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republicgallery.com

REPUBLIC GALLERY

REPUBLIC GALLERY: Founded in 2006, Republic is a commercial gallery focused on the promotion and exhibition of contemporary visual arts.

http://www.republicgallery.com/

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REPUBLIC GALLERY | republicgallery.com Reviews
<META>
DESCRIPTION
REPUBLIC GALLERY: Founded in 2006, Republic is a commercial gallery focused on the promotion and exhibition of contemporary visual arts.
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KEYWORDS
1 current exhibition
2 gallery artists
3 artists
4 rose bouthillier
5 jim breukelman
6 blaine campbell
7 antonia hirsch
8 hamidreza jadid
9 gwenessa lam
10 khan lee
CONTENT
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KEYWORDS ON
PAGE
current exhibition,gallery artists,artists,rose bouthillier,jim breukelman,blaine campbell,antonia hirsch,hamidreza jadid,gwenessa lam,khan lee,lyse lemieux,yedda morrison,marian penner bancroft,ryan peter,andrea pinheiro,carol sawyer,holly ward,current
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REPUBLIC GALLERY | republicgallery.com Reviews

https://republicgallery.com

REPUBLIC GALLERY: Founded in 2006, Republic is a commercial gallery focused on the promotion and exhibition of contemporary visual arts.

INTERNAL PAGES

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1

REPUBLIC GALLERY - Holly Ward

http://www.republicgallery.com/artists/ward.html

The House of Light and Entropy". The House of Light and Entropy". The House of Light and Entropy". The House of Light and Entropy". The House of Light and Entropy". The House of Light and Entropy". At Kamloops Luminocity Festival". Sunrise/Sunset: Three Early Modern Utopias, Revised. At Kamloops Luminocity Festival". At Kamloops Luminocity Festival". Acrylic ink on matte board (archival). 18 x 18 inches". Aluminum ink on matte board (archival). 36 x 36 inches". Aluminum ink on matte board (archival).

2

REPUBLIC GALLERY - Andrea Pinheiro

http://www.republicgallery.com/artists/pinheiro.html

Installation View, Republic Gallery. Installation View, Republic Gallery. Light jet print, 61 x 50 inches, ed. of 3. Light jet print, 61 x 50 inches, ed. of 3. Light jet print, 61 x 50 inches, ed. of 3. Island (Island 1 (Northwest), Island 2 (Southwest), Island 4 (West). Light jet print, 20 x 20 inches each, ed. of 3. Sensitive Paintings (Cache, Blankets, Burn, Window). Oil and cold wax on unfixed photo paper, 10 x 8 inches each. A Trip to the Moon. A Trip to the Moon. Inkjet print, 36 x 78 inches.

3

REPUBLIC GALLERY - 2014 Exhibitions

http://www.republicgallery.com/exhibitions/2014.html

November 15 to December 20. From a shopping bag. October 16 to November 8. September 10 to October 4. A TRIP TO THE MOON. Maggie Groat, Jimmy Limit, Andrea Pinheiro. June 26 to August 16. Marian Penner Bancroft, Hamidreza Jadid,. Gwenessa Lam, Lyse Lemieux. April 25 to 27. Abbas Akhavan, Kota Ezawa, Antonia Hirsch, Yedda Morrison. February 28 to April 26. SHAPED DRAWINGS: something wrong about the mouth. January 9 to February 15.

4

REPUBLIC GALLERY - Publications

http://www.republicgallery.com//publications.html

Released on the occasion of her fourth solo exhibition at Republic Gallery, the eponymous monograph GWENESSA LAM: 2004-2014. Positions the artist's interests within political, philosophical, and social contexts. Included are essays by Liz Park and Kathleen McQueen, with full colour reproductions spanning the artist’s production over the last ten years. The Most Violent Thing. In this catalogue for Republic Gallery’s 2009 exhibition The Most Violent Thing.

5

REPUBLIC GALLERY - Upcoming Exhibition

http://www.republicgallery.com/exhibitions/upcoming.html

September 9 to October 22. In Search of Fire. November 18 to January 14.

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LINKS TO THIS WEBSITE

slowfrequencyproject.com slowfrequencyproject.com

About | Slow Frequency

http://slowfrequencyproject.com/about

David Hartt / Or Gallery, Vancouver. Andreas Bunte / Or Gallery, Vancouver. Franziska Holstein / devening projects editions, Chicago. Philip von Zweck / devening projects editions, Chicago. Aaron Carpenter / devening projects editions, Chicago. Troy Briggs / Or Gallery, Berlin. Kyla Mallett / Paris London Hong Kong, Chicago. Executive and Creative Director. 119 N Peoria #2C, Chicago, IL 60607 www.three-walls.org. Jonathan Middleton, Director. 555 Hamilton St, Vancouver, BC Canada V6B 2R1. Practice of col...

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Dion Kliner: September 2012

http://dkliner.blogspot.com/2012_09_01_archive.html

Art Criticism and Catalogue Essays. Saturday, September 01, 2012. Nairy Baghramian: Class Reunion. For North America's first exposure to the art of Nairy Baghramian the. Contemporary Art Gallery has chosen Class Reunion. 2008), a collection of eighteen individual sculptures made of cast rubber, metal, and epoxy resin that are witty and intelligent. By the ensemble's title (and the titles of the individual sculptures) we are encouraged to see the gathering as a quirky cast of characters. Considering balan...

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Dion Kliner: May 2013

http://dkliner.blogspot.com/2013_05_01_archive.html

Art Criticism and Catalogue Essays. Wednesday, May 01, 2013. Day Treadeth On Night. DAY TREADS ON NIGHT (After Gill), 2012, plaster, clay, 11cm x 21cm x7cm (each). What do you see when you look out at the world? Is it primarily material or is it concept? An underlying organization of ordered elements, or a whirling chaotic randomness? However we see our world, it is very much through the acquisition and use of language, especially speech, that we individually make our peace with it. Night Treadeth on Day.

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Dion Kliner: October 2013

http://dkliner.blogspot.com/2013_10_01_archive.html

Art Criticism and Catalogue Essays. Wednesday, October 16, 2013. Darcy Mann: Into the Forest. Balagan, oil on canvas, 48 x 54 inches, 2012. Scapegoat Bush, oil on canvas, 54 x 48 inches, 2014. 80 Miles Per Hour, charcoal on paper, 32 x 48 inches, 2013. Some of the materials Mann draws with are the carboniferous remains of forest fires, but this isn't of overriding importance to her. Mann's relationship to her shrubs and trees is frustratingly complex. Them Much as it might be hoped for or expected, the i...

dkliner.blogspot.com dkliner.blogspot.com

Dion Kliner: Darcy Mann: Into the Forest

http://dkliner.blogspot.com/2013/10/darcy-mann-into-forest_5039.html

Art Criticism and Catalogue Essays. Wednesday, October 16, 2013. Darcy Mann: Into the Forest. Balagan, oil on canvas, 48 x 54 inches, 2012. Scapegoat Bush, oil on canvas, 54 x 48 inches, 2014. 80 Miles Per Hour, charcoal on paper, 32 x 48 inches, 2013. Some of the materials Mann draws with are the carboniferous remains of forest fires, but this isn't of overriding importance to her. Mann's relationship to her shrubs and trees is frustratingly complex. Them Much as it might be hoped for or expected, the i...

dkliner.blogspot.com dkliner.blogspot.com

Dion Kliner: February 2014

http://dkliner.blogspot.com/2014_02_01_archive.html

Art Criticism and Catalogue Essays. Saturday, February 22, 2014. Lyse Lemieux: Shaped Drawings: something wrong about the mouth. Red and Yellow Figure with Orange Fabric. Red with Open Mouth. When John Singer Sargent said, "A portrait is a painting with a little something wrong about the mouth," he made a complex, puzzling statement. Was he simply making a neutral observation, or was he talking about their relative value as art? Red with Open Mouth. Red and Yellow Figure with Orange Fabric. Lemieux's tip...

dkliner.blogspot.com dkliner.blogspot.com

Dion Kliner: Quality

http://dkliner.blogspot.com/2014/11/quality_6.html

Art Criticism and Catalogue Essays. Thursday, November 06, 2014. Post-Mortem and the Neo-Supine. In 1999 I was still living in New York and working at Dia, and this is what I thought:. Where is the vitalness? Its loss is the loss of the convictions, the assurances, and the expectations of art. It’s the inevitable running down of the clock. Death of art? No That would be a relief. Too dramatic. It’s worse than that. It’s simply stagnation. In the years since, nothing has happened to change my mind.

dkliner.blogspot.com dkliner.blogspot.com

Dion Kliner: November 2014

http://dkliner.blogspot.com/2014_11_01_archive.html

Art Criticism and Catalogue Essays. Thursday, November 06, 2014. Post-Mortem and the Neo-Supine. In 1999 I was still living in New York and working at Dia, and this is what I thought:. Where is the vitalness? Its loss is the loss of the convictions, the assurances, and the expectations of art. It’s the inevitable running down of the clock. Death of art? No That would be a relief. Too dramatic. It’s worse than that. It’s simply stagnation. In the years since, nothing has happened to change my mind.

dkliner.blogspot.com dkliner.blogspot.com

Dion Kliner: Etienne Zack: Aforementioned

http://dkliner.blogspot.com/2013/12/etienne-zack-aforementioned.html

Art Criticism and Catalogue Essays. Saturday, December 28, 2013. Papers I, oil on canvas, 37 x 33 inches, 2013. All history is redacted history ( Papers I. Which is to say that all history is manufactured history ( Classified. This is as true of objects as it is for events. Some things survive, others don't; at least as far as our knowledge of them is concerned. What enters the story is sometimes a matter. Not of quality or value, but merely what has the g. Ood fortune to survive. Is part giant store roo...

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