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众观 re-VIEWERS | 观众的众,众观的观。一个剧评平台。 | re-viewers.org Reviews
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观众的众,众观的观。一个剧评平台。 (by 众观)
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2 观众的众,众观的观
3 一个剧评平台
4 联系我们
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众观 re viewers,观众的众,众观的观,一个剧评平台,联系我们,何为 众观,众观成员简介,archives,选择月份,like us,发表评论,对创作者而言,一桌二椅如同命题作文,是灵感也是挑战,似乎只要有热情和期待,哪怕一次又一次走到瓶颈,这出戏也可以一直一直地演下去,生存与死亡,如有一刻停顿,一刻平静,那大致是挣扎后的一秒灵感一分幻觉,最高点击率,revie…,标签 tag,checkpoint theatre,toy肥料厂,实践剧场,戏剧中心剧院,戏剧中心黑箱剧场,滨海艺术中心剧院
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众观 re-VIEWERS | 观众的众,众观的观。一个剧评平台。 | re-viewers.org Reviews

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观众的众,众观的观。一个剧评平台。 (by 众观)

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1

易卜生 | 众观 re-VIEWERS

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我们为什么需要 人民公敌 评 Public Enemy. 四月 29, 2015. 我们为什么需要 人民公敌 评 Public Enemy. 四月 29, 2015. 我们还需要看经典写实剧吗 评 Dear Nora. 七月 4, 2014. 我们还需要看经典写实剧吗 评 Dear Nora. 七月 4, 2014. 改编也是一种创作 一个属于我们的 玩偶之家 评Dear Nora. 七月 1, 2014. 改编也是一种创作 一个属于我们的 玩偶之家 评Dear Nora. 七月 1, 2014. 通过 WordPress.com 建立网站.

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精彩的旅程不需要答案 | 评《小问号和探险家》(2015华文小剧场节特辑) | 众观 re-VIEWERS

http://re-viewers.org/2015/07/13/the-wee-question-mark-and-the-adventurer-lanzhu

精彩的旅程不需要答案 评 小问号和探险家 2015华文小剧场节特辑. 七月 13, 2015. Play by The Theatre Practice. 角色中的小问号不满足于平铺直叙的故事,不满于她所饰演的 麦麦 在遭遇了一点点小挫折后就放弃了冒险,回归到城市中和千千万万普通人一样的 幸福人生 ,所以怂恿自己的搭档一起去探索更精彩的剧情。 Play by The Theatre Practice. Fill in your details below or click an icon to log in:. Address never made public). You are commenting using your WordPress.com account. ( Log Out. You are commenting using your Twitter account. ( Log Out. You are commenting using your Facebook account. ( Log Out. 通过访问 WordPress.com 创建免费网站或博客.

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实践剧场 | 众观 re-VIEWERS

http://re-viewers.org/tag/实践剧场

八月 18, 2016. 八月 18, 2016. 八月 18, 2016. 八月 18, 2016. 生而如水,逝而如水 评 水是枯竭 投稿. 七月 26, 2016. 生而如水,逝而如水 评 水是枯竭 投稿. 七月 26, 2016. 但也许正是因为太规矩地分别再现了 摇滚 与 聊斋 ,本应在碰撞中发生的化学反应好像没有如我期待的那么彻底。 四月 16, 2016. 但也许正是因为太规矩地分别再现了 摇滚 与 聊斋 ,本应在碰撞中发生的化学反应好像没有如我期待的那么彻底。 四月 16, 2016. 一桌二椅,规则之外 评 一桌二椅实验系列 2015华文小剧场节特辑. 而对观众而言,在带来新鲜剧场体验的同时,也伴随着对理解作品的敬畏 我能看懂吗 我看懂了吗 三个作品似乎都传达了一个讯息 当一桌二椅成为唯一的规则,创作者与观众要做的,是学着放下规则。 八月 4, 2015. 一桌二椅,规则之外 评 一桌二椅实验系列 2015华文小剧场节特辑. 八月 4, 2015. 精彩的旅程不需要答案 评 小问号和探险家 2015华文小剧场节特辑. 七月 13, 2015. 七月 13, 2015.

4

华文小剧场节2015 | 众观 re-VIEWERS

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没有了布景和音乐,这戏要怎么演 评 死亡纪事 2015华文小剧场节特辑. 台湾的 穷剧场 出品的 死亡纪事 一剧最值得伸大拇指的地方就是 它以最简单的道具 12块长方形木板 和较少的演员 只有两个 ,却最大限度地发挥了道具和演员的潜能,表演出一台沉重而不失温情的戏剧。 八月 10, 2015. 没有了布景和音乐,这戏要怎么演 评 死亡纪事 2015华文小剧场节特辑. 台湾的 穷剧场 出品的 死亡纪事 一剧最值得伸大拇指的地方就是 它以最简单的道具 12块长方形木板 和较少的演员 只有两个 ,却最大限度地发挥了道具和演员的潜能,表演出一台沉重而不失温情的戏剧。 八月 10, 2015. 一桌二椅,规则之外 评 一桌二椅实验系列 2015华文小剧场节特辑. 而对观众而言,在带来新鲜剧场体验的同时,也伴随着对理解作品的敬畏 我能看懂吗 我看懂了吗 三个作品似乎都传达了一个讯息 当一桌二椅成为唯一的规则,创作者与观众要做的,是学着放下规则。 八月 4, 2015. 一桌二椅,规则之外 评 一桌二椅实验系列 2015华文小剧场节特辑. 八月 4, 2015. 八月 2, 2015. 八月 2, 2015.

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众观 re-VIEWERS | 观众的众,众观的观。一个剧评平台。 | 第2页

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被重复的 经典 评 南海十三郎. 按照这样的标准, 南海十三郎 无疑是 僵化的戏剧 中的一员了 首演获得成功后开始被 重复 与 固定 ,制作上也并不算精益求精。 原汁原味 也是很多观众对这出戏的期许,否则这部 僵化的戏剧 也不可能历经20多年仍受到观众与评论界的热捧。 这是个让人费解的矛盾 基于 重复 的复刻经典能带来市场上的成功,但却意味着一部原本充满生命力的好戏走向僵化。 六月 22, 2016. 被重复的 经典 评 南海十三郎. 按照这样的标准, 南海十三郎 无疑是 僵化的戏剧 中的一员了 首演获得成功后开始被 重复 与 固定 ,制作上也并不算精益求精。 原汁原味 也是很多观众对这出戏的期许,否则这部 僵化的戏剧 也不可能历经20多年仍受到观众与评论界的热捧。 这是个让人费解的矛盾 基于 重复 的复刻经典能带来市场上的成功,但却意味着一部原本充满生命力的好戏走向僵化。 六月 22, 2016. 什么塑造一个艺术家 l 评Ghost Writer. 六月 20, 2016. 什么塑造一个艺术家 l 评Ghost Writer. 六月 20, 2016. 五月 7, 2016. 五月 7, 2016.

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众观 re-VIEWERS | 观众的众,众观的观。一个剧评平台。

没有了布景和音乐,这戏要怎么演 评 死亡纪事 2015华文小剧场节特辑. 台湾的 穷剧场 出品的 死亡纪事 一剧最值得伸大拇指的地方就是 它以最简单的道具 12块长方形木板 和较少的演员 只有两个 ,却最大限度地发挥了道具和演员的潜能,表演出一台沉重而不失温情的戏剧。 08月 10, 2015. 没有了布景和音乐,这戏要怎么演 评 死亡纪事 2015华文小剧场节特辑. 台湾的 穷剧场 出品的 死亡纪事 一剧最值得伸大拇指的地方就是 它以最简单的道具 12块长方形木板 和较少的演员 只有两个 ,却最大限度地发挥了道具和演员的潜能,表演出一台沉重而不失温情的戏剧。 08月 10, 2015. 一桌二椅,规则之外 评 一桌二椅实验系列 2015华文小剧场节特辑. 而对观众而言,在带来新鲜剧场体验的同时,也伴随着对理解作品的敬畏 我能看懂吗 我看懂了吗 三个作品似乎都传达了一个讯息 当一桌二椅成为唯一的规则,创作者与观众要做的,是学着放下规则。 08月 4, 2015. 一桌二椅,规则之外 评 一桌二椅实验系列 2015华文小剧场节特辑. 08月 4, 2015. 08月 2, 2015. 08月 2, 2015.

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