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Rebecca Howdeshell Studio Art: New large work 5-2010
http://www.rebeccahowdeshell.com/2010/05/new-large-work-5-2010.html
Rebecca Howdeshell Studio Art. Thursday, May 13, 2010. New large work 5-2010. I've been working with industrial felt for four years now. I'm still in love with the material and am obsessed with working white on white. All of my stitching is done free motion – I do this so I can change the way the stitch looks for each artwork depending upon my intent. This is a second large, 72" x 18", artwork, illustrating the composing properties of the human spine. Mass II (and details). 169; Rebecca Howdeshell 2010.
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Rebecca Howdeshell Studio Art: March 2010
http://www.rebeccahowdeshell.com/2010_03_01_archive.html
Rebecca Howdeshell Studio Art. Wednesday, March 31, 2010. I've been making some smaller work that will hang together as a series. This is an example of work in a series called Spine Slice. The artwork is 6 x 6 and is mounted on a cradled board. Subscribe to: Posts (Atom). Subscribe in a reader. Simple template. Powered by Blogger.
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Rebecca Howdeshell Studio Art: Current Artwork
http://www.rebeccahowdeshell.com/2009/08/felt-artwork-2009.html
Rebecca Howdeshell Studio Art. Saturday, August 15, 2009. 24" x 24" thread and paper on industrial felt; 2009. I really enjoyed looking at your work Rebecca, finding it struck lots of chords with me. I have used some of the same sources in my own textile art down the years. September 20, 2009 at 9:25 AM. Subscribe to: Post Comments (Atom). Subscribe in a reader. Felt - simple and complex. More felt artwork from my MFA solo exhibition. Felt Artwork and a bit of history.
rebeccahowdeshell.com
Rebecca Howdeshell Studio Art: May 2010
http://www.rebeccahowdeshell.com/2010_05_01_archive.html
Rebecca Howdeshell Studio Art. Thursday, May 13, 2010. New large work 5-2010. I've been working with industrial felt for four years now. I'm still in love with the material and am obsessed with working white on white. All of my stitching is done free motion – I do this so I can change the way the stitch looks for each artwork depending upon my intent. This is a second large, 72" x 18", artwork, illustrating the composing properties of the human spine. Mass II (and details). 169; Rebecca Howdeshell 2010.
rebeccahowdeshell.com
Rebecca Howdeshell Studio Art: Felt Artwork
http://www.rebeccahowdeshell.com/p/large-felt-artwork.html
Rebecca Howdeshell Studio Art. 2010; thread on industrial felt. Mass I (detail);. 2010; thread on industrial felt. 2010; thread on industrial felt. 2008; thread on industrial felt. 2008; thread on unprocessed wool felt. Spine I (detail);. 2008; thread on unprocessed wool felt. 42" x 20"; thread on industrial felt; 2008. 2008; unprocessed wool felt, thread, tea bags, text; 26” x 16”. Subscribe to: Posts (Atom). Subscribe in a reader. It’s been a wonderful morning. Simple template. Powered by Blogger.
rebeccahowdeshell.com
Rebecca Howdeshell Studio Art: January 2009
http://www.rebeccahowdeshell.com/2009_01_01_archive.html
Rebecca Howdeshell Studio Art. Thursday, January 8, 2009. 2006, 18" x 18" x 4", pins, wool felt. Series of three round sculptures with pins. 2006, 6' x 3', pins on cotton and insulation board, set of three. Beginning at the beginning,. 2006, 18" x 18" variable, pins on artist's child dress. 32" x 20", 2005, color images in cotton duck, paint, hand stitching. Boxed Squared 4,. Boxed Squared 4 (detail). Artwork 2004 - 2005. Artwork 2004 - 2005. Fraught with Possibilities,. Subscribe to: Posts (Atom).
compositionalconversation.blogspot.com
COMPOSITIONAL CONVERSATION: August 2009
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Thursday, August 6, 2009. Project COMPOSITIONAL CONVERSATION :Stage One - Terry Jarrard-Dimond. COMPOSITIONAL CONVERSATION - Stage One. Today marks the beginning of COMPOSITIONAL CONVERSATION, a project designed to create dialogue between artists and a textile construction, artists to artists and hopefully, artist to audience. The participating artists are:. Terry Jarrard-Dimond - Mini Profile. As the originator of Compositional Conversations, I had the pleasure of initiating the work and adding the firs...
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COMPOSITIONAL CONVERSATION: COMPOSITIONAL CONVERSATION: Stage 13 - Leslie Joan Riley
http://compositionalconversation.blogspot.com/2009/12/compositional-conversation-stage-13.html
Tuesday, December 1, 2009. COMPOSITIONAL CONVERSATION: Stage 13 - Leslie Joan Riley. The COMPOSITIONAL CONVERSATION project is headed into the 'home stretch' with only one more artist before it heads back to South Carolina. This week our artist is Leslie Riley. Of Skokie Il. and Leslie has worked her 'compositional magic' on our ever evolving project. I can't wait to share Stage 13 so " drum roll" please. Stage 13 by Leslie Riley. Did the piece work, on the whole or in parts? The process of refining the ...
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COMPOSITIONAL CONVERSATION: Compositional Conversation Observations
http://compositionalconversation.blogspot.com/2009/12/compositional-conversation-observations.html
Friday, December 18, 2009. Terry Jarrard-Dimond - Stage 1 and 15. First I want to thank the participants of this project:. You were all wonderful to work with. At the end of this article all 15 Stages of the project are pictures. The idea was simple. I started a composition which was passed along from artist to artist, each in turn working with the piece to move it to a conclusion. My thinking about the project and it's significance developed right along with the piece which is now officially entitled:.