews

https://rameshgar.blogspot.com

Tuesday, December 23, 2008. Si je suis fait de terre, celle-ci est ma patrie toute entière, et tous les hommes mes frères. I will post the topics discussed in the sessions for the last three days soon. I apologize for the delay. Posted by Aida Shahghasemi. Sunday, December 14, 2008. Fajr Festival- Day 3. Today's conference pertained to the changes in the area of instrument production. those present were Mahmood e Farahmand, Bijan e Arefi, and Ramin Jazayeri. There is no standardization of sound in Irania...

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rameshgar.blogspot.com

1

Rameshgar: Fajr Festival--Day 3

http://rameshgar.blogspot.com/2008/12/fajr-festival-day-3.html

Sunday, December 14, 2008. Fajr Festival- Day 3. Today's conference pertained to the changes in the area of instrument production. those present were Mahmood e Farahmand, Bijan e Arefi, and Ramin Jazayeri. The opening question was whether during the past thirty years Iran has experienced any sort of evolution in its porduction of instruments. The main concern of a producer should be the performer that the instrument is being made for. There is no standardization of sound in Iranian instruments. In hi...

2

Rameshgar: 3

http://rameshgar.blogspot.com/2008/03/3.html

Sunday, March 23, 2008. Documented Gushes of Iranian Classical music in alphabetical order:. Taken from Lloyd Miller's Music and Songs in Persia. University of Utah Press, 1999.). These are most of the Gushes found and played today in Iran's classical music. There are some Gushes known to have been lost (they are not played anymore). The way the system of the music works is that as Hormoz Farhat puts it in The Dastgah Concept in Persian. So what are the Dastgahs of today's classical music? The disagreeme...

3

Rameshgar: 2

http://rameshgar.blogspot.com/2008/03/radif.html

Tuesday, March 4, 2008. First off, let me make a point about a request that has been made. Indeed, a short coverage of some (surely not all since there is a vast array of them around different regions of Iran) of the main musical instruments will be done. This presentation will soon come. It will be a linked blog that will pertain strictly to the instruments. This is a hierarchical and inclusive view. The Radif. Includes all the Dastgaah. S and each of the Dastgaahs include a certain number of Gushe.

4

Rameshgar: 4

http://rameshgar.blogspot.com/2008/03/4.html

Sunday, March 23, 2008. The emotional, ideaologicl, spiritual, and natural connections of the Dastgahs and the world. What i have heard it is like:. Sorrowful, love-struck, quiet, tender, while also deeply intense. It embodies the negative and the positive together. It is the biggest Dastgah present today with the largest number of Gushes. Happy, Easy going. What i have heard it is like:. Happy, positive, good, optimistic, majestic. From sunset to dark. What Lloyd Miller states about Homayun:. Miller's s...

5

Rameshgar: March 2008

http://rameshgar.blogspot.com/2008_03_01_archive.html

Sunday, March 23, 2008. The emotional, ideaologicl, spiritual, and natural connections of the Dastgahs and the world. What i have heard it is like:. Sorrowful, love-struck, quiet, tender, while also deeply intense. It embodies the negative and the positive together. It is the biggest Dastgah present today with the largest number of Gushes. Happy, Easy going. What i have heard it is like:. Happy, positive, good, optimistic, majestic. From sunset to dark. What Lloyd Miller states about Homayun:. Miller's s...

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آسمان تنها یادگاری پرواز است. نوشته شده در چهارشنبه پانزدهم دی ۱۳۸۹ساعت 16:43 توسط رامشگر آسمان. خانه ای که در آن به دنیا آمدم. حالا دیگر خراب شده. خانه ی قلبم کاش خیابان نشود هرگز. نوشته شده در جمعه بیست و سوم مهر ۱۳۸۹ساعت 19:37 توسط رامشگر آسمان. زندگی بازی پر قاعده ی تکرار هاست. آدمک مشت دلت را باز کن. ما فقط یک باریم. نوشته شده در یکشنبه هجدهم مهر ۱۳۸۹ساعت 15:30 توسط رامشگر آسمان. آرزوهایت را رنگ کن. شاید فردا مداد رنگی هایت را گم کنی . نوشته شده در یکشنبه هجدهم مهر ۱۳۸۹ساعت 15:21 توسط رامشگر آسمان.

rameshgar.blogspot.com

Rameshgar

Tuesday, December 23, 2008. Si je suis fait de terre, celle-ci est ma patrie toute entière, et tous les hommes mes frères. I will post the topics discussed in the sessions for the last three days soon. I apologize for the delay. Posted by Aida Shahghasemi. Sunday, December 14, 2008. Fajr Festival- Day 3. Today's conference pertained to the changes in the area of instrument production. those present were Mahmood e Farahmand, Bijan e Arefi, and Ramin Jazayeri. There is no standardization of sound in Irania...

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