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Above: Liz Williamson, Liz Williamson : Textiles. 2008) Object Gallery, Surry Hills, Sydney. Photograph: Ian Hobbs. Above: Wendy Parker, Inherited Objects. 2007) Four engraved acrylic plaques; 50 x 50 x 20 mm. Photograph: Orlando Luminere. Above: Jenny Sabin, Fourier Carpet. 2006 Jacquard woven wool threads; 140 x 1100 cm. Installation view from ‘Connected: Experimental Design’ curated by Katherine Moline; Ivan Dougherty Gallery, UNSW. Above: Katherine Moline, Culture Vultures. Objects) is a collaboratio...

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Above: Liz Williamson, Liz Williamson : Textiles. 2008) Object Gallery, Surry Hills, Sydney. Photograph: Ian Hobbs. Above: Wendy Parker, Inherited Objects. 2007) Four engraved acrylic plaques; 50 x 50 x 20 mm. Photograph: Orlando Luminere. Above: Jenny Sabin, Fourier Carpet. 2006 Jacquard woven wool threads; 140 x 1100 cm. Installation view from ‘Connected: Experimental Design’ curated by Katherine Moline; Ivan Dougherty Gallery, UNSW. Above: Katherine Moline, Culture Vultures. Objects) is a collaboratio...
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Home | redobjects.unsw.edu.au Reviews

https://redobjects.unsw.edu.au

Above: Liz Williamson, Liz Williamson : Textiles. 2008) Object Gallery, Surry Hills, Sydney. Photograph: Ian Hobbs. Above: Wendy Parker, Inherited Objects. 2007) Four engraved acrylic plaques; 50 x 50 x 20 mm. Photograph: Orlando Luminere. Above: Jenny Sabin, Fourier Carpet. 2006 Jacquard woven wool threads; 140 x 1100 cm. Installation view from ‘Connected: Experimental Design’ curated by Katherine Moline; Ivan Dougherty Gallery, UNSW. Above: Katherine Moline, Culture Vultures. Objects) is a collaboratio...

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News

http://redobjects.unsw.edu.au/news

Thursday, August 15, 2013. Jesse O'Neill appointed as lecturer. Upon completing his PhD in the School of Design Studies, COFA. Jesse O’Neill has been appointed as lecturer in Design History at Glasgow School of Art, Singapore campus. Monday, June 03, 2013. Eat the Collection with Roderick Bamford. 2013 Event: Eat the Collection. 30 May 6:00 pm – 9:00 pm. Eat the Collection explores the interaction of design, food and technology in glorious chocolate! Monday, April 08, 2013. Asif Shaikh: Free lecture.

2

Equipment for the Actual Complexities and Intricacies of String

http://redobjects.unsw.edu.au/people/dr-katherine-moline/projects/equipment-for-the-actual-complexities-and-intricacies-of-string

Equipment for the Actual Complexities and Intricacies of String. Equipment for the Actual Complexities and Intricacies of String. Objects’ (Sydney: COFASpace, 2011). Exhibited in ‘ RED. Objects,’ COFASpace, Sydney, 2011. Katherine Moline, Equipment for the Actual Complexities and Intricacies of String: Super Tube. 2010-2011). Plastic, stainless steel; 30 x 30 x 30 cm. Courtesy Yuill Crowley Gallery, Sydney. Equipment for the Actual Complexities and Intricacies of String: Super Tube. 2010-2011). Rubbe...

3

Skittles

http://redobjects.unsw.edu.au/people/karina-clarke/projects/skittles

This current presentation aims to provoke a dialogue about the world’s current trajectory in regards to consumption, sustainability and climate change. It’s not just a game. 2010) makes reference to the Mexican Gulf oil crisis while. 2011) allows the viewer to consider the fragility and interconnectedness of all things. The works are made from slip cast porcelain clay and carry the memory of the original skittle in the surface of the ceramic. Karina Clarke, It’s not just a game. It’s not just a game.

4

'The Kept Object'

http://redobjects.unsw.edu.au/people/wendy-parker/projects/the-kept-object

Wendy Parker’s personal recollections and reflections on childhood and young adolescence have furnished both a time and a place for her The Kept Object research project. Memories derived from the intimate local spaces of the rituals of dawn fishing trips or afternoon tea provide triggers for investigations into objects that create a dialogue between past and present. When the tide was low we scavenged over the sandstone rim of the beach and observed the occupants of our favourite rock pools. We colle...

5

Liz Williamson

http://redobjects.unsw.edu.au/people/liz-williamson

Above: Liz Williamson, Liz Williamson : Textiles. 2008) Object Gallery, Surry Hills, Sydney. Photograph: Ian Hobbs. Above: Liz Williamson, Presence. 2008) Woven with plant-dyed silk, leather. Photograph: Ian Hobbs. Above: Liz Williamson : Textiles. 2008) By Dr Grace Cochrane. Above: Liz Williamson, Silk Scarves, Woven in Asia. 2010) Silk; 800 x 2000 mm each. Photograph: Ian Hobbs. Design students connect with Indian textile culture. Methodologies of Digital Jacquard in Design and Arts. Sac and Loop Series.

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LINKS TO THIS WEBSITE

kevinmurray.com.au kevinmurray.com.au

Gondwana Bound : Kevin Murray – Curator and Writer

http://kevinmurray.com.au/partnerships/gondwana-bound

Kevin Murray – Curator and Writer. What we make of our world. September 2, 2013 No Comments. Considers what an Indian Australia would have been like. This project involves writers, artists and cooks to give free reign to their imagination and populate the continent with a Hindu civilisation. What would the relationship be like between Aboriginal and Hindu peoples? Are there aspects of Tamil culture that would be realised here that have been lost to history? How to Make a Promise. Journal of Modern Craft.

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Lynda Draper Articles

http://www.lyndadraper.com/articles.html

Time Frames Artist statements. To learn more about Lynda and her work you can read the following articles, or watch the videos. Stamm, Important Objects: a conversation with Lynda Draper by Tom Polo August 2015 www.stamm.com.au. Interview by Greg Swinger for USA podcast Final Friday www.finalfridaypodcast.com/lyndadraper. Journal of Australian Ceramics, Focus Colour, Vol 54 No 3 Nov 2015 http:/ australianceramics.realviewdigital.com/? Lynda Draper, Wonderland and the Irony of Memory' by Roderick Bamford.

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Labs & Groups | National Institute for Experimental Arts

http://niea.unsw.edu.au/organisations

National Institute for Experimental Arts. NIEA, Australian and International award-wining research for Postgraduate research in Art and Creativity. Views slideshow slide" class="views-slideshow-cycle2-main-frame views slideshow cycle2 teaser section". Scenario banner size.png. ICinema Centre for Interactive Cinema Research. The iCinema Centre for Interactive Cinema Research, established in 2002, is an interdisciplinary art, engineering and science centre at the University of New South Wales. The iCinema ...

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Exhibitions : Kevin Murray – Curator and Writer

http://kevinmurray.com.au/exhibitions

Kevin Murray – Curator and Writer. What we make of our world. Live Jewellery across the Pacific. Designed and Made in Australia and India. Contemporary Interpretations of the Garland. Jewellery Designed for a Better World. The World of Small Things. An exhibition of craft diplomacy. Make the Common Precious. Cultures Meet through Craft. Fibre Works from the West. The Promised Land of Tasmania. Ten Jewellers Make Insignia for Potential Guilds. Precious Works for an Arid Continent. How to Make a Promise.

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CV : Kevin Murray – Curator and Writer

http://kevinmurray.com.au/cv

Kevin Murray – Curator and Writer. What we make of our world. Go to: http:/ bit.ly/kmurraybio. Craft in Australia: let’s not forget the real value of the handmade. How to Make a Promise. Garland – Craft & Design Asia Pacific. Bodies aren’t forever. Festival of Street Jewellery. World Crafts Council – South Pacific. Journal of Modern Craft. World Craft Council Asia Pacific. Craft and Design Enquiry. World Crafts Council – Australia. Research in Experimental Design COFA. Sustainability in Craft and Design.

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Texts : Kevin Murray – Curator and Writer

http://kevinmurray.com.au/writing

Kevin Murray – Curator and Writer. What we make of our world. Me with any responses. If you can’t find what you are looking for, see here. Visual Arts ( more. Craft in Australia: let’s not forget the real value of the handmade. How to Make a Promise. Garland – Craft & Design Asia Pacific. Bodies aren’t forever. Festival of Street Jewellery. World Crafts Council – South Pacific. Journal of Modern Craft. World Craft Council Asia Pacific. Craft and Design Enquiry. World Crafts Council – Australia.

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About : Kevin Murray – Curator and Writer

http://kevinmurray.com.au/about

Kevin Murray – Curator and Writer. What we make of our world. 8216;Don’t stand by the water and long for fish, go home and weave a net.’. The projects, texts and exhibitions in this site focus on artists who are able to make something of their own world. These artists return to the principle of creativity as alchemy – a transformation of ordinary materials into something marvellous. Artists can be found across two lines of inquiry. Craft Unbound. Both roots dig deep into the world below. The panel says w...

kevinmurray.com.au kevinmurray.com.au

Bodies aren’t forever : Kevin Murray – Curator and Writer

http://kevinmurray.com.au/text/bodies-arent-forever

Kevin Murray – Curator and Writer. What we make of our world. Bodies aren’t forever. March 12, 2014 No Comments. But the alternative seems worse. I could attempt my own kind of feminist discourse, employing a corporeal language à la Julia Kristeva. But no. This would be an exotic primitivist gesture that disavows my inevitable gender position. So let’s do the historical stuff. As with any dialectic, zero-sum logic seeks some possibility of synthesis. How can metal and flesh merge? Zooming in to the local.

kevinmurray.com.au kevinmurray.com.au

The ayvu rapytá project : Kevin Murray – Curator and Writer

http://kevinmurray.com.au/partnerships/the-ayvu-rapyt-project

Kevin Murray – Curator and Writer. What we make of our world. The ayvu rapytá project. May 24, 2010 6 Comments. In 1893, a group of Australians set sail for Paraguay, where they sought to establish a utopian colony. Despite a generous land grant, the colony failed and was eventually abandoned. One problem is that it practiced a ‘white man’ socialism and tried to keep a distance from the local Indigenous Guarani. This isolated the colony from potential help. Is quite difficult to find. More amazingly,...

kevinmurray.com.au kevinmurray.com.au

Festival of Street Jewellery : Kevin Murray – Curator and Writer

http://kevinmurray.com.au/partnerships/festival-of-street-jewellery

Kevin Murray – Curator and Writer. What we make of our world. Festival of Street Jewellery. March 9, 2014 No Comments. At the moment, there is no focus for these endeavours. There’s nothing like a biennale or festival. The objective therefore is to develop an event in where jewellers and artists take over the streets. The projects will develop objects that can circulate through the city making interesting connections between strangers. What are you hiding? Where are you going? How to Make a Promise.

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Above: Liz Williamson, Liz Williamson : Textiles. 2008) Object Gallery, Surry Hills, Sydney. Photograph: Ian Hobbs. Above: Wendy Parker, Inherited Objects. 2007) Four engraved acrylic plaques; 50 x 50 x 20 mm. Photograph: Orlando Luminere. Above: Jenny Sabin, Fourier Carpet. 2006 Jacquard woven wool threads; 140 x 1100 cm. Installation view from ‘Connected: Experimental Design’ curated by Katherine Moline; Ivan Dougherty Gallery, UNSW. Above: Katherine Moline, Culture Vultures. Objects) is a collaboratio...

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Lunes, 4 de mayo de 2009. Creación de un chart de Big Band. Seguro que en alguna ocasión habéis querido transcribir un Chart de Big Band para batería y no habéis sabido como hacerlo. Preguntas corrientes suelen ser:. Que escribo en la parte de arriba? Donde escribo las notas que dan todos? Porque hay tres lineas de escritura? Aquí os pongo el link de megaupload de donde podéis descargaros la presentación en power point que he hecho. Http:/ www.megaupload.com/? Los grandes de la batería. De todo el mundo.