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Biography | Arts Legacies

In 1959 he became 1st bassist at MGM; and with Harold Land as co-leader formed a quintet in the early 1960s. Since 1966, in response to the demands of composers such as Henry Mancini, he changed the tuning of his bass to fifths. This, combined with amplifying it so that it sounds acoustic, makes possible a much greater range of notes, colors, dynamics and chords. Ok, Every nation has its own. Traditions and its language,. And to take good care of them is really laudable;. Their way into the music.

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In 1959 he became 1st bassist at MGM; and with Harold Land as co-leader formed a quintet in the early 1960s. Since 1966, in response to the demands of composers such as Henry Mancini, he changed the tuning of his bass to fifths. This, combined with amplifying it so that it sounds acoustic, makes possible a much greater range of notes, colors, dynamics and chords. Ok, Every nation has its own. Traditions and its language,. And to take good care of them is really laudable;. Their way into the music.
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Biography | Arts Legacies | redmitchell.com Reviews

https://redmitchell.com

In 1959 he became 1st bassist at MGM; and with Harold Land as co-leader formed a quintet in the early 1960s. Since 1966, in response to the demands of composers such as Henry Mancini, he changed the tuning of his bass to fifths. This, combined with amplifying it so that it sounds acoustic, makes possible a much greater range of notes, colors, dynamics and chords. Ok, Every nation has its own. Traditions and its language,. And to take good care of them is really laudable;. Their way into the music.

INTERNAL PAGES

redmitchell.com redmitchell.com
1

Forums | Arts Legacies

http://www.redmitchell.com/redm/forums

This section is currently under development. Listen to Red on Spotify. Site by Chris Budhan.

2

Galleries | Arts Legacies

http://www.redmitchell.com/redm/galleries

Site by Chris Budhan.

3

Interviews | Arts Legacies

http://www.redmitchell.com/redm/interviews

Part 1/2 of Interivew by Tricia McGarvin. Audio only, 47 minutes), Salem, 1992. Part 2/2 of Interview by Tricia McGarvin. Audio only, 45 minutes), Salem, 1992. Interview by Bob Dietsche. Audio only, 45 minutes), Salem, 1992. Diane Mitchell interviewed by Don Manning. Audio only, 79 minutes), Portland, 2002. Grace Mitchell interviewed by Diane Mitchell. Audio only, 66 minutes), Los Angeles, 1993. Lou Calderilli interviewed by Diane Mitchell. Audio only, 42 minutes). INTERVIEWS CONDUCTED BY RED.

4

Downloads | Arts Legacies

http://www.redmitchell.com/redm/downloads

Discography as a Leader. 8 pages, 75 KB). Discography as a Sideman. 116 pages, 1.06 MB). Discographies courtesy of Tom Lord at The Jazz Discography. The Red Mitchell Poetry Book. 31 pages, 937 KB). A Declaration of Interdependence". The Sun and the Water". Performed by Karin Krog. The Red Mitchell Songbook. 87 pages, 3.89 MB). Fourths tuning, from Red Mitchell, 1955. Out of the Blue". Fourths tuning, from Presenting Red Mitchell, 1954. Scrapple from the Apple". Fourths tuning, from Red Mitchell, 1955.

5

Videos | Arts Legacies

http://www.redmitchell.com/redm/videos

Red performs 'Round Midnight. A Declaration of Interdependence. Red performs A Declaration of Interdependence. Gone with the Wind. Red performs Gone with the Wind. Red performs I Mean You. In a Sentimental Mood. Red performs In a Sentimental Mood. Red gives a concert at the International Society of Bassists conference. Red gives a workshop at the International Society of Bassists conference. Red performs Sweet Lorraine. Take the A Train. Red performs Take the A Train. Well You Needn't.

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LINKS TO THIS WEBSITE

jazzhistoryonline.com jazzhistoryonline.com

Billie Holiday Verve

http://www.jazzhistoryonline.com/Billie_Holiday_Verve.html

Billie Holiday: "All or Nothing at All" (Verve CD: 314 529 226). 8212;MILES DAVIS, 1958. At the top of every page of this website, you’ll find a photo with Jazz History Online emblazoned from side to side. The image is from Billie Holiday. 8217;s segment on the classic TV show, “ The Sound of Jazz. 8221; You’ve probably seen the video of Holiday singing “Fine and Mellow” on numerous jazz documentaries, but you can also watch it here. 8221;, “ Body and Soul. E Billie Holiday on Verve. Will tell you to ign...

stevencberry.net stevencberry.net

Jim Hall | Jazz Guitar | A Partial Jim Hall Discography

http://www.stevencberry.net/jimhall.html

A Jim Hall Discography. Scberry at yahoo dot com. This is an informal discography of the recordings my favorite jazz guitarist Jim Hall. As leader or side musician. This list should not be considered authoritative; it is merely an attempt to catalog the music I've seen or heard, and has not been endorsed by Mr. Hall. This is a work in progress, and any errors should be assumed to be mine. Scroll down this page, or use the links below to jump to a specific year, or use the index of official recordings.

larryholloway.com larryholloway.com

LARRY HOLLOWAY JAZZ BASS PLAYER

http://www.larryholloway.com/larrylinks.html

Red Mitchell Scholarship Award. Drayton Harbor Music Festival.

uprightbass.com uprightbass.com

Notable Bassists | The Upright Bass Site - We don't call it a double bass ;-)

https://uprightbass.com/notable-upright-bassist

The Upright Bass Site – We don't call it a double bass ;-). 124; Comments RSS. Welcome to UprightBass.Com. A non-commercial site about the Upright Bass and is centric to various genres including Jazz, Fusion, Funk, Rock, Blues, and Avante-Garde . We don't call it a "Double Bass" here ;-). NextBop Artist: Ben Williams. Sitting vs Standing to Play the Bass. Kristen Korb, Vocalist and Bassist. Bass Neck Breaks During Performance. Getting an Upright Bass. Miking an Upright Bass: Stay Away From My f-hole.

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Biography | Arts Legacies

In 1959 he became 1st bassist at MGM; and with Harold Land as co-leader formed a quintet in the early 1960s. Since 1966, in response to the demands of composers such as Henry Mancini, he changed the tuning of his bass to fifths. This, combined with amplifying it so that it sounds acoustic, makes possible a much greater range of notes, colors, dynamics and chords. Ok, Every nation has its own. Traditions and its language,. And to take good care of them is really laudable;. Their way into the music.

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