vahidmortazavi.blogspot.com
Lights Unseen: The American Cinema; Andrew Sarris
http://vahidmortazavi.blogspot.com/2012/06/american-cinema-andrew-sarris.html
Notes on Cinema by an Iranian Cinephile. Wednesday, June 20, 2012. The American Cinema; Andrew Sarris. Photo: Cover for the issue of Film Culture in which “The American Cinema: Directors and Directions 1929-1968” was published first; Source: Dave Kehr’s website. Where they share the same tawdry dressing room as they prepare to face their lost audience. The American Cinema: Directors and Directions, 1929-1968, by Andrew Sarris (P. 62). Posted by Vahid Mortazavi. Subscribe to: Post Comments (Atom).
vahidmortazavi.blogspot.com
Lights Unseen: His allies
http://vahidmortazavi.blogspot.com/2012/05/his-allies.html
Notes on Cinema by an Iranian Cinephile. Monday, May 28, 2012. If you look across the contemporary filmmaking landscape, which peers would you name as allies, which are the ones whose work you cherish the most? But, of course, there are many exceptions. I’ll watch Lars von Trier’s films; he’s certainly special, and he probably represents the optimum in terms of doing things with actors. I like the Dardennes, I loved Tsai Ming-liang’s The River. Posted by Vahid Mortazavi. Subscribe to: Post Comments (Atom).
notesoncinematograph.blogspot.com
Notes On Cinematograph: August 2015
http://notesoncinematograph.blogspot.com/2015_08_01_archive.html
Sunday, August 23, 2015. Asghar Farhadi: Life and Cinema. From his earliest films to the recently acclaimed The Past. Farhadi gained widespread attention in his home country with the release of Fireworks Wednesday. But his international breakthrough came with A Separation. On the night of the Oscars in 2012, documented in From Iran, A Separation. Asghar Farhadi: Life and Cinema. WATCH THE VIDEO INTERVIEW HERE. Singin' in the Rain (1952). آن دم كه رويا مسلط ميشود. بود نقدي كه بازلي كراوتر در زمان خود ...
notesoncinematograph.blogspot.com
Notes On Cinematograph: July 2015
http://notesoncinematograph.blogspot.com/2015_07_01_archive.html
Saturday, July 25, 2015. Night of the Hunchback (Farrokh Ghaffari, 1965). From my Iranian New Wave programme notes, Il Cinema Ritrovato, Bologna, 2015. Iran, 1965 Regia: Farrokh Ghaffari. Set over the course of one night, this black comedy focuses on the efforts of a group of stage actors, the father of a bride, and a hairdresser and his assistant (played by Ghaffari himself) to rid themselves of an unwelcome corpse, against the backdrop of uptown Tehranis partying to Ray Charles. Ghaffari lived in Europ...
notesoncinematograph.blogspot.com
Notes On Cinematograph: February 2015
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Friday, February 20, 2015. British Cinema in Iran: A Brief History. Many histories of contemporary Iran are left unwritten. Many stories about Iranians and their struggles throughout the 20th and 21th centuries, powerful and dramatic ones, are yet to be filmed. Foreign films in Iran, their reception and their impact on film culture is one of them. I have contributed a chapter to a new book on Iran-UK cultural relations published by the British Council. Didgah: New Perspectives on UK-Iran Relations. Secon...
notesoncinematograph.blogspot.com
Notes On Cinematograph: May 2015
http://notesoncinematograph.blogspot.com/2015_05_01_archive.html
Thursday, May 28, 2015. Notebook's Fantasy Double Feature of 2010. Abbas Kiarostami, Italy/France). Hallelujah I’m a Bum. Lewis Milestone, 1933). It’s true that my guilty conscious had some effect on picking Copie conforme. Though it was an outstanding film itself, needless of any guilty conscious to be the criteria of a choice. I had some rough, and probably unfair, judgments on Kiarostami’s films, after The Wind Will Carry Us. Of course, the Ministry of Culture and Islamic Guidance has considered Copie.
notesoncinematograph.blogspot.com
Notes On Cinematograph: Berlinale 2015#2
http://notesoncinematograph.blogspot.com/2015/06/berlinale-20152.html
Tuesday, June 9, 2015. يادداشتهاي شصت و پنجمين فستيوال فيلم برلين - بخش دوم. در سوي اشتباهِ جاده. فيلمهاي بودند كه انگار فيلمنامههايشان از تلفيق چند فيلمنامه و تصاويرشان از كنار هم گذاشتن تصاوير پراكندهاي كه از پروژههاي بيارتباط آمدهاند - درست مثل يك نمايشگاه عكاسي - ساخته شده بودند، اما تأثير نهاييشان در مجموع ماندگار يا قابل اشاره بود. مثلاً بدن. 1548; ساختۀ بيل كوندون كه خدايان و هيولاها. يش در زمان خود فيلم كوچك مهمي دربارۀ جيمز ويل، كارگردان انگليسي فرانكنستاين. بازيهاي درخشان 45 سال.
babak-karimi.blogspot.com
فیلمها و احساسها: «مشق هنرِ» هفتم
http://babak-karimi.blogspot.com/2015/05/blog-post_27.html
فیلمها و احساسها. ۶ خرداد ۱۳۹۴ ه.ش. 171;مشق هنرِ هفتم. هفتمین شمارهیِ فصلنامهیِ فرهنگی هنری مشق هنر. به حتم میپرسید اینهمه بازیگر و این رویِ جلد چرا؟ مقدمهیِ پروندهیِ سینمایِ این شماره پاسخِ سؤالِ شماست:. بازیگری در سینما، بخش اول. پروندهیِ پیشِ رویِ شما، بخشِ اول از مجموعه پروندههایی است که به واکاویِ مبحثِ بازیگری در سینما میپردازد. در این پروندهها کوشیدهایم از زوایای متعددی. که کتابِ بازیگری در سینما. ی او به فارسی ترجمه شده است. مقالهی دوم،. به ترجمهی سعیده طاهری). 8207;در Facebook به...
