artsjournal.com
PostClassic
http://www.artsjournal.com/postclassic
What’s going on here. Kyle Gann on music after the fact. An Analytical Cornucopia, Wanted or Not. May 26, 2016. Me and My World. May 14, 2016. Dream Gig for Totalists. May 2, 2016. The Rampant Generation of Audio Files Continues. February 24, 2016. February 2, 2016. A Gangster for Capitalism. January 27, 2016. Needle Found in Haystack. January 22, 2016. How Cage Makes Us Philosophize. January 20, 2016. January 17, 2016. You can’t do what you want, but anything goes. January 12, 2016. January 12, 2016.
jonathanhornthoughts.blogspot.com
Horn Thoughts: December 2011
http://jonathanhornthoughts.blogspot.com/2011_12_01_archive.html
Saturday, 31 December 2011. On November 12th, Hillingdon Philharmonic played a concert - 3 movements from Mendelssohn's A Midsummer Night's Dream (the Overture, Scherzo and Nocturne), Bruch's 1st Violin Concerto and Beethoven's 4th Symphony. Bob Paxman, former owner of Paxman Musical Instruments, Britain's leading manufacturer and seller of French horns, died during the summer after a short illness. Paxmans have put up a tribute to him. So, I played the solo and made it sound as beautiful as I knew how, ...
bebabe.wordpress.com
How I came to BE | The Balanced Embouchure for French Horn
https://bebabe.wordpress.com/2009/10/09/how-i-came-to-be
The Balanced Embouchure for French Horn. Just another WordPress.com weblog. How I came to BE. October 9, 2009. Hello and thanks for stopping by. I’m a horn player starting this blog to share my success using The Balanced Embouchure and to provide a place for other horn players to share their positive experiences with BE. The Balanced Embouchure (BE for short) is an embouchure development system originally written for trumpet by Jeff Smiley. After retiring from nursing and rearing a family, I indulged mys...
artsjournal.com
Screwing the Poor to Protect the Rich
http://www.artsjournal.com/postclassic/2005/12/screwing_the_poor_to_protect_t.html
What’s going on here. Kyle Gann on music after the fact. Screwing the Poor to Protect the Rich. December 5, 2005. Dear Live 365 Staff,. I see that my internet station, Postclassic Radio, is. Listed as noncompliant due to too many tracks coming from the same CD. I. Run a classical-paradigm station, on which I sometimes play multimovement. Works According to the rules you’ve set up, it would be inadmissable to. Program an entire Beethoven symphony, because that would require four. When several consecutive ...
artsjournal.com
Postminimalism: Chapter One, Metaphorically Speaking
http://www.artsjournal.com/postclassic/2007/05/postminimalism_chapter_one_met.html
What’s going on here. Kyle Gann on music after the fact. Postminimalism: Chapter One, Metaphorically Speaking. May 28, 2007. Someday someone will appear who has analyzed more minimalist-influenced music from the 1980s and ’90s than I have, and if that person feels that I have divided my era into categories inappropriately, I will be glad to listen to her argument. So far, I’ve gotten plenty of argument, but only from people who don’t come anywhere close to fitting that description. This languorous dance ...
artsjournal.com
Steven Bodner, 1975-2011
http://www.artsjournal.com/postclassic/2011/01/steven-bodner-1975-2011
What’s going on here. Kyle Gann on music after the fact. Steven Bodner, 1975-2011. January 12, 2011. I couldn’t attend the performance of two of my. I’m absolutely shocked. Steven was a vital, energetic, supremely talented conductor who had great rapport with his students and a creative, progressive approach to programming. He got in touch with me about performing my piano concerto. Click to email this to a friend (Opens in new window). Click to share on Facebook (Opens in new window). I too saw Steve as...
artsjournal.com
Hero of the Subjective
http://www.artsjournal.com/postclassic/2007/09/hero_of_the_subjective.html
What’s going on here. Kyle Gann on music after the fact. Hero of the Subjective. September 23, 2007. 8211; and doing the same for Kierkegaard is a pleasure, a mandate, too long delayed. I suppose I have a rather peculiar need to soak up the native ambience of writers who have been central to my life. How the theologically provocative author of Fear and Trembling. Of course, I was a musician too, and while the “Or” of Either/Or. By getting graduate degrees in composition, by attaching oneself to famous te...
