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The Redist - Essays on NY Art & Culture

Essays on New York art and culture. Friday, March 31, 2006. William Wegman, Stormy Night,. 1972 Gel silver prints. 14" x 10-3/4". Wegman’s subtle clarity of expression is one of his strengths, very effectively demonstrated in ink and pencil drawings similar at times to those of Raymond Pettibon. The literalness with which Wegman treats some subjects, and the clever, canny abstraction of others, contributes a jarring sense of a surreal state. In No Fun Sleeping Under a Picture Like This. In a letter from ...

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The Redist - Essays on NY Art & Culture | redist.blogspot.com Reviews

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Essays on New York art and culture. Friday, March 31, 2006. William Wegman, Stormy Night,. 1972 Gel silver prints. 14 x 10-3/4. Wegman’s subtle clarity of expression is one of his strengths, very effectively demonstrated in ink and pencil drawings similar at times to those of Raymond Pettibon. The literalness with which Wegman treats some subjects, and the clever, canny abstraction of others, contributes a jarring sense of a surreal state. In No Fun Sleeping Under a Picture Like This. In a letter from ...

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1 william wegman

2 stormy night

3 links

4 william wegman funney/strange

5 brooklyn ny

6 wegman world

7 wegman in art 21

8 2 comments

9 if happiness

10 agnes martin

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The Redist - Essays on NY Art & Culture | redist.blogspot.com Reviews

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Essays on New York art and culture. Friday, March 31, 2006. William Wegman, Stormy Night,. 1972 Gel silver prints. 14" x 10-3/4". Wegman’s subtle clarity of expression is one of his strengths, very effectively demonstrated in ink and pencil drawings similar at times to those of Raymond Pettibon. The literalness with which Wegman treats some subjects, and the clever, canny abstraction of others, contributes a jarring sense of a surreal state. In No Fun Sleeping Under a Picture Like This. In a letter from ...

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The Redist - Essays on NY Art & Culture

http://redist.blogspot.com/2005_08_01_archive.html

Essays on New York art and culture. Friday, August 19, 2005. Alexander Ross at the Whitney. Seen at Remote Viewing: Invented Worlds in Recent Painting and Drawing. Whitney Museum of American Art. June 2-October 9, 2005. Alexander Ross, Untitled. 2002, oil on canvas, 65 1/4 x 96 1/4 in. Painter Alexander Ross is arguably one of the most brilliant artists alive today. The duality of these images is remarkable. At once, Ross soothes, entices, and tantalizes our sense of vitality, and challenges our very...

2

The Redist - Essays on NY Art & Culture

http://redist.blogspot.com/2006/02/deliberate-simplicity-of-agnes-martin.html

Essays on New York art and culture. Friday, February 17, 2006. The Deliberate Simplicity of Agnes Martin. Agnes Martin, The Sea,. 2003 Acrylic and graphite on canvas. 60"x60". Issues of careerism, visual hyper-saturation, and gimmicks in contemporary painting. While using a deliberately simple trick, Martin thoroughly explores the gamut of expressions, resulting in a surprisingly robust personal language of deceptively minimal elements. In the case of Happiness. The piece speaks to impermanence, the flut...

3

The Redist - Essays on NY Art & Culture

http://redist.blogspot.com/2006_03_01_archive.html

Essays on New York art and culture. Friday, March 31, 2006. William Wegman, Stormy Night,. 1972 Gel silver prints. 14" x 10-3/4". Wegman’s subtle clarity of expression is one of his strengths, very effectively demonstrated in ink and pencil drawings similar at times to those of Raymond Pettibon. The literalness with which Wegman treats some subjects, and the clever, canny abstraction of others, contributes a jarring sense of a surreal state. In No Fun Sleeping Under a Picture Like This.

4

The Redist - Essays on NY Art & Culture

http://redist.blogspot.com/2005_10_01_archive.html

Essays on New York art and culture. Monday, October 24, 2005. Van Gogh's Winter Garden. Vincent Van Gogh, Winter Garden. March 1884, pen and ink and graphite on paper. Van Gogh sought to draw as easily as writing, which he achieved when he discovered the reed pen in Arles and ‘curlicue ciphers’ which became a speedy and effective shorthand for thoughts about light, color, shape, and perspective. And a series of the heads of the people, he turned to the bleak winter landscape of his father’s vicarage....

5

The Redist - Essays on NY Art & Culture

http://redist.blogspot.com/2005/11/bluemners-androgynous-mind.html

Essays on New York art and culture. Monday, November 21, 2005. Oscar Bluemner, Venus. 1924, watercolor on paper. Oscar Bluemner (1867-1938) was an important and influential, yet underrepresented figure in the Stieglitz circle and American modernism. An immigrant from. The exhibit at the Whitney Museum of American Art spans Bluemner’s career, charting his development of a personal painting language. His paintings of. 1927, watercolor on paper) surrounded by pale blues, rich greens, and navy, set off again...

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The Redist - Essays on NY Art & Culture

Essays on New York art and culture. Friday, March 31, 2006. William Wegman, Stormy Night,. 1972 Gel silver prints. 14" x 10-3/4". Wegman’s subtle clarity of expression is one of his strengths, very effectively demonstrated in ink and pencil drawings similar at times to those of Raymond Pettibon. The literalness with which Wegman treats some subjects, and the clever, canny abstraction of others, contributes a jarring sense of a surreal state. In No Fun Sleeping Under a Picture Like This. In a letter from ...

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