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Collected Writing on Art | by David Foster

by David Foster

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Collected Writing on Art | by David Foster | rememberism.wordpress.com Reviews
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Collected Writing on Art | by David Foster | rememberism.wordpress.com Reviews

https://rememberism.wordpress.com

by David Foster

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January | 2015 | Collected Writing on Art

https://rememberism.wordpress.com/2015/01

Collected Writing on Art. Archive for January, 2015. Folkestone Triennial 2014 on. January 21, 2015. Twombly and Poussin: Arcadian Painters. Postcard from Folkestone and Bexhill. How We Are: Photographing Britain. Postcard from Dublin and Dundalk. All writing David Foster 2006 2011. From The Edgelands and Deadlands of England. From The North Circular. Blog at WordPress.com.

2

The Russian Linesman | Collected Writing on Art

https://rememberism.wordpress.com/2011/07/20/the-russian-linesman-frontiers-borders-and-thresholds

Collected Writing on Art. July 20, 2011. First published in Artvehicle 41 in April 2009. The show contains a number of other similarly eye-opening revelations, and even if it sometimes seems as though Wallinger has thrown so many of his passions, interests and anecdotes into the project that any unifying thread is at risk of being drowned under the abundance of stuff, it’s undeniably a rich collection of material that rewards you the more you engage with it, and the longer you tarry in its interregnums.

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July | 2014 | Collected Writing on Art

https://rememberism.wordpress.com/2014/07

Collected Writing on Art. Archive for July, 2014. July 14, 2014. Twombly and Poussin: Arcadian Painters. Postcard from Folkestone and Bexhill. How We Are: Photographing Britain. Postcard from Dublin and Dundalk. All writing David Foster 2006 2011. From The Edgelands and Deadlands of England. From The North Circular. Create a free website or blog at WordPress.com.

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About | Collected Writing on Art

https://rememberism.wordpress.com/about

Collected Writing on Art. This is a repository of the reviews/essays I’ve written over the last few years for the online contemporary art magazine Artvehicle (www.artvehicle.com). All writing David Foster 2006 – 2011. Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public). You are commenting using your WordPress.com account. ( Log Out. You are commenting using your Twitter account. ( Log Out. How We Are: Photographing Britain.

5

Postcard from Folkestone and Bexhill | Collected Writing on Art

https://rememberism.wordpress.com/2011/07/20/postcard-from-folkestone-and-bexhill

Collected Writing on Art. Postcard from Folkestone and Bexhill. July 20, 2011. First published in Artvehicle 35 in July 2008. Happily then, many works in the Triennial are engagingly diverting. One of these is Tracey Emin’s. Another dialogue between presence and absence is played out in the old harbour, in Robert Kusmirowski’s excellent piece. The movement of the sea also plays a central role in Tacita Dean’s contribution to the Triennial, which is another of her compelling 16mm films, called. Screening ...

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Landscapes Gallery | dianajhale

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Recent work and work in progress and anything else that interests me. Marshland, acrylic on canvas. Marshland Sunset, acrylic on paper. Watery World I, mixed media on paper. Watery World II, mixed media on paper. Thoughts on “Landscapes Gallery”. June 21, 2013 at 10:39 am. June 22, 2013 at 8:09 am. Thanks – do you like them? May 19, 2013 at 4:42 pm. Beautiful, beautiful art work! December 5, 2012 at 1:59 pm. Great landscapes, almost like a mix with seascapes. April 21, 2012 at 6:06 pm. Notify me of new c...

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Collected Writing on Art | by David Foster

Collected Writing on Art. January 21, 2015. First published in Artvehicle 67 in November 2014. His main two pieces here, created in an empty shop on the Old High Street (outside which the. The Lookout theme is again encapsulated nearby in Alex Hartley’s. But when one door closes, another door opens, and the desire to experience one’s own vertiginous lookout is amply supplied in a far more interesting manner by taking a trip in. His work the surroundings become invested in the structure, and conceived ane...

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