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便攜式恆星

每次在中學主持新詩班，我都會跟學生唸一首辛波絲卡，然後煞有介事地說：「都懂了吧？作者可是諾貝爾獎得主哦！」這當然是取巧──換上其他得獎詩人（艾略特、帕斯、布羅茨基……），這把戲九成失靈。唯有辛波絲卡的詩如此明朗，就像光。常常有人控訴現代詩晦澀，可辛波絲卡必定無罪獲釋。她的詩總是善待讀者（因為易懂），虐待評論者（人人都讀懂了，誰耐煩聽他們喋喋不休？）。那麼譯者又如何呢？辛波絲卡的英譯者、同是波蘭詩人的波倫切克（Stanislaw Baranczak）說，辛波絲卡的「整體節奏感」是難譯的。可她在中文世界的迴響也不少，較具規模的翻譯有林洪亮的《呼喚雪人》、張振輝的《詩人與世界：維斯瓦娃‧希姆博爾斯卡詩文選》以及陳黎、張芬齡的《...隱喻是現代詩的常客，而讀詩往往就像解謎──有時（似乎）解開了，有時索性在迷宮樂而忘返，就像夏宇說的：「只有謎可以到達另一個謎」。辛波絲卡卻愛羅列大量事例，把主題明明白白地說出來。周偉馳這樣形容...12288;　需要做些什麼？ 12288;　再附上一份履歷表。 12288;　但履歷表最好簡短。 12288;　所有的愛情只有婚姻可提，. 辛波絲卡的詩作多見日常生活的剪影...

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便攜式恆星 | readreadpoetry.blogspot.com Reviews

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每次在中學主持新詩班，我都會跟學生唸一首辛波絲卡，然後煞有介事地說：「都懂了吧？作者可是諾貝爾獎得主哦！」這當然是取巧──換上其他得獎詩人（艾略特、帕斯、布羅茨基……），這把戲九成失靈。唯有辛波絲卡的詩如此明朗，就像光。常常有人控訴現代詩晦澀，可辛波絲卡必定無罪獲釋。她的詩總是善待讀者（因為易懂），虐待評論者（人人都讀懂了，誰耐煩聽他們喋喋不休？）。那麼譯者又如何呢？辛波絲卡的英譯者、同是波蘭詩人的波倫切克（Stanislaw Baranczak）說，辛波絲卡的「整體節奏感」是難譯的。可她在中文世界的迴響也不少，較具規模的翻譯有林洪亮的《呼喚雪人》、張振輝的《詩人與世界：維斯瓦娃‧希姆博爾斯卡詩文選》以及陳黎、張芬齡的&#12298...隱喻是現代詩的常客，而讀詩往往就像解謎──有時（似乎）解開了，有時索性在迷宮樂而忘返，就像夏宇說的：「只有謎可以到達另一個謎」。辛波絲卡卻愛羅列大量事例，把主題明明白白地說出來。周偉馳這樣形容...12288;　需要做些什麼？ 12288;　再附上一份履歷表。 12288;　但履歷表最好簡短。 12288;　所有的愛情只有婚姻可提，. 辛波絲卡的詩作多見日常生活的剪影...

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1 便攜式恆星

2 所有詩意都安全降落了

3 我們的辛波絲卡

4 漫遊者：

5 以電子郵件傳送這篇文章

6 blogthis！

7 分享至 twitter

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9 分享到 pinterest

10 嘲弄之必要

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便攜式恆星,所有詩意都安全降落了,我們的辛波絲卡,漫遊者：,以電子郵件傳送這篇文章,blogthis！,分享至 twitter,分享至 facebook,分享到 pinterest,嘲弄之必要,幸好哪，嘲弄並不可怕,不肯融化的詞,在樹幹上,和植物的液汁中跳動，,在親吻和渴望中悄悄地躲藏,雖然它已躲藏起來，,但有時又露出了身影,在拿破侖的夢中妄自尊大，,它命令他去征服俄國的冰雪，,可冰雪在詩中卻堅不可摧,奉植物人之名,作為植物人,作一株植物,他對我說,我何曾這樣說過,共釣寒江雪,在二十個雪山中,沒有留言

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便攜式恆星 | readreadpoetry.blogspot.com Reviews

https://readreadpoetry.blogspot.com

每次在中學主持新詩班，我都會跟學生唸一首辛波絲卡，然後煞有介事地說：「都懂了吧？作者可是諾貝爾獎得主哦！」這當然是取巧──換上其他得獎詩人（艾略特、帕斯、布羅茨基……），這把戲九成失靈。唯有辛波絲卡的詩如此明朗，就像光。常常有人控訴現代詩晦澀，可辛波絲卡必定無罪獲釋。她的詩總是善待讀者（因為易懂），虐待評論者（人人都讀懂了，誰耐煩聽他們喋喋不休？）。那麼譯者又如何呢？辛波絲卡的英譯者、同是波蘭詩人的波倫切克（Stanislaw Baranczak）說，辛波絲卡的「整體節奏感」是難譯的。可她在中文世界的迴響也不少，較具規模的翻譯有林洪亮的《呼喚雪人》、張振輝的《詩人與世界：維斯瓦娃‧希姆博爾斯卡詩文選》以及陳黎、張芬齡的&#12298...隱喻是現代詩的常客，而讀詩往往就像解謎──有時（似乎）解開了，有時索性在迷宮樂而忘返，就像夏宇說的：「只有謎可以到達另一個謎」。辛波絲卡卻愛羅列大量事例，把主題明明白白地說出來。周偉馳這樣形容...12288;　需要做些什麼？ 12288;　再附上一份履歷表。 12288;　但履歷表最好簡短。 12288;　所有的愛情只有婚姻可提，. 辛波絲卡的詩作多見日常生活的剪影...

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readreadpoetry.blogspot.com

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便攜式恆星: 隨風而行

http://www.readreadpoetry.blogspot.com/2011/08/blog-post_12.html

讀伊朗導演基阿魚斯達米的中譯詩集《隨風而行》. 65292;覺得不大對勁。伊朗文我自然不會，但中譯各詩行間的長短比例與原文相差太遠，比如書中第一首，長短參差的居然譯成了整整齊齊的四言，嚇死。有些看來比較靠譜：. 一條鐵軌對峙著動與靜、大與小，沒有多少隱喻的投影，卻清爽。訂閱：張貼留言 (Atom). 奚密教授＿蘇州大學海外漢學（中國文學）研究中心. 松島松島松島啊！（無楓）. 然而，然而……. 頂尖企業範本. 技術提供： Blogger.

2

便攜式恆星: 說時遲，那時快

http://www.readreadpoetry.blogspot.com/2011/08/blog-post_17.html

一直以為自己讀完了夏宇《摩擦‧無以名狀》和《Salsa》，近日一翻，才發覺好些黏著的書頁還未裁開，可見這變態的設計頗有警示讀者的奇效。順帶翻閱《腹語術》. 65292;書末的筆談好看死了，比如這一段：. 寫得很少因為在生活中有一大部份是無詩的，發呆，貪玩，又懶。又心猿意馬，寫成詩已經慢了。（詩真是亡羊補牢）. 這段話好真，刊於詩集裡更有點自我否定。有人說生活處處是詩，唉，其意思往往是生活處處「可以」讀／寫成詩──「可以」是如此形跡可疑啊以致不得不偷偷隱去。可以啊，但工作啊疲憊啊也可以令它不了了之。當然啦，這擺明是我的借題發揮，夏宇總是說得那麼快樂連分心也是：發呆，貪玩，又懶。又心猿意馬……彷彿，比寫更快樂。訂閱：張貼留言 (Atom). 奚密教授＿蘇州大學海外漢學（中國文學）研究中心. 松島松島松島啊！（無楓）. 然而，然而……. 頂尖企業範本. 技術提供： Blogger.

3

便攜式恆星: 別攔住閃電！

http://www.readreadpoetry.blogspot.com/2011/08/blog-post_372.html

X當過多次新詩比賽評判，說勝者必是長詩，短詩「不夠力」。這是公開的潛規則了，就比賽角度而言的確有點道理：沒有若干篇幅，結構、技巧怎麼看得真切？但倘若只論藝術效果，短詩可未必「不夠力」──那種說法或許是源於現代詩（特別是自由詩）的閱讀經驗吧，可不是古今四海的詩學標準。短詩不便敘事，但其描寫、抒情的爆發力驚人（大家總唸過絕詩吧）。理論上，詩人可把短詩融到長詩裡，兼得其長處，可恰恰是「短」的急迫與餘顫無法給吞併。《隨風而行》的序言對短詩的形容很棒：「本詩集波斯文版的序言，把這些詩句比作漫長暗夜中的閃電。我們喜愛這圖像，並非因其偉大或壯麗，而是為了它的迅速。詩句投射的光芒只是攸然間閃亮，而事物在恆久地運動。」那就像松尾芭蕉的名句：. 如此簡樸的俳句居然也有一大堆囉囉嗦嗦的譯本──唉，從略。 65288;圖片轉自http:/ www.iromegane.com/japan/japaneses-soul-haiku-reading-matsuo-basho/）. 訂閱：張貼留言 (Atom). 奚密教授＿蘇州大學海外漢學（中國文學）研究中心. 松島松島松島啊！（無楓）.

4

便攜式恆星: 十月 2011

http://www.readreadpoetry.blogspot.com/2011_10_01_archive.html

接連在臉書貼了幾天諾獎詩作，有些審美疲勞了，在這裡改貼點別的吧：. 12296;力量〉亞‧扎加耶夫斯基. 詩中鋪開了形相各異的慾望：生之欲、愛之欲、權力之欲……欲望的主體（植物、愛人、野心家）、對象不同，詩人巧妙地以同樣的起句「這力量」把它們串在一起－－「力量」一般是張揚、剛陽，這詩則發掘了潛藏、溫柔的一面。我尤其喜歡結尾──那不是暗示戰敗史實的「冰雪卻堅不可摧」，而是探進寫作媒介自身的韌力。是的，現實中的冰雪即使不遭砸碎，也終必融化，唯在詩中不動如山。訂閱：文章 (Atom). 奚密教授＿蘇州大學海外漢學（中國文學）研究中心. 頂尖企業範本. 技術提供： Blogger.

5

便攜式恆星: 步步驚心

http://www.readreadpoetry.blogspot.com/2011/08/blog-post_14.html

陽光的舌頭濕漉漉地舐勻全身，又濕又熱，像非馬筆下的夏：. 9472;─〈四季（一）‧夏〉. 這詩把呼氣曲解成妄圖吹涼日子的動作，是非馬的典型風格：短促、巧喻、因果錯接、戲劇性（特別在結句）……此筆風常見於擅寫短詩的中文現代詩人，香港的淮遠亦如是。我一直以為短詩定必如此，近日在唸Abbas Kiarostami的《隨風而行》. 65292;才知不然。比如這首：. 訂閱：張貼留言 (Atom). 奚密教授＿蘇州大學海外漢學（中國文學）研究中心. 松島松島松島啊！（無楓）. 然而，然而……. 頂尖企業範本. 技術提供： Blogger.

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便攜式恆星

每次在中學主持新詩班，我都會跟學生唸一首辛波絲卡，然後煞有介事地說：「都懂了吧？作者可是諾貝爾獎得主哦！」這當然是取巧──換上其他得獎詩人（艾略特、帕斯、布羅茨基……），這把戲九成失靈。唯有辛波絲卡的詩如此明朗，就像光。常常有人控訴現代詩晦澀，可辛波絲卡必定無罪獲釋。她的詩總是善待讀者（因為易懂），虐待評論者（人人都讀懂了，誰耐煩聽他們喋喋不休？）。那麼譯者又如何呢？辛波絲卡的英譯者、同是波蘭詩人的波倫切克（Stanislaw Baranczak）說，辛波絲卡的「整體節奏感」是難譯的。可她在中文世界的迴響也不少，較具規模的翻譯有林洪亮的《呼喚雪人》、張振輝的《詩人與世界：維斯瓦娃‧希姆博爾斯卡詩文選》以及陳黎、張芬齡的&#12298...隱喻是現代詩的常客，而讀詩往往就像解謎──有時（似乎）解開了，有時索性在迷宮樂而忘返，就像夏宇說的：「只有謎可以到達另一個謎」。辛波絲卡卻愛羅列大量事例，把主題明明白白地說出來。周偉馳這樣形容...12288;　需要做些什麼？ 12288;　再附上一份履歷表。 12288;　但履歷表最好簡短。 12288;　所有的愛情只有婚姻可提，. 辛波絲卡的詩作多見日常生活的剪影...

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