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re-perceive.blogspot.com

re-perceive

re-perceive: how experience and learning transfigure perception

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re-perceive | re-perceive.blogspot.com Reviews
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re-perceive: how experience and learning transfigure perception
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re-perceive | re-perceive.blogspot.com Reviews

https://re-perceive.blogspot.com

re-perceive: how experience and learning transfigure perception

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1

re-perceive

http://www.re-perceive.blogspot.com/2013/07/when-we-go-down-to-low-tide-line-we.html

A permanent digital installation of mind-sculpting. Begin by reading the earliest quotation (i.e., way of seeing). Notice how your perception morphs as you read each successive quotation. Friday, July 5, 2013. 8212;Thank you, Rachel Carson, for The Edge of the Sea. Subscribe to: Post Comments (Atom). Re-perceive" is a perception experiment aimed at sculpting and resculpting the outlook of readers. Thank you, Stephen Batchelor, for the RE-PERCEIVE title. ARTIST (Claire Cropper's) WEBSITE.

2

re-perceive

http://www.re-perceive.blogspot.com/2013/04/the-female-honeyguide-bird.html

A permanent digital installation of mind-sculpting. Begin by reading the earliest quotation (i.e., way of seeing). Notice how your perception morphs as you read each successive quotation. Thursday, April 25, 2013. 8212;Thank you, Alvin Silverstein, Virginia Silverstein, and Laura Silverstein Nunn, for Symbiosis. Twenty-First Century Books, 1998, p.7. Subscribe to: Post Comments (Atom). Re-perceive" is a perception experiment aimed at sculpting and resculpting the outlook of readers.

3

re-perceive

http://www.re-perceive.blogspot.com/2013/06/i-use-term-invisible-masterpiece-as.html

A permanent digital installation of mind-sculpting. Begin by reading the earliest quotation (i.e., way of seeing). Notice how your perception morphs as you read each successive quotation. Wednesday, June 19, 2013. 8212;Thank you, Hans Belting, for. 2001, p.11. Thank you, Chris and Anna Celenza, for access to the library from which this book was borrowed. Subscribe to: Post Comments (Atom). Re-perceive" is a perception experiment aimed at sculpting and resculpting the outlook of readers.

4

re-perceive

http://www.re-perceive.blogspot.com/2013/06/first-of-all-chaos-came-into-being.html

A permanent digital installation of mind-sculpting. Begin by reading the earliest quotation (i.e., way of seeing). Notice how your perception morphs as you read each successive quotation. Wednesday, June 12, 2013. First of all Chaos came into being. Next came /. Broad-breasted Gaia (Earth), the secure dwelling place. 8212;Thank you, Hesiod ("late eighth to early seventh century BCE", in Richard D. McKirahan, Jr's, Philosophy Before Socrates. Hackett Publishing Company, Inc., 1994, p.9.

5

re-perceive

http://www.re-perceive.blogspot.com/2013/07/elephants-usually-drink-only-once-day.html

A permanent digital installation of mind-sculpting. Begin by reading the earliest quotation (i.e., way of seeing). Notice how your perception morphs as you read each successive quotation. Monday, July 1, 2013. Elephants usually drink only once a day and do not seem to care about the water source. They may stop within a few yards of a crystal clear lake and drink from a small muddy wallow instead.". 8212;Thank you, Alan M. Heatwole, for Elephants. Subscribe to: Post Comments (Atom).

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LINKS TO THIS WEBSITE

learning-out-loud.blogspot.com learning-out-loud.blogspot.com

learning-out-loud: April 2014

http://learning-out-loud.blogspot.com/2014_04_01_archive.html

We leave a trail of experiments. Our footprints range; our dwellings shift; our affair with light intensifies. We seek findings, but we find seeking. Experience illuminates, and silvers new questions in our hands . Saturday, April 26, 2014. We attempt to embody equilibrium. Oil, 18"x24", 2014, exp100b. Saturday, April 19, 2014. We attempt to embody reverberation. Oil, 18"x24," 2014, exp100b. Saturday, April 12, 2014. We attempt to embody a joint. Oil, 9"x12," 2014, exp100b. Saturday, April 5, 2014.

artseelab.blogspot.com artseelab.blogspot.com

ART SEE LAB: 20150523

http://artseelab.blogspot.com/2015/05/20150523.html

What do you see? 10" x 8", oil, exp100b. What do YOU see? Click here to respond. Follow Art See Lab by Email. What do you see? I want to know what you see in my oil paintings. I'm collecting your data, which I will analyze in order to learn more about human perception. The variety of your responses is also significant, in the sense that it reminds us that truth is theoretical - that our unique perceptions are each true developments of our particular experiences. Experiment100b Webiste and Current Series.

artseelab.blogspot.com artseelab.blogspot.com

ART SEE LAB: 20150516

http://artseelab.blogspot.com/2015/05/20150516.html

What do you see? 10" x 8", oil, exp100b. What do YOU see? Click here to respond. Follow Art See Lab by Email. What do you see? I want to know what you see in my oil paintings. I'm collecting your data, which I will analyze in order to learn more about human perception. The variety of your responses is also significant, in the sense that it reminds us that truth is theoretical - that our unique perceptions are each true developments of our particular experiences. Experiment100b Webiste and Current Series.

re-conceive.blogspot.com re-conceive.blogspot.com

re-conceive

http://re-conceive.blogspot.com/2013/03/blog-post_25.html

A permanent digital installation of experimental learning-art inspired by physics. Monday, March 25, 2013. Subscribe to: Post Comments (Atom). Re-conceive" consists of impressionistic responses (rendered as digital paintings) to discrete stimuli (lessons in physics). ARTIST (Claire Cropper's) WEBSITE. View my complete profile. THE THIRD ELEMENT (2014). 169;experiment100b. Simple template. Powered by Blogger.

thethirdelement.blogspot.com thethirdelement.blogspot.com

the third element : August 2014

http://thethirdelement.blogspot.com/2014_08_01_archive.html

What do you do in a wilderness open to falling water, and centered by light? What do you create with your black and white clay and their soiled greys? What do you build inside a mass of knowns and unknowns? What do your experiences ask? How do you design your mind? I ask, and this is what you tell me. Today, you desire stripes circling - angling to the left, tightening to a blind center. Today, you identify your origin. As wind-flyer and current-fighter. Because, at birth, you were watered with blue awe.

learning-out-loud.blogspot.com learning-out-loud.blogspot.com

learning-out-loud: July 2014

http://learning-out-loud.blogspot.com/2014_07_01_archive.html

We leave a trail of experiments. Our footprints range; our dwellings shift; our affair with light intensifies. We seek findings, but we find seeking. Experience illuminates, and silvers new questions in our hands . Saturday, July 26, 2014. We question our reflection. Oil 8"x10", 2014, exp100b. Saturday, July 19, 2014. Oil, 8"x10", 2014, exp100b. Saturday, July 12, 2014. We wonder at complication. Oil, 8"x10', 2014, exp100b. Saturday, July 5, 2014. We ask from a distance. Oil, 8"x10", 2014, exp100b.

animawe.blogspot.com animawe.blogspot.com

animawe: STRESS

http://animawe.blogspot.com/2014/10/stress.html

STRESS: force that adjacent particles exert on each other," digital painting, 2014, experiment100b. Follow ANIMAWE by email. ARTIST (Claire Cropper's) WEBSITE. The third element (2014). View my complete profile. 2013 experiment4408751608. Simple template. Powered by Blogger.

animawe.blogspot.com animawe.blogspot.com

animawe: FORCE

http://animawe.blogspot.com/2014/07/force.html

FORCE is mass multiplied by acceleration," digital painting, 2014, experiment100b. Follow ANIMAWE by email. ARTIST (Claire Cropper's) WEBSITE. The third element (2014). View my complete profile. 2013 experiment4408751608. Simple template. Powered by Blogger.

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A permanent digital installation of mind-sculpting. Begin by reading the earliest quotation (i.e., way of seeing). Notice how your perception morphs as you read each successive quotation. Monday, August 5, 2013. A property called confinement [dictates that] the strength of the interaction becomes smaller the closer the particles are, rather than the further they are. Accordingly, one can never see an isolated quark or gluon, only combinations of them. Wednesday, July 10, 2013. June 15, 2013, p.21. Elepha...

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