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Ray Morton | Author

Close Encounters of the Third Kind. A Hard Day’s Night. Articles & Columns. A Hard Day’s Night. Close Encounters of the Third Kind. To schedule an interview or event, contact Jaime Nelson. Publicity and Marketing Assistant for Hal Leonard Performing Arts. Stop by my Facebook page. And say “hello” or chat about movies!

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Ray Morton | Author | raymorton.com Reviews
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Close Encounters of the Third Kind. A Hard Day’s Night. Articles & Columns. A Hard Day’s Night. Close Encounters of the Third Kind. To schedule an interview or event, contact Jaime Nelson. Publicity and Marketing Assistant for Hal Leonard Performing Arts. Stop by my Facebook page. And say “hello” or chat about movies!
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Ray Morton | Author | raymorton.com Reviews

https://raymorton.com

Close Encounters of the Third Kind. A Hard Day’s Night. Articles & Columns. A Hard Day’s Night. Close Encounters of the Third Kind. To schedule an interview or event, contact Jaime Nelson. Publicity and Marketing Assistant for Hal Leonard Performing Arts. Stop by my Facebook page. And say “hello” or chat about movies!

INTERNAL PAGES

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1

A Hard Day’s Night | Ray Morton

http://raymorton.com/books/a-hard-days-night

Close Encounters of the Third Kind. A Hard Day’s Night. Articles & Columns. A Hard Day’s Night. Music on Film: A Hard Day’s Night is the first book ever to tell the complete story of the making of the movie that film critic Andrew Sarris famously called the Citizen Kane of jukebox musicals. Chapter 1: Meet the Beatles. The story of the band from their early days playing school dances in Liverpool to the tremendous success that made them the most famous pop music group in the world. Chapter 4: Roll On Up.

2

King Kong | Ray Morton

http://raymorton.com/books/king-kong

Close Encounters of the Third Kind. A Hard Day’s Night. Articles & Columns. King Kong: The History of a Movie Icon from Fay Wray to Peter Jackson. Pop culture events of the 1970s, and that remake’s ill-fated 1986 sequel. In 2005, Kong returns yet again in an eagerly anticipated new version of the classis tale directed by. Lord of the Rings. King Kong: The History of a Movie Icon. I The Father of Kong. II: “It Was Beauty Killed the Beast”: The Making of. Highlights include: the development of the story an...

3

Articles & Columns | Ray Morton

http://raymorton.com/articles_and_columns

Close Encounters of the Third Kind. A Hard Day’s Night. Articles & Columns. Ray Morton is a senior writer for Script Magazine. Here are some recent pieces:. Masters of Screenwriting: Tom Mankiewicz (Part 1). Masters of Screenwriting: Tom Mankiewicz (Part 2. The View from the Scribe: An Interview with Nicholas Meyer. The Return of Kong. 8220;Farewell To A Friend”. 8220;Mastering The Masters: A Look At Graduate Screenwriting Programs”. 8220;Writing A Saleable Script”. 8220;Yes, Let’s”. Good Examples Part I.

4

Author | Ray Morton

http://raymorton.com/author

Close Encounters of the Third Kind. A Hard Day’s Night. Articles & Columns. About The Author: Ray Morton. Ray Morton was born in West Islip, New York and grew up on Long Island and in Connecticut. The oldest of nine children, he graduated from Stamford Catholic High School in Stamford, Connecticut. He then attended the Tisch School of the Arts at New York University and graduated with a Bachelor of Fine Arts degree in Film and Television Production. A Hard Day’s Night. Close Encounters of the Third Kind.

5

Books | Ray Morton

http://raymorton.com/books

Close Encounters of the Third Kind. A Hard Day’s Night. Articles & Columns. A Hard Day’s Night. Close Encounters of the Third Kind. You may contact Ray Morton at ray@raymorton.com. For information, press, and publicity information or to schedule interviews or events concerning the books Music on Film: Amadeus or Music on Film: A Hard Day’s Night, please contact:. Publicity and Marketing Assistant. Hal Leonard Performing Arts. Hal Leonard Performing Arts Publishing Group. 33 Plymouth Street, Suite 302.

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Scriptmag.com: December 2009

http://scriptmag.blogspot.com/2009_12_01_archive.html

The Craft and Business of Screenwriting. Monday, December 14, 2009. Steve Kaire: Writing Partnerships. Writing partnerships are like marriages. They can continue in bliss or end up in bitter divorce. Working with a writing partner can either reduce your workload by half or create twice the headaches. Any kind of partnership is fraught with peril. If it fails, not only does the project come to an immediate halt, but your friendship may be over as well. All these questions and potential pitfalls should be ...

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Scriptmag.com: July 2009

http://scriptmag.blogspot.com/2009_07_01_archive.html

The Craft and Business of Screenwriting. Friday, July 31, 2009. Will Chandler: Blogging from Southampton. Will Chandler will be blogging from the Stony Brook Southampton Screenwriting Conference. This morning, at the Stony Brook Southampton Screenwriting Conference, I had a great time sitting in on a workshop with Frank Pugliese, Obie Award-winning playwright for Aven’U Boys. And screenwriter on dozens of projects, including Shot in the Heart. Pugliese reminded students that “Films have a hunger fo...

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Scriptmag.com: January 2010

http://scriptmag.blogspot.com/2010_01_01_archive.html

The Craft and Business of Screenwriting. Sunday, January 31, 2010. Book Excerpt: Just Effing Entertain Me. Magazine contributor, Julie Gray is packing her bags and setting off on a whirlwind, worldwide tour to teach you how to get your Ideas to the Page to the Screen. The following is an excerpt from her book, Just Effing Entertain Me. Coming out in late 2010. The beginnings of a lifelong adventure. A pivotal point in his life that changed him forever. What is your main character's origin story? But movi...

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Scriptmag.com: WGA News - Jan/Feb 2010

http://scriptmag.blogspot.com/2010/02/wga-news-janfeb-2010.html

The Craft and Business of Screenwriting. Tuesday, February 16, 2010. WGA News - Jan/Feb 2010. IPHONE APPS GO UNION. And Saturday Night Live. Among other famous comedy programs. WGA, EAST’S DIGITAL MEDIA SIGNATORIES TRIPLE IN 2009. Rapid growth in signatories shows that digital media creators feel a strong need for guild representation. Digital media producers say they seek the same benefits in guild membership as any other writer, such as healthcare, credit for their work and a community willing to f...

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Scriptmag.com: February 2010

http://scriptmag.blogspot.com/2010_02_01_archive.html

The Craft and Business of Screenwriting. Thursday, February 25, 2010. 2010 Writers Guild Award Winners. Compiled by Ray Morton. On February 20, 2010, The Writers Guild of America, East (WGAE) and the Writers Guild of America, West (WGAW) announced the winners of the. 2010 Writers Guild Awards. Hosted the East Coast show, and. Seth MacFarlane, creator and star of. Osted the West Coast show. The Hurt Locker,. Up in the Air,. Based upon the novel by Walter Kirn; Paramount Pictures. 8211; any length – ...

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Scriptmag.com: Discussing January/February 2010 Issue with Andrew Shearer, Pt. 2

http://scriptmag.blogspot.com/2010/02/discussing-januaryfebruary-2010-issue.html

The Craft and Business of Screenwriting. Friday, February 5, 2010. Discussing January/February 2010 Issue with Andrew Shearer, Pt. 2. Acuna also says you should focus on market intelligence. I actually read Variety. Every Sunday, but honestly, I forget most of it every time I sit back down to work on my “art” (except the part about the films that made a hundred million – man I’m broke! Then I turned the page in Script. Click here for Pt. 1. Co-written with Nick Sherman, went on to win first prize at Cine...

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Scriptmag.com: June 2009

http://scriptmag.blogspot.com/2009_06_01_archive.html

The Craft and Business of Screenwriting. Tuesday, June 30, 2009. Wesley Rowe: Proactive Protagonists. A quick dissection of Back to the Future. One of my favorite horror characters is the teenage boy in The Hills Have Eyes. We live from one decision to the next, and so generally do our heroes. What makes drama or comedy captivating is the uniquely realized relationship between the circumstances and the character. Monster. Might have stopped after the first murder. Labels: back to the future. Wednesday, J...

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Scriptmag.com: May 2009

http://scriptmag.blogspot.com/2009_05_01_archive.html

The Craft and Business of Screenwriting. Friday, May 29, 2009. Meet the Reader: Readers (Don't) Suck. As I mentioned in my last post, Script. Recently reprinted an old column of mine call “How Not to Annoy a Reader”. Is a writer and script consultant. His books Close Encounters of the Third Kind: The Making of Steven Sp. And King Kong: The History of a Movie Icon from Fay Wray to Peter Jackson. Are available in stor. Ilable for consultation and can be reached at. Labels: Meet the Reader. When you’r...

scriptmag.blogspot.com scriptmag.blogspot.com

Scriptmag.com: Discussing January/February 2010 Issue with Andrew Shearer, Pt. 1

http://scriptmag.blogspot.com/2010/01/discussing-januaryfebruary-2010-issue.html

The Craft and Business of Screenwriting. Thursday, January 28, 2010. Discussing January/February 2010 Issue with Andrew Shearer, Pt. 1. Being a screenwriter in Hollywood, or rather, trying to become a legitimate screenwriter in Hollywood, is fucking hard. Lately for me, it’s been a soul-wrenching experience, testing my very ability to sustain Hollywood’s never ceasing lashings. That’s why I was refreshed to read the Jan/Feb 2010 edition of Script. The duo is now repped by Endeavor and Brillstein Entertai...

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Ray Morton | Author

Close Encounters of the Third Kind. A Hard Day’s Night. Articles & Columns. A Hard Day’s Night. Close Encounters of the Third Kind. To schedule an interview or event, contact Jaime Nelson. Publicity and Marketing Assistant for Hal Leonard Performing Arts. Stop by my Facebook page. And say “hello” or chat about movies!

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Ray Morton was born in West Islip, New York and grew up on Long Island and Connecticut. The oldest of nine children, Morton graduated from Stamford Catholic High School in Stamford, Connecticut. He then attended the Tisch School of the Arts at New York University and graduated with a Bachelor of Fine Arts degree in Film and Television Production. He later earned a Masters in Clinical Psychology from Pepperdine University. Produced by Paramount Pictures Television. He was a senior writer for Script. Close...

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