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REAS.com is a database for Casey REAS

REAScom is a database for Casey REAS. Still Life (RGB-AV A). Still Life (HSB B). Still Life (HSB A). A Mathematical Theory of Communication. Control Room (Forward Command Post). Control Room (You Haven't Won). Signal to Noise (Software 1). Network D (Image 2). Network D (Image 1). Network D (Software 2). Network D (Software 1). Network C (Image 1, 2, 3). Yes No (Software 2). Yes No (Software 1). Process Compendium 2004-2010 (A). Process Compendium 2004-2010 (B). Process 18 (Image B 1-10).

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REAScom is a database for Casey REAS. Still Life (RGB-AV A). Still Life (HSB B). Still Life (HSB A). A Mathematical Theory of Communication. Control Room (Forward Command Post). Control Room (You Haven't Won). Signal to Noise (Software 1). Network D (Image 2). Network D (Image 1). Network D (Software 2). Network D (Software 1). Network C (Image 1, 2, 3). Yes No (Software 2). Yes No (Software 1). Process Compendium 2004-2010 (A). Process Compendium 2004-2010 (B). Process 18 (Image B 1-10).
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REAS.com is a database for Casey REAS | reas.com Reviews

https://reas.com

REAScom is a database for Casey REAS. Still Life (RGB-AV A). Still Life (HSB B). Still Life (HSB A). A Mathematical Theory of Communication. Control Room (Forward Command Post). Control Room (You Haven't Won). Signal to Noise (Software 1). Network D (Image 2). Network D (Image 1). Network D (Software 2). Network D (Software 1). Network C (Image 1, 2, 3). Yes No (Software 2). Yes No (Software 1). Process Compendium 2004-2010 (A). Process Compendium 2004-2010 (B). Process 18 (Image B 1-10).

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1

REAS.com is a database for Casey REAS

http://www.reas.com/pfft

REAScom is a database for Casey REAS. Custom software, digital video, computer, screen. Dimensions variable, landscape. 169; 2001 - 2016 Casey Reas.

2

REAS.com is a database for Casey REAS

http://www.reas.com/text

REAScom is a database for Casey REAS. A selection of texts by and about REAS. CATALOGS (PDFs hosted on Google Drive). Complete archive of work created 2001–2016. To be published soon. Process Compendium 2004–2010. Complete archive of Process 4–18 including related works and exhibitions. Catalog from the CENTURY exhibition at the DAM Gallery, 2012. Catalog from the Process/Drawing exhibition at the DAM Gallery, 2005. STUDIO DOCUMENTS (on GitHub). Discusses what I create. The History of the Process Works.

3

REAS.com is a database for Casey REAS

http://www.reas.com/youtube

REAScom is a database for Casey REAS. Https:/ www.youtube.com/results? Custom software, digital video, computer, screen, chair, headphones. Dimensions variable, landscape. Sound by Philip Rugo. 169; 2001 - 2016 Casey Reas.

4

REAS.com is a database for Casey REAS

http://www.reas.com/samarra

REAScom is a database for Casey REAS. HD and NTSC video. 169; 2001 - 2016 Casey Reas.

5

REAS.com is a database for Casey REAS

http://www.reas.com/gray_coverage

REAScom is a database for Casey REAS. The 10 minutes digital video. Was derived from Reas' work. The latter is a collage engine, a program that uses terrestrial television signals as raw material and transcribes them into new visual images. The video is abstract and moves at a rapid pace. However, elements of what remind the viewer of television images appear occasionally, and the speed with which animation and color sequences change recalls quick editing and camera movements. Was created as a pair with.

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September | 2009 | 09_420_fa_web_media_1

https://austinreedwm1.wordpress.com/2009/09

09 420 fa web media 1. Just another WordPress.com weblog. September 21, 2009. Posted by austinreed under Uncategorized. September 16, 2009. Dan Rubin – Designer, Programmer, Barbershop Harmony Vocalist. Posted by austinreed under Uncategorized. Hailing from Ft. Lauderdale, FL, Dan Rubin seems to do just about everything from photography and blogging to back end coding and web standards consulting for Sidebar Creative. 2nd Edition, friends of ED, 2003), technical reviewer for Beginning CSS Web Development.

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https://processing.org/reference/byte.html

This reference is for Processing 3.0 . If you have a previous version, use the reference included with your software in the Help menu. If you see any errors or have suggestions, please let us know. If you prefer a more technical reference, visit the Processing Core Javadoc. Datatype for bytes, 8 bits of information storing numerical values from 127 to -128. Bytes are a convenient datatype for sending information to and from the serial port and for representing letters in a simpler format than the char.

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La imagen-movimiento abstracta en la era digital | blancamontalvo

https://blancamontalvo.wordpress.com/2011/09/07/la-imagen-movimiento-abstracta-en-la-era-digital

La narración y el paisaje: Andréi Tarkovski. El filósofo, el escritor y el artista →. Septiembre 7, 2011 · 4:30 pm. Ir a los Comentarios. La imagen-movimiento abstracta en la era digital. Ponencia presentada en la 8ª Bienal Iberoamericana de la Comunicación. Celebrada en Puebla (México) del 6 al 9 de septiembre, 2011. Pendiente de publicación. Imagen-movimiento, abstracción, digital. UN INTENTO DE DEFINICIÓN. La imagen abstracta en movimiento surgió con el cine. EL CÓDIGO DE LA ABSTRACCIÓN. La proliferac...

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http://mae-pecchia.blogspot.com/2015_02_01_archive.html

Agustín pecchia - Maestría UNTreF. Maestría en Tecnología y Estética de las Artes Electrónicas [Proyecto de Tesis]. Viernes, 27 de febrero de 2015. 150227 - Sumando potencia lumínica! Publicado por agustín pecchia. Enviar por correo electrónico. Ubicación: Ciudad Autónoma de Buenos Aires, Argentina. Miércoles, 25 de febrero de 2015. 150225 - Eran los cables. también la programación! Seguí los pasos de conexión tal como indica esta página:. Aquí va entonces el video de muestra:. Rojo = 3;. Verde = 5;.

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My artistic family

http://www.erikkroes.nl/private/my-artistic-family

A playground full of experiments and explorations. For this part of my research I will discuss my artistic family; the people that inspire me and, in a way, surround me in what I do. The first category is probably the biggest one for me. These are the people that play around at the edges of photography. They use the medium in extreme ways and find new ways of telling stories. The first one is easy. I have had my internship with Mathieu. How can one not be inspired by Andreas Gursky? Where locations are p...

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Software arte e arte generativa | Artzero.net

https://artzero2008.wordpress.com/programacao-generativa-como-linguagem-e-comunicacao/012a-diferenca-entre-software-arte-e-arte-generativa

Pular para o conteúdo. Programação generativa como linguagem e comunicação. Os processos de rotinas autogenerativas na arte. Software arte e arte generativa. Arte generativa – arte do protocolo. A ciência e os processos generativos. Tecnologia e crítica da arte generativa. A exploração de um campo emergente. Complexidade da arte generativa. Trabalhos que influenciaram e direcionam o futuro da arte generativa. Projetos de rotinas autogenerativas. Alguns tipos de processos de rotinas autogenerativas. Para ...

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agustín pecchia - Maestría UNTreF: septiembre 2014

http://mae-pecchia.blogspot.com/2014_09_01_archive.html

Agustín pecchia - Maestría UNTreF. Maestría en Tecnología y Estética de las Artes Electrónicas [Proyecto de Tesis]. Sábado, 27 de septiembre de 2014. Es la obra que desarrollé para la muestra de arte, ciencia y tecnología FASE 5.0 - Metáforas de la supervivencia. Quiero modificar algunas cosas también en la mecánica del robot de modo que incorpore otro motor posiblemente para regular los dos pares de patas de forma independiente y complicar un poco su manejo, para que los niños deban colaborar más entre ...

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REAS.com is a database for Casey REAS

REAScom is a database for Casey REAS. Still Life (RGB-AV A). Still Life (HSB B). Still Life (HSB A). A Mathematical Theory of Communication. Control Room (Forward Command Post). Control Room (You Haven't Won). Signal to Noise (Software 1). Network D (Image 2). Network D (Image 1). Network D (Software 2). Network D (Software 1). Network C (Image 1, 2, 3). Yes No (Software 2). Yes No (Software 1). Process Compendium 2004-2010 (A). Process Compendium 2004-2010 (B). Process 18 (Image B 1-10).

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